ISSN: 2310-2799
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546,196 artículos
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Año:
2020
ISSN:
2526-1789
Miranda Chave, Liana
Universidade Anhambi Murumbi
Resumen
AIn the present work I look at the influence of architecture in Brazilian and Portuguese fashion from the collections of some Brazilian stylists and a Portuguese stylist. To do so, I give a brief history of the social dress of fashion and show the influence of Brazilian architecture in the collections of designers who have contributed to the history of fashion, seeing the influences of the architectures of Lina Bo Bardi, Oscar Niemeyer and Ruy Ohtake in some collections of Brazilian fashion designers. Finally, I present a collection of the Portuguese stylist Miguel Gigante with strong influence of the Portuguese Architecture and medieval traditions of the Historical Villages of Portugal.
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Año:
2020
ISSN:
2526-1789
Fernandes de Andrade, Allisson José; Schmidt Alves Díaz Merino, Giselle; Díaz Merino, Eugenio Andrés; Forcelini, Franciele; Triska, Ricardo
Universidade Anhambi Murumbi
Resumen
Rheumatoid Arthritis (RA) is a chronic disease of autoimmune origin, which mostly affects women aged 40 to 70 years. Thinking about the well-being and quality of life of this population, and the search for the satisfaction of human needs, the research aims to raise the physical and cognitive abilities / limitations of a subject with RA through the User-Capacity Toolkit (UCT). This set of tools aims to guide the stages of data collection, organization and analysis in Assistive Technology (AT) projects. The results demonstrate that the main limitations of the subject are related to the performance of simple activities of daily living, as well as to the handling of the product in question, due to its limitations of strength and dexterity caused by RA. These difficulties reduce the subject’s autonomy, who ends up needing the help of another person. However, it becomes evident the need for ATs that can reduce this dependency, allowing autonomy, comfort and safety for the user.
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Año:
2020
ISSN:
2526-1789
Dias Maximo, Fabio Henrique; Monteiro de Oliveira, Luísa; Urban Bernardes de Menezes, Rodrigo Octávio; Carpintero Rezende, Edson José
Universidade Anhambi Murumbi
Resumen
Sometimes design produces goods that satisfy the individual’s desires just by consumption. The current socioeconomic system is based on the assumption that mass production can provide individuals with an increase in their quality of life through the consumption of products and services. In this panorama, we will discuss the configuration of the consumer society and the contributions of design to well-being. The discussion will take place on two fronts: to demonstrate how the sense of well-being and comfort were modified by the trade in products and services and; to point out how the planning of design projects contributes to the maintenance of this socioeconomic system based on consumption. The discussion in this article seeks to demonstrate that economic growth, industrial development and increased production that makes new products feasible and that facilitates the access of these goods to the whole society does not provide the much desired social well-being of a population.
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Año:
2020
ISSN:
2526-1789
Spricigo, Vinicius
Universidade Anhambi Murumbi
Resumen
This paper analyses the origin of international exhibitions in the nineteenth century as a model for contemporary biennials, with emphasis on London exhibitions of 1851 and 1862. It presents a bibliography review about the subject, comprising other modes of exhibition created in that period, such as museums andperiodical exhibitions held by the art academy. The article approaches the question of national representation in this realm.
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Año:
2020
ISSN:
2526-1789
de Carvalho, Marcelo Rafael; Marins de Oliveira, Mirtes
Universidade Anhambi Murumbi
Resumen
The paper aims to contribute to the studies of exhibition design and related fields by presenting and organizing in a historical perspective some of the contributions and proposals made by Frederick Kiesler (1890-1965), exhibition designer, architect, set designer, artist and theorist , for exhibition spaces in the first half of the 20th century. His exhibition projects developed in Europe and the United States, favored adaptable and mobile structures, capable of responding to the user’s perceptions and movements, which would be dynamically involved in the propositions, thus emphasizing the active role of the visitor.
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Año:
2020
ISSN:
2526-1789
Van Vliet, David; Mortensen Steagall, Marcos
Universidade Anhambi Murumbi
Resumen
This article considers how experienced time can be perceived through manipulated photographic images. The investigation is carried out by a series of digital images whose content is renegotiated over time, while the subject of the photograph remains within the frame. The resulting duregraphs constitute an unstable space between a photographic composition and a moving image. The main objectives of the study are to question the power conventions in visualization and to expand the way we can conceive of time as duration in digital photographic images.
Portuguese translation: Marcos Mortensen Steagall
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Año:
2020
ISSN:
2526-1789
Lagnado, Lisette
Universidade Anhambi Murumbi
Resumen
The article describes and analyzes in a historical context the Experiencias of Flávio de Carvalho (1899–1973) carried out since the first half of the 20th century, as well as presenting connections of those artistic actions with the contemporary cultural and political scene in Brazil, marked by religious interference. The artist ismentioned in the 11th edition of the Berlin Biennale, of which the author is one of the curators. The exhibition was structured based on the free updating of themes exposed in four “experiences” of FC. The exhibition is spread over four venues (until 11/1/2020), each with its own repertoire: the Anti-church (Kunst -Werke), the Showcase for dissident bodies (the daad), the inverted Museum (Gropius Bau) and the Living Archive (ExRotaprint). (This text was first published in Flávio de Carvalho: Experience no. 2, Performed on a Corpus Christi Procession. A Possible Theory and an Experiment, published by the Berlin Biennale for Contemporary Art, 2020. Copyright: Lisette Lagnado and Berlin Biennale for Contemporary Art).
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Año:
2020
ISSN:
2526-1789
Clavo, María Iñigo
Universidade Anhambi Murumbi
Resumen
The article analyzes the origins of the Anthropophagy category that arises at the beginning of the 20th century based on Oswald de Andrade’s elaboration and asks about the possibility or impossibility of its re-elaboration in the contemporary curatorial context in connection with the category of decolonization. August 12, 2016.
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Año:
2020
ISSN:
2526-1789
Almeida Cunha Arantes, Priscila
Universidade Anhambi Murumbi
Resumen
On scintilla in times of pandemic, discusses the culture and public policies in the context of the pandemic, taking Paço das Artes as a case study. The article is divided into three parts. At first, we make a brief discussion of the cultural area in Brazil. In the second and third, we present the virtual programming of Paço das Artes developed within the context of the cultural crisis enhanced by the pandemic of COVID 19.
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Año:
2020
ISSN:
2526-1789
Mae Barbosa, Ana; Facca, Claudia
Universidade Anhambi Murumbi
Resumen
The dispute between Design and Art is historic. We consider the multiple oppositions between Design and Art as a kind of arming game that operates more with complementarity than with differences. [...]
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