ISSN: 2310-2799
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546,196 artículos
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Año:
2020
ISSN:
2036-0967
Porciello , Michele
Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
Resumen
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Año:
2020
ISSN:
2036-0967
de Oliveira , Vera Lúcia
Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
Resumen
Raul Bopp was the last modernist to have works gathered, in 1998. He is one of the most original writers of Brazilian Modernism. The study of Cobra Norato, his best-known book, is the subject of a chapter in my Poesia, mito e história no Modernismo brasileiro (2015). I propose an analysis of Urucungo, a lesser-known book in spite of great interest in terms of critical and original focus on the African presence in Brazil, and for rebuilding moments of slaves' tragic life by means of poetic words.
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Año:
2020
ISSN:
2036-0967
Lippi , Chiara
Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
Resumen
Within the Northern Mexican Literature, a new generation of writers has emerged, disenfranchised from prototypical northern elements: the border, violence and drug trafficking. La Biblia Vaquera stands out for its emblematic postmodern experimentation. By analyzing Velázquez’s wordplays, this paper aims at highlighting the norteño literary space which does not identify with borderland dynamics, but with game as an act of creating reality, as well as a postmodernist antidote against the delegitimation of Knowledge (Lyotard, 2018).
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Año:
2020
ISSN:
2036-0967
Rodríguez-Blanco, Sergio; Andrade, Laura
Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
Resumen
In Colombia, during the so-called "post-conflict", and under the Law 1448, which seeks to repair the pain of the victims of the armed conflict, several non-fiction comics sponsored by the State have been published, in order to reconstruct the memory of displaced communities. From a critical perspective of the narratives and hegemonic regimes, this article analyses the fetishization of pain, the narrative of the victim, and the relationship between power and production of truth in La Palizúa and Sin mascar palabra, two of the non-fiction comics published in this context.
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Año:
2020
ISSN:
2036-0967
Ángel Reyes, Johanna C.
Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
Resumen
This essay aims to study the media trajectory of the male characters linked to drug trafficking in Mexico, and the configuration of imagery around style and fashion through different channels, including the transmedial displacement of the news about captures, as well as the acts of charity promoted by their relatives. We discuss how the creation-configuration of characters clad in a “heroic” halo, which is part of the figuration and influence in popular culture, contributes to the deactivation of the stereotypical hegemonic narrative of the figure of “the narco”.
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Año:
2020
ISSN:
2036-0967
Mastrogiovanni, Federico
Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
Resumen
El objetivo de este dossier es explorar las implicaciones del aparato discursivo del “narco” en sus dimensiones culturales, sociales, políticas, literarias, artísticas, geográficas, antropológicas, históricas, fotográficas, audiovisuales y de la producción material de la cultura para ofrecer una mirada crítica que ayude a darle la justa dimensión a un concepto que ha sido y sigue siendo central en la explicación de relaciones de poder y violencia en el continente latinoamericano, también en su relación con el resto del mundo.
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Año:
2020
ISSN:
2036-0967
Blanco Pérez, Manuel
Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
Resumen
In this text we will discuss the construction of a new aesthetic discourse on drug violence through audiovisuals in Latin America. Such a discourse is elaborated among different arts: literature or popular music (narcocorridos). In this article we will focus on the interpretation of historical events in the audiovisual products such as documentary, fiction and series. Specifically, we will analyze the fiction film Loving Pablo by León de Aranoa (2017), the documentary Ni vivos ni muertos by Mastrogiovanni (2014) and the series Narcos produced by Netflix (Padilha, 2015).
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Año:
2020
ISSN:
2036-0967
Correa-Cabrera, Guadalupe
Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
Resumen
This article analyzes the processes and narratives that predict a new phase of Mexico’s security strategy in the Trump era and in the eve of a key presidential election in the United States. This piece also describes the evolution of criminal paramilitaries in Mexico and the renewed attempt in the United States to denominate Mexican “cartels” as foreign terrorist organizations. The resulting militarization and armed conflict would benefit important national and foreign political and entrepreneurial groups, particularly in the energy sector.
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Año:
2020
ISSN:
2036-0967
Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio Cuttica
Mastrogiovanni, Federico
Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
Resumen
The intention of this work is to analyze the photographic reportage “Mexican (B)order movies” by Fabio Cuttica as a product of the imaginary about violence in Mexico. By means of a theoretical approach focusing on the use of the device of irony, we aim to understand the various strategies with which a journalistic photo is able to build, deconstruct or criticize the imaginary about violence as well as the hegemonic discourses on narcoculture.
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Año:
2020
ISSN:
2036-0967
Oliver, Felipe
Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
Resumen
The drug trafficking fiction is expanding throughout a new geography. The almost recent appearance of Galician novels about cocaine trafficking in Northern Spain and the connections between the local capos with Colombian and Mexican cartels enriches the field of study of the so-called “narco-literature”. The aim of this work is first to question the social, political, and economic problems that favored drug trafficking in Galicia, through the analysis of a collective memory. Moreover, this work proposes the somatization of the body as a possible point of contact between Galician fictions and their Colombian and Mexican counterparts.
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