ISSN: 2310-2799
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546,196 artículos
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Año:
2020
ISSN:
1688-1281
Cosco Montaldo, Homero
Sociedad de Cirugía del Uruguay
Resumen
Presented at session 31th August 1955
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Año:
2020
ISSN:
1688-1281
Nin Vivo, Esteban; Guglielmone, Oscar
Sociedad de Cirugía del Uruguay
Resumen
Presented at session 5th October 1955
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Año:
2020
ISSN:
1688-1281
Ardao, Héctor
Sociedad de Cirugía del Uruguay
Resumen
Presented at sessin 13th July 1955
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Año:
2020
ISSN:
1688-1281
García Capurro, Rafael; Giuria, F; Marín Sánchez, F
Sociedad de Cirugía del Uruguay
Resumen
Presented at session 3rd August 1955
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Año:
2020
ISSN:
1688-1281
Otero, José Pedro
Sociedad de Cirugía del Uruguay
Resumen
Presented at session 13rd July 1955
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Año:
2020
ISSN:
1688-1281
Caprio, Gerardo
Sociedad de Cirugía del Uruguay
Resumen
Presented at the Session of October 16th, 1946.
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Año:
2020
ISSN:
1688-1281
Lockart, Jorge
Sociedad de Cirugía del Uruguay
Resumen
Presented at session 3rd August 1955
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Año:
2020
ISSN:
2530-6014
Mostaza Prieto, Abel
Universidad de Málaga
Resumen
The medieval music is a mystery. The one whose legacy comes from the 12th century until today is only preserved in muted manuscripts that require a hypothetical reinterpret of how world might sound. However, thanks to the architectural art of some temples as well as the few specimens preserved from this Romanesque period, the Music Archaeology has been able to recreate its physiognomy and probable sonority.
In a testimonial way, these same instruments present diverse origins as they offer us a historical and religious ideal of a society where the art of war coexisted with Art (in capital letters). The transmission and exchange of culture has been stamped precisely in the sculptural representations of these temples, probably as a Christian critique of immoral activities, and the province of San Esteban de Gormaz gives us a sample of all this.
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Año:
2020
ISSN:
2530-6014
Echarte Cossío, María José
Universidad de Málaga
Resumen
We make a reading of the painting Bacchus or St John the Baptist, based on a method that applies to it the classic myth of Dionysus-Bacchus. We divide its content into three parts: 1. Introduction (objective and method; the double name, Dionysus-Bacchus; narration of the myth in ΝόννοςΠανοπολίτης) 2. Reading of the painting(hipothesis of the representation as St John the Baptist: some opinions; hipothesis of the representation as Bacchus: our opinion) 3. Conclusion (Leonard's Bacchus: an interpretation of Dionysus-Bacchus as neutralizer-God of the opposites. We make punctual comparisons with Jheronimus Bosch.
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Año:
2020
ISSN:
2530-6014
Flores Hurtado, Carmen
Universidad de Málaga
Resumen
The music video is one of the most powerful media in the Visual culture. His relationship with other arts leads him to be formed as a form of hybrid expression, where cinematographics aspects, sound and light play a fundamental role. The body, as one of the key elements in the Art History, will take a great role in the audiovisual world, becoming the main protagonist, in many cases, of a multitude of disciplines and forms of artistic expression. Through the video Fuego of the group Vetusta Morla will be able to study different aspects of the relationship between the body and Visual culture.
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