Sistema Regional de Información
en línea para Revistas Científicas de América Latina,
el Caribe, España y Portugal

Os dados fazem parte do cotidiano de todos, são números e informações que nos permitem interpretar e decidir como agir a partir desta nova consciência. Em 2019, foi realizada na Casa Firjan, no Rio de Janeiro, a exposição “Data Corpus - A vida decodificada”, uma imersão interativa sobre o universo dos dados. Esta entrevista foi realizada com Barbara Castro, profissional de visualização de dados e co-curadora da exposição.

Abstract This article aims to introduce reflections on post Covid-19 crisis trends for the Creative Economy sector. The main argument is that the trends have changed due to coronavirus pandemic, causing a strong global economic crisis. For this purpose, a desk research was carried out - both bibliographical, regarding the central themes, for the construction of the theoretical reflection presented, and of documents (newspaper and magazine articles) about the Covid-19 pandemic impact on the Creative Economy sector and alternatives that Brazilian and foreign entrepreneurs had to find in order to circumvent the crisis caused by Covid-19 Keywords: creative economy, Covid-19, pandemic, crisis, trends

Entre compromissos profissionais e tarefas domésticas durante o momento difícil das restrições impostas pelo Covid-19, deparei-me algumas vezes com a cena de um abacaxi já maduro, pronto para ser consumido, e a difícil tarefa de “descascar o abacaxi”. Resolvi, portanto, transformar em ilustração digital esse fruto delicioso, doce e cheiroso, oriundo de regiões tropicais e subtropicais, já cultivado no Brasil pelos indígenas antes de ser descoberto e transportado ao mundo. 

Editorial da Revista Diálogo com a Economia Criativa v.5 n. 14 2020

The extraordinary capacity of ‘reinvention’ that the painting is developing in the last decades allow to affirm its full vitality: an interesting process of redefinition that is projected in parameters intrinsic to the pictorial language or in others until now little treated, providing the final result plurality, nuances, polysemy and pertinence. These potentialities must be related to the current Technological Age, contaminated by cybernetic, digital and photographic resources. Two emerging artists, Federico Miró and Alejandro Martín, pose in their plastic inquiries a twist to the fascinating world of pictorial creation. The study of historical proposals leads them in each case to discover new paths that border the figurative and the abstract, with points in common but also with notable divergences. And the light acting as a suggestive vehicle to concretize images or check how their projection and reflection on certain elements can be the object of new perceptions.    

 Research on the components of the brotherhoods of Jesus Nazarene in Cartagena and Murcia has shown that until the end of the seventeenth century they were craftsmen and since the end of the same were traders and merchants, as well as craftsmen, or as early as the eighteenth century noblemen were added. This evolution was manifested in the fact that in an early period the artistic achievements of the artisans were scarce, while the incorporation of merchants and merchants led to the enlargement and decoration of chapels and even the incorporation of valuable images, but the greatest achievements were obtained in the middle of the XVIII, with the incorporation of retablos and sculptures or steps of sets of images, among which the sculptor Francisco Salzillo..    

This analysis focuses on an allegory of the nuns as part of the sacred herd and protected by the Good Shepherd; it represents a small sheep with white wimple and black veil, referring to a professed nun, living in the mystical garden of the convent in the promise of the spiritual union with Jesus Christ. With a function that transits among an allegorical, identity and ceremonial status, the presence of the sheep in the convent becomes a mnemotechnical and craft prayer made by the nun who would affirm her belonging to the spiritual herd of Christ when creating this kind of objects.    

The main aim this paper tries to reach is to review Spanish female writer Rosa Chacel’s lyrical poem “Apolo” in order to analyze the way she finds to incorporate Apollo Greek god’s sculpture into her piece of work, which comes to add a new point of view when reading the poem itself because, so far, it has just been said that Chacel uses Greek god’s characteristics to write her piece of art and not his sculpture, that is the idea this paper defends.    

 Intertextuality in its different types is a textual feature, which can be very useful to the recipient in order to decode, enrich or modify their intentional meaning. The manga Sailor V portrays clear examples of intertextuality, as well as different degrees of mediation in its Spanish translation, where more or less conservative strategies have been applied with the aim of mediating between the author and the reader, for a better understanding of the myriad of messages contained in this masterpiece.    

These pages would want to be a map for the reader which he would use to find some hermeneutics keys and to understand the way of the thought that postulates life as an art work. Thus, the purpose of the essay is to suggest a philosophical hypothesis about the origin of this notion and, at the same time, to explain some of the decisive factors in the process of shaping of this phenomenon of artistic life.