Sistema Regional de Información
en línea para Revistas Científicas de América Latina,
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Reading Notes do not require an abstract

Reading Notes do not require an abstract

Reading Notes do not require an abstract

José de Viera y Clavijo (Los Realejos, Tenerife, 1731–Las Palmas de Gran Canaria, 1813) is the author of the first translation into Spanish, made in 1784, of a selection of the tales and dramas written for children published by Arnaud Berquin (Bordeaux, 1747-París, 1791) in L’ami des enfants, a mensile publication that has got twelfe numbers between 1782 and 1783, and that were, almost the whole collection, translations of German, Dutch and English authors, extracted from publications as Kleine Kinderbibliothek (1779-1784), by Campe, or Der Kinderfreund (1776-1782), by Christian Felix Weisse, betwenn others. The thanslations/adaptationes made by Arnaud Berquin were very free, and they show an evident accomodation to the french culture and to the enlightenment philosophy of this author. Nowadays, the enligtenment age author Viera y Clavijo, an advanted author and a expert and prolific translator, took many liberties in translating the Berquin’s Tales. In this article, are shown some of the important changes introduced by the the spanish translator in his versions and they are explained in the cultural and ideological context of the Spain in the 18th century

This article offers a theoretical approach to heterology, a concept devised by Georges Bataille, by way of explaining its main features and examining the way the autor handles it in his texts. The antagonistic manner in which Georges Bataille describes the ambiguities proper to his characters’ eroticism are exemplary illustrations of the concept of heterology as theorised by him. The aim of this article is to reveal the presence of abjection in Histoire de l’œil and Madame Edwarda, two of the erotic stories that best portray heterology, a fundamental concept in Georges Bataille’s system of thought as well as in his entire œuvre

Ce numéro spécial de Çédille, revista de estudios fanceses consacré a la presse francophone publiée en Espagne et a la presse en espagnol publiée en France (XVIIIe-XXe siècles), sur lesquelles des regards croisés sont portés, est le fruit d’une longue collaboration entre le Centre d’histoire culturelle des sociétés contemporaines (CHCSC) de l’Université de Versailles Saint-Quentin-en-Yvelines (UVSQ) et l’Université des Iles Baléares (UIB).

In this article we deal with the topic of the condition, as it is present in the myth of the descent into Hades of Orpheus in search of Eurydice, in three stories by Charles Perrault. Through this topic, we investigate the nature of the original condition as well as the transformations of the characters that execute it or that suffer it. We emphasize that fairy tales recreate the axes of myth, music, death and love, and manifest a vision of the world in which the idea of ​​anabasis and rebirth predominates based on the premise of self-knowledge. We conclude that the mythical motive articulates the stories as an intertext, even when the variants of the author modify plot and relationships

The main of this article is the critical study of Maryam Madjidi’s firs novel: Marx et la poupée. Laureate of the Prix Goncourt du Premier Roman 2017, the autor presents in this text a novelistic construction that highlights the quest for identity intrinsic to the experience of cultural and linguistic uprooting from an autofictional perspective. In this context, we are considered Maryam Madjidi as a paradigmatic example of feminine Francophones xenographs

In the context of the crisis of modernity in France, this article analyses Virginie Despentes’ literary trajectory. and examines the ways in which she has evolved, from aesthetic and ideological marginality, to a central, mainstream position in the French literary field. Namely, focusing on Baise-moi, King Kong Théorie and the trilogy Vernon Subutex. I identify alterity as aesthetic principle and ideological posture in her work, in relation to feminism(s), new populisms, according to Laclau (2005) and Mouffe (2018), and the creation of aesthetic and political communities defying the establishment

This article examines the terms of address in L'intérieur de la nuit by Léonora Miano. Following a psychoanalytic and semantic-pragmatic perspective, I will try to show the way in which this discursive and oral marker constructs and models the identity of the speaker, as well as showing the « invocant impulse » (Lacan, 1973), reflection of the unconscious