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546,196 artículos
Año:
2020
ISSN:
0718-7181
Losiggio, Daniela
Instituto de Estética. Facultad de Filosofía
Resumen
The present work aims to restore the problem of the Warburg’s method. First, we will analyse the influence of Jacob Burckhardt and Robert Vischer in the Warburguian proposal of a psychology for the approach of cultural phenomena. Then, we will discover that Warburg moves from this approach towards a new concern for the way in which impersonal forces produce historical-cultural senses. As we propose here, on the one hand, this movement is mediated by the configuration of a critique towards aestheticism and historicism (made explicit in 1900 through a famous epistolary exchange with André Jolles); on the other hand, it allows a better understanding of the notion of surviving pathos as well as the Warburguian interest for developing a theory of social memory, influenced by Richard Semon.
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Año:
2020
ISSN:
0718-7181
Hermosilla Órdenes, Estefanía Paz
Instituto de Estética. Facultad de Filosofía
Resumen
This paper investigates the nature of the ghost and terror into philosophical thought, and how it allows us to reconsider, in the field of epistemology, the experience of terror in the perception, understanding and knowledge about reality. This analysis is developed, firstly, by means of the recovering of the evil genius figure mentioned in the Metaphysical Meditations by Rene Descartes, which provides a key to reconsider terror as an element present in the conformation of subjectivity. Besides that, it is based on the considerations on Jacques Derrida’s cinema as a device for the production of spectra, meanwhile it allows us to understand the figure of the ghost as that which disrupts and alters the reality. Both lines of study converge in the analysis of the Uruguayan horror
film The Silent House, directed by Gustavo Hernández, which opens the possibility of appreciating how terror is a bodily experience that allows the subject to access a new understanding of himself and his world.
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Año:
2020
ISSN:
0718-7181
Ríos Flores, Pablo Facundo
Instituto de Estética. Facultad de Filosofía
Resumen
During the interwar period Europe experienced a crisis of traditional modes of political and social legitimacy, which soon provoked the search for an “exit” and renewal of the old foundations of sovereign power. In “De l'évasion” (1935) Levinas was able to recognize this epochal feeling and simultaneously warn about the underlying dangers of new salvific projects. The present article aims to analyze the Levinasian reflections of 1935, based on a
joint study over his Talmudic Readings “Desacralization and Disenchantment” and “Damages Due to Fire” (1971), as well as the work Amédée ou Comment s'en débarraser (1954) by Eugène Ionesco. This will allow to comprehend the meaning granted by Levinas to the elemental atmosphere that penetrated the interwar Europe, as well as the Levinasian commitment to the work of art as a model of thinking an escape or evasion from that epochal atmosphere.
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Año:
2020
ISSN:
0718-7181
de la Maza Chevesich, Josefina
Instituto de Estética. Facultad de Filosofía
Resumen
In 1972 a tapestry titled Janus (ca.1960) made by French artist Jean Lurçat (1892-1966) arrived in Chile. The donation, probably made by his widow, echoed the call for a project conceived to support the Chilean way to socialism: The Museum of Solidarity. Janus is the only tapestry of the museum’s collection. Having as a starting point a brief review of the relevance of the French pictorial tapestry movement during the first half of the 20th century and its oblique presence in the Chilean context, this text introduces the life of this artwork in relation to the organization of the Museum of Solidarity and its subsequent existence after the coup d'état in 1973.
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Año:
2020
ISSN:
0718-7181
Lloga Sanz, Carlos Guillermo
Instituto de Estética. Facultad de Filosofía
Resumen
The present work is a theoretical study that compares the modes of documentary representation provided by Bill Nichols, Michael Renov, and John Corner. Such paradigms correspond to the increase of documentary studies from the beginnings of nineties of 20th century. They have become prominent guides for the reinterpretation of aesthetics and history of documentary film. The critical revision proposed here includes the analysis of specific examples of Cuban documentary films produced by Cuban Institute of Art and Cinematic Industry (ICAIC) between 1959 and 1991. The three models followed identify different theoretical backgrounds over which project the image of documentary, for that reason, this study argues for the triangulation of the categories in the exam of significant volumes of documentaries.
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Año:
2020
ISSN:
0718-7181
Arancibia Carrizo, Juan Pablo
Instituto de Estética. Facultad de Filosofía
Resumen
Several contemporary analyses postulate a change in the representational regime over “the public sphere” —destitution of lógos through the irruption of the image. Given this diagnosis, we suggest addressing the premature existence of a visual regime that is constitutive of the public field. There it is composed a regime of images that expresses the conditions of visibility and the grammars of the civic order which diagram the birth of the city and the “political community”. This research report postulates the need to undertake a “visual archaeology of the public sphere” that notices the historical, figurative and performative density of an incipient configuration of the “public image” and the visual order of “the public sphere”.
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Año:
2020
ISSN:
2708-8960, 0252-8835
Vito Paredes, Jaime
Universidad Católica San Pablo
Resumen
This article analyzes some of the positions held by the popes about the process of Hispanic American Independence. Noteworthy is the analysis of how transformations brought about by the transition from the XVIII to the XIX century, conditioned the pontiffs’ beliefs when faced with both the new liberal, republican and lay politics and the threat to traditional order in a period of acceleration of historical dynamics in the new Atlantic world. Among specific problems, this article covers the birth of patronage and the acknowledgment of the new Hispano-American republican states. Finally we use a new perspective as an attempt to explain why states throughout Hispanic America developed into confessional republics linked to the roman apostolic catholic church instead of creating their own national catholic churches.
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Año:
2020
ISSN:
2708-8960, 0252-8835
Bellido Nina, José Luis
Universidad Católica San Pablo
Resumen
Simón Bolívar and José Sebastián de Goyeneche were two personalities who devised and defended State models from an enlightened thought and a catholic thought, respectively. Notions such as nation, religion and liberty, shaped ideals and fidelities, authority and obedience, social, political and ecclesiastical orders. This paper tries to approach the constitutional Republic in the bolivarian ideology and the catholic Republic in the doctrine of the bishop from Arequipa reflected in their speeches and epistolary amid a tense public space for subordinating and defending the obligations and rights of the Church and religion before the statehood and the secularization process.
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Año:
2020
ISSN:
2708-8960, 0252-8835
Cavieres Figueroa, Eduardo
Universidad Católica San Pablo
Resumen
This article deals with historical facts underlying the current secularization process including its relationships with modernity and liberalism. It also analyses part of the thought of a colonial family about the process, with an emphasis on its definition of «positive secularity». The main point focuses on State-Church discussion on power scopes.
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Año:
2020
ISSN:
2708-8960, 0252-8835
Cavieres Figueroa, Eduardo
Universidad Católica San Pablo
Resumen
The dossier that is presented in the following pages, entitled "The Church and Independence in Latin America, particularly in the cases of Chile and Peru (Arequipa)", emerged at a working meeting held at the Pontificia Universidad Católica de Valparaíso in October 2018. The said session - colloquium - was the result of a previous agreement between the Ibero-American Studies Program (PEI * sur), of the said university and the Center for Peruvian Studies (CEP) of the Catholic University of San Pablo, Arequipa, and therefore had the presence of academics from both houses.
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