ISSN: 2310-2799
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546,196 artículos
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Año:
2019
ISSN:
2172-0150
Rigat, Leticia
Universidad de Málaga
Resumen
In this article, we shall reflect on the changes in the ways of production, circulation and reception of photography since the emergence of the digital technologies and the new Internet-based media. With respect to this, we shall reflect on the impact that the new technologies caused in the way of thinking about photography (change from analogical to digital) and its social uses (from the dematerialization of the image and the new digital media). Transformations that towards the change of the century led to the diagnosis of death of photography and the arrival of a new age: the post-photography age, in the context of a new visual digital culture.Nowadays, photography is not only a way of testimony and memory (these were its fundamental functions during the 20th century) but it also gains a new first-rate communicative function. Shared, commented and interchanged, contemporary photography is a message in itself in the daily discursive interchange.
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Año:
2019
ISSN:
2172-0150
Vázquez Couto, David
Universidad de Málaga
Resumen
More than fifteen years ago, young filmmakers made an unexpected turnaround in the Uruguayan film context. Inés Bortagaray, key figure in the current cultural scene of the country, was part of that phenomenon when being a student of Communication Sciences at the Catholic University of Uruguay, shared classes, conversations about cinema and good moments of learning with a group of friends who would disrupt the establishment of national cinema consolidated for years by the conservative film critic. Inés Bortagaray talks to us about her personal and artistic training with that group of friends, but also of the meaning of the screenplay, of her creative process in solitude and in the company of the director or other scriptwriters, and finally, shared authorship for the sake of something greater: cinema.
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Año:
2019
ISSN:
2172-0150
Rodríguez López, Rafael Ángel
Universidad de Málaga
Resumen
Already transformed into an artistic discipline of audiovisual communication, music has become an essential tool for advertising and image promotion, sing or advertising concept helping to quickly remember the advertising message which media is interested we keep in mind. For it, cinematography is one of the audiovisual media that benefits the most of the use of music-image binomial as dissemination elements. In this article we will try to explain how the No-Do used one the most used audiovisual techniques currently in the advertising world, the Audio Branding. In this way, we will unreveal those formal resources which, from a musical point of view, they were used for the No-Do promotion on their newspaper mastheads. We will see how the changes in the pictures of such mastheads undergo modifications in pro of the conservation of the soundtrack composed by Manuel Parada de la Puente, being his music the responsible for the durability of the No-Do brand over time.
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Año:
2019
ISSN:
2172-0150
Cavadas Docampo, Miguel
Universidad de Málaga
Resumen
The present essay suggests an approach to the archive of Galician rural photographer Virxilio Viéitez (1930-2008) from the theoretical view of ecocriticism, with the aim of delve into the role of nature in his photographs. The analysis is organized in three points; the first, representation of landscape, poses a characterization of the unit landscape of the region in which the photographer performed his work, Terra de Montes (Pontevedra), and studies the role that humans play in it. The second, animals, offers a proposal of classification for the species that appear in the archive according to their relation to human being and introduces the notion of “change”, essential in the third point, the image of the rural, which defines the vision of the village the archive gives and its chronological variations. In the conclusion the previous points are brought to the current reality of rural Galicia with the objective of inspiring a response from rural activism to the process of “urban colonization” of the rural area that is demonstrated throughout the work.
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Año:
2019
ISSN:
2172-0150
Donoso, Sara
Universidad de Málaga
Resumen
Ignacio Pardo (Lugo, 1947) forma parte del elenco de creadores gallegos que durante de década de los ochenta comienza a emplear nuevos equipos de producción de vídeo, abandonando el súper 8 y conformando un universo creativo que nace de manera autónoma y experimental. Es en este contexto de búsquedas cuando tendrá lugar el boom de la videocreación en Galicia, asomando un espacio de diálogo entre las artes que permitirá al vídeo esquivar los patrones establecidos y revisar anteriores modelos de producción. Ignacio Pardo es, además, uno de los artistas pioneros en emplear la imagen en movimiento a modo de extensión del lienzo y el primero también en atreverse a explorar el incipiente universo tecnológico de los noventa a través de la infografía y la animación digital.
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Año:
2019
ISSN:
2172-0150
Sánchez Torija, Beatriz
Universidad de Málaga
Resumen
Book Review: Beatriz Sánchez Torija (2018). Fotografía de Casiano Alguacil. Monumentos artísticos de España. Cuenca: Ediciones de la Universidad de Castilla-La Mancha, Ediciones Universidad de Cantabria. Colección Enclaves Culturales
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Año:
2019
ISSN:
2172-0150
Fernando Sanz Ferreruela, Francisco Javier Lázaro Sebastián
Universidad de Málaga
Resumen
Book review: Francisco Javier Lázaro Sebastián y Fernando Sanz Ferreruela, (2017). Goya en el audiovisual. Aproximación a sus constantes narrativas y estéticas en el ámbito cinematográfico y televisivo. Zaragoza: Prensas de la Universidad de Zaragoza, Colección: De Arte, n.º 10
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Año:
2019
ISSN:
2172-0150
Pedro Javier Pardo (edit.), Antonio Gil González,
Universidad de Málaga
Resumen
Book review: Antonio Gil González y Pedro Javier Pardo (edit.) (2018). Adaptación 2.0. Estudios Comparados Sobre Intermedialidad. In honorem José Antonio Pérez Bowie. Binges (Francia): Éditions Orbis Tertius.
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Año:
2019
ISSN:
2172-0150
Stoichita, Victor
Universidad de Málaga
Resumen
Book review: Stoichita, Victor (2018). El efecto Sherlock Holmes. Variaciones de la mirada de Manet a Hitchcock. Madrid: Cátedra
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Año:
2019
ISSN:
2172-0150
Marcos Ramos (ed.)., María
Universidad de Málaga
Resumen
Book review: Marcos Ramos, María (ed.). (2018). Cine desde las dos orillas: directores españoles y brasileños. Santiago de Compostela: Andavira Editora.
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