Sistema Regional de Información
en línea para Revistas Científicas de América Latina,
el Caribe, España y Portugal

El pagament per serveis sexuals és una pràctica que ha despertat interès des de la investigació feminista recentment, però, la tasca d'investigar homes i conèixer els seus discursos, sent dona, comporta tota una sèrie de dificultats i peculiaritats que són dignes de relatar. Aquest article té com a objecte il·lustrar l'experiència d'una doctoranda al llarg del procés: l'acostament als discursos sobre sexe de pagament de diferents homes residents a les Balears, la posterior elaboració i divulgació de resultats i la resposta obtinguda després de la primera exposició de resultats.

En un escenari marcat per l'augment de les investigacions doctorals feministes, la seva aplicació sovint es limita a fer treballs en els quals els estudis de cas són les dones; una realitat que es va veure reflectida a la meva pròpia tesi doctoral. Aquest article es planteja com un exercici de reflexió crítica i autoqüestionament sobre el procés de definició i desenvolupament daquest treball. Començarem reposicionant els seus marcs teòrics des dels ensenyaments del feminisme digital per, en un segon moment, endinsar-nos en les dificultats que afrontem per incorporar i mantenir els aprenentatges derivats de les epistemologies feministes. A partir d'aquesta experiència, es debat sobre la urgència d'avivar la investigació feminista i la necessitat de disposar d'eines que permetin incorporar els plantejaments epistemològics als nostres treballs, independentment de la direcció de tesis o el programa de doctorat a què s'adscriguin.

La següent proposta pretén analitzar la difícil condició tant econòmica com psicosocial en què es troba la pròpia autora, que ha optat per cursar un doctorat malgrat la impossibilitat d’obtenir una beca. Aquesta reflexió no pretén ser exhaustiva, sinó narrar aquesta experiència com una instantània d’una situació social molt precisa: la condició de precarietat generada per l’acadèmia en relació amb una subjectivitat específica que és la d’una dona, mare i migrant en formació doctoral. L’estudi de cas serà observat a través del mètode de l’autonarració antropològica i des d’una perspectiva antropològica i feminista interseccional; fent ús també d’eines multidisciplinars centrades en els estudis decolonials, miraré de detallar els efectes generats per la condició de ser dona/mare, estudiant/desocupada i migrant.

In the following lines I share the reflections and feelings that guided the methodological process in the elaboration of my doctoral thesis ‘Affirmative action for indigenous representation also brought with it violence’. Political violence against indigenous women in Hidalgo, which I constructed between 2019 and 2022 in a province in central Mexico. My interest focused on women actors who had competed in elections through political parties, in order to understand the meanings they attribute to the obstacles they face when participating in politics, from their personal experiences and in relation to the community. The work resulted in a weaving of knowledge, intuitions, and deep reflections that my interlocutors gave me to shape the research.

The micro-story has had, in recent decades, the support of authors, critics and the academic world. Finally, it has been included in the syllabus of the subject Spanish Language and Literature and, therefore, in the Spanish textbooks of Secondary Education and senior high school level. In these pages, both the phenomenon of the rise of short forms since democracy and the concept of the genre itself are explained. This paper examines a corpus of textbooks in order to understand the ideas taught to our students from a theoretical and historical point of view. The degree of incorporation of the micro-story into the repertoire of forms, the approach used for its definition and the models and authors highlighted have been reviewed. Although there is agreement in the use of the term "micro-story", the pragmatic and formal properties pointed out are heterogeneous. As for the selected examples, surprising and fantastic stories predominate (most of them coming from the other side of the ocean) and still show a canon of storytellers in the process of consecration that will require future revisions. 

The objective of this article is to analyze the reflections on word and language developed in Máximas y mínimas de sapiencia pedestre escuchcdas al desgaire sin certificación de autenticidad (1982), a book of minifiction by the Peruvian writer Emilio Adolfo Westphalen. To do this, we focus on the texts «Ídolo», «Hojas secas» and «Error de cálculo», which more directly address the relationship of the enunciator with the words and with the created work, more specifically the poet with poetry, and from a critical look that evaluates the poetic task. In this regard, it should be noted that Westphalen, in all of his production, has poetry as the main object of thought and representation, which is why the various readings have remained on the poetic theme.           Although Máximas y mínimas de sapiencia pedestre escuchcdas al desgaire sin certificación de autenticidad constitutes an essential moment in Westphalen’s fictional work, especially because it involved the adoption of very brief prose as the predominant scriptural form to incorporate a series of resources that verse did not allow, has not received due attention from specialized critics, mostly focused on Westphalen’s first two collections of poems. With the present approach, it is also intended to cover this gap in the studies on Westphalen’s literary production.

The purpose of this research is to postulate that some texts from the set called "Tojjras" by Gamaliel Churata require to be read as micro-texts from a Western and / or Andean matrix, due to the influence of avant-garde characteristics that summon their structure (micro-story) and elements Andean subjects that fall on the developed themes (ichik willakuy). To achieve this objective, in the first place, they examine whether the “Tojjras” meet the criteria of extension, fiction and mode of representation, in order to establish that they are micro-stories (brief, fictional and narrative); and, secondly, the topics developed are analyzed in order to determine if they correspond to those addressed in the ichik willakuy. Consequently, it will be concluded that some "Tojjras" are short fictions that belong to the western and Andean matrix of short fiction, that is, these are Andean micro-stories of the avant-garde.

The following research aims to analyze the anthological publications of the last sixteen years in Peruvian literature regarding the creation of micro-stories/minifiction, a genre that apparently has begun to be cultivated in recent decades. However, in the various publications that will be analyzed, the inclusion of certain writings dated to the middle and beginning of the twentieth century, and prior to this, intend to go against what is mentioned and known by critics. It is for this reason that, in the review of the existing anthologies, the criteria used by the authors for the collection of the writings and the cataloguing of these as micro-stories / minifiction will be evaluated, at the same time that the differences in the parameters used for the selection of the texts between each anthology will be traced, showing progress or evolution in the understanding of the genre of the micro-story and opening the panorama for a deeper study. of the phenomenon

Reseña del libro Espejos, de Ary Malaver