ISSN: 2310-2799
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546,196 artículos
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Año:
2020
ISSN:
2530-6014
Janeiro Obernyer, Jessica
Universidad de Málaga
Resumen
This article examines Francesca Woodman and Rebecca Horn’s oeuvre, establishingconnections between their work, their work and their biographies, their artworks and their selves. In their art practices, they create prison-like and claustrophobic environments that reflect their inner selves, their traumas and their anxieties. Through the embodiment of space, they portray themselves, thus, blurring the limits between inner self and outer world, between body and space. By closely analysing their work and their lives, this article sets forth the idea that their work can be read as a dynamic and visual autobiography, as kinetic and psychological self-portraits of these two female artists.
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Año:
2020
ISSN:
2530-6014
Mundina García, Marisa
Universidad de Málaga
Resumen
This paper gives a global vision about Tribunal of Inquisition in Barcelona, XVI c. as it is explained by primary and secondary sources. It is explained special features of Inquisition in Barcelona in s. XVI under Fernando de Loaces and the demands to the Cortes in 1510, 1512 and 1515-1516. It is showed main crimes committed, process and punishments applied
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Año:
2020
ISSN:
2530-6014
Melero Guirado, Ramón
Universidad de Málaga
Resumen
It is paradoxical that Andy Warhol, one of the artists after the middle XX century who has pay more attention to the images power, painted a large group of monochrome canvases. This article offers an interpretation of these singular works and their compositions in polyptychs, starting from the paradigmatic "Before and after" (1962) and focusing on the series realized between 1963 and 1964 with silver painting. To that end, we take as reference the artist's own reflections about the concepts of beauty and her own image.
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Año:
2020
ISSN:
2530-6014
De la Fuente McIntyre, Domingo
Universidad de Málaga
Resumen
The purpose of this article is to question the feasibility of considering liberal democracy as the pinnacle of human ideology. Was Fukuyama right when he proposed the end of history –understood as the advancement of ideology- with the end of the Cold War and the definitive consolidation of the idea of occident, manifested in the model of liberal democracy?
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Año:
2020
ISSN:
2530-6014
d´Amore Domenech, Roberta
Universidad de Málaga
Resumen
Starting from the myths of Apollo and Dionysius and the aesthetic attributes of Nietzsche, given to the deities in the The Birth of Tragedy, some connections were found between the Apollonian and Dionysian, the anima and animus of Jung and the ying and yang of Tao Te Ching. The link points of the Apollonian and Dionysian, the Anima and Animus and the Ying and Yang will serve as aesthetical attributes for the purpose of forming a better psycho-aesthetical and metaphysical understanding of the figure of the Artist and their artworks.
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Año:
2020
ISSN:
2530-6014
Flores Hurtado, Carmen
Universidad de Málaga
Resumen
In recent years, the ephemeral art has begun to inhabit the urban environment more than ever. He has taken to the streets with the intention to transform public space and to interact with society. Whitin this, ephemeral architecture takes the role, becomes an essential engine for the creation of reflections on new forms of expression, and allows you to redefine the notion of traditional architecture. The ephemeral merges with the city and give rise to reachable and inclusive space.
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Año:
2020
ISSN:
2530-6014
Gómez Campos, Celia
Universidad de Málaga
Resumen
Expressionism is a universal movement that can be placed in different contexts throughout art history, but it can’t be merely reduced to an Avant-garde movement. This paper seeks to show how this reality can flourish in any age and in any place, in which can be found similar features. To achieve this goal, I will perform a comparative analysis of the German Expressionism and the Latin American Modern Art: similarities between them, the aesthetics and the purpose of art itself. The main focuses of this work are Käthe Kollwitz, George Grosz and Otto Dix, German artists, and, as the paradigm of this movement in the Latin American ambit, the Ecuadorian artist Oswaldo Guayasamín.
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Año:
2020
ISSN:
2530-6014
Gutiérrez García, Rosa
Universidad de Málaga
Resumen
The Exhibition Society of Traveling Art, also called "The Travelers" or "The Wanderers" was formed in Moscow in 1870 as a group of artists seeking to deny the academic standards of the School of Fine Arts of St. Petersburg, claiming social freedom to the detriment of artistic freedom. The present study analyzes the artistic transgression exercised by different painters in the social context of prerevolutionary Russia and what was its repercussion on the aesthetic theory of the moment.
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