ISSN: 2310-2799
Aviso:
Los resultados se limitan exclusivamente a documentos publicados en revistas incluidas en el Catálogo 2.0 de Latindex.
Para más información sobre el Descubridor de Artículos escribir al correo: descubridorlatindex@gmail.com.
Leer más
Búsqueda por:
546,196 artículos
|
Año:
2020
ISSN:
0719-1529, 0716-3991
Peters, Tomás; Lagos Lira, Claudia
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
|
|
Año:
2020
ISSN:
0719-1529, 0716-3991
Oubiña, David Leonardo
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
This article retrieves the proposals of British cine-structuralism and examines Peter Wollen’s ideas in his book Signs and Meaning in the Cinema that played a crucial role in the constitution of a new critical perspective. Drawing from Claude Lévi-Strauss' anthropology, the British structuralists from the 1970s conceived films as a system of messages ruled by a code. Facing the risks implied in the “cult of personality” (as it could be verified in the notion of auteur proposed by Cahiers du cinéma in the 1950s), the critics associated with the journal Screen worked on the materiality of forms, conceiving the authorial figure as a consequence –not as the origin– of the work. Wollen's book embodies that moment of transition where the figure of the spectator is revalued and begins to perform a central role in art and communication studies.
|
|
Año:
2020
ISSN:
0719-1529, 0716-3991
Figueiredo Souza, Ana Luiza de
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
Debates on motherhood have proliferated on social media, especially in Brazil. Through personal narratives, different women share their motherhood experiences online, creating support, negotiation and conflict networks. The paper aims to study: which values are disputed through these narratives; in which ways does the use of social media make the problematization of motherhood visible; and how personal narratives integrate the dialogical environment of digital culture. The corpus consists of nine Brazilian posts ‒ three on fanpages on Facebook, three on personal profiles on the same site, and three blogs about motherhood ‒ along with their comments. The methodology applied relies on Computer-Mediated Discourse Analysis (CMDA). Online discussions about motherhood disclose a potential of propagation, generated by participants' discursive performances.
|
|
Año:
2020
ISSN:
0719-1529, 0716-3991
Lozano, Sandra
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
Lately, television shows mixing up fiction and history have turned into a trend in Spain. Because of that, a critical historic framework is necessary in order to analyze the characters depicted by these TV shows. Otherwise, viewers watching such historical shows could eventually assume as accurate historical depictions of characters included by this type of series. Following theoretical frameworks and studies about representations and gender, this article analyzes characters depicted in historical Spanish TV shows produced between 2011 and 2018. The study discusses the archetypes (or discourses of disruption) as well as the stereotypes (generalized discourse). This research demonstrates that characters representing historical persons in these shows tend to match the actual historical figure and, at the same time, proves there are innovations, too (or archetypes).
|
|
Año:
2020
ISSN:
0719-1529, 0716-3991
Abreu, José Antonio
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
|
|
Año:
2020
ISSN:
0719-1529, 0716-3991
Grassau, Daniela; Mujica, Constanza; Bruna, Alejandro
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
Increasingly, the screens of Latin America, in both broadcast and pay TV or streaming, have expanded their offer of Asian fictions with high melodramatic content. In them, it is possible to find elements that approach it and others that distance it from the Latin-American television genre par excellence: telenovelas. This work seeks to understand the reasons behind the success of doramas in Latin America from an interpretive-professional perspective based on semi-structured interviews with Chilean scriptwriters of telenovelas, who discussed the series Switched as a case study. The results suggest that, among the characteristics that potentially link its success in Latin America are, on the one hand, the rescue of elements of classic melodrama —archetypes, a strong love story, universal conflicts— and, on the other, a restructuring of the genre linked to the Asian cultural idiosyncrasy and the use of narrative and audiovisual elements attractive to the youth-adolescent public.
|
|
Año:
2020
ISSN:
0719-1529, 0716-3991
Vanhaelemeesch, Jasper
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
Contemporary Central American film cultures can be conceptualised as postconflict, and post-Third-Worldist (Shohat, 2004), small (Hjort & Petrie, 2007) cinemas that, in absence of strong state-regulated support structures, have come to rely heavily on their relations to national and regional film festivals (Ahn, 2012). This paper introduces findings gained through ethnographic fieldwork at film festivals in the Central American and Spanish Caribbean regions, with a focus on the ACAMPADOC International Documentary Film Festival in Panama, the only film festival in the region dedicated exclusively to the documentary film genre. The paper also briefly refers to data from on-going research that maps Central American films and filmmakers in a basic network analysis. The reported findings broadly cover what are identified as five areas of concentration in the study of film festivals, based on the understanding of festivals as nodal interfaces for film cultures (Iordanova, 2015).
|
|
Año:
2020
ISSN:
0719-1529, 0716-3991
Garcia Rivas, Carlos Daniel
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
The Cold War unleashed several radical changes, both socio-economic and political, affecting communities and individuals all over the world. The macro political upheavals triggered by this global phenomenon affected workers of the cultural and film industry in a very concrete, daily-based way, in Argentina. The surveillance deployed by the police against some individuals directly or indirectly linked to communism was one of them. Based upon a close reading of the archives of the Board of the Police Intelligence of the Province of Buenos Aires (DIPPBA), this article depicts the surveillance tactics deployed by the police during the Mar del Plata International Film Festival of 1959 and 1960. The DIPPBA identified and monitored individuals suspected of having a relationship with communism. The police strategies were articulated under the organization provided by the Mar del Plata Film Festival.
|
|
Año:
2020
ISSN:
0719-1529, 0716-3991
Jurado-Martín, Montserrat
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
The surge of techniques of virtual reality applied to cinema carried out an actual revolution for the film industry. Indeed, such features applied to the development of several dimensions of the audiovisual, mainly video games, broadened production, exhibition, and commercial expectations. This phenomenon has not gone unnoticed by film festivals as part of cultural and creative industries. Nonetheless, in Latin America, there are only a few events exclusively devoted to virtual, augmented, 360o, or immersive reality applied to films. By analyzing the film festivals’ official web pages retrieved through the FilmFreeWay database, this paper describes some key features of Latin American film festivals specialized in these areas of visual production. The review shows that such efforts are in their very early stages, in the making, or they have not triggered the interest of the local film industry.
|
|
Año:
2020
ISSN:
0719-1529, 0716-3991
Unda, Pablo Felipe Andrés; Crisóstomo, Paz Andrea
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
Los 80 (2008–2014), one of the most outstanding Chilean fiction series in terms of critics and audience results, motivates a narrative analysis focused on the first chapter of this production, to deepen in the dramatic study of serials stories that achieves a strong identification and anchorage in viewers over several seasons. This allows to develop a Series Construction Matrix, which seeks to contribute to the analysis and creation of fiction series that aspire to a wide audience willing to watch (and watch again) a story composed by many chapters. It is finally established that this relationship is possible through a chapter one that contemplates dramatic resources that make possible an exciting and coherent narrative expansion of the series.
|
Hecho en México, Universidad Nacional Autónoma de México (UNAM). Todos los derechos reservados 1997-2022. Esta página puede ser reproducida con fines no lucrativos, siempre y cuando no se mutile y se cite la fuente completa y su dirección electrónica. De otra forma, se requiere permiso previo de la institución por escrito. Mapa del sitio | Créditos
