ISSN: 2310-2799
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546,196 artículos
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Año:
2019
ISSN:
2529-9913, 1134-6795
Gallego, J. Ignacio
Universidad Autónoma de Madrid
Resumen
Review of the books La otra pantalla. Redes sociales, móviles y la nueva televisión, by Elena Neira and Big Data. Eje estratégico de la industria audiovisual, by Eva Patricia Fernández (ed.)
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Año:
2019
ISSN:
2529-9913, 1134-6795
Cordero Hoyo, Elena
Universidad Autónoma de Madrid
Resumen
Review of the book Miradas de mujer: cineastas españolas para el siglo xxi, by Francisco A. Zurian (ed.)
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Año:
2019
ISSN:
2529-9913, 1134-6795
Campos, Minerva
Universidad Autónoma de Madrid
Resumen
Review of the book The Latin American (Counter-) Road Movie and Ambivalent Modernity, by Nadia Lie.
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Año:
2019
ISSN:
2529-9913, 1134-6795
Villarroel, Mónica
Universidad Autónoma de Madrid
Resumen
CineChile.cl and Cinetecanacional.cl are two web sites that allow acces to documentation and to streaming film material.
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Año:
2019
ISSN:
2529-9913, 1134-6795
Vivar, Rosana
Universidad Autónoma de Madrid
Resumen
Review of the book The Audience Effect. On the Collective Cinema Experience, by Julian Hanich
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Año:
2019
ISSN:
2529-9913, 1134-6795
López Casado, Laura
Universidad Autónoma de Madrid
Resumen
Review of the book Celebrity and the Feminist Blockbuster, by Anthea Taylor.
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Año:
2019
ISSN:
2529-9913, 1134-6795
Soto, Begoña; Aguilar, Santiago
Universidad Autónoma de Madrid
Resumen
About the digital access to the audiovisual archives of the institution.
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Año:
2019
ISSN:
2529-9913, 1134-6795
Campos, Minerva
Universidad Autónoma de Madrid
Resumen
Introduction to issue 47 of Secuencias
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Año:
2019
ISSN:
2529-9913, 1134-6795
Kuntzelman, Ana
Universidad Autónoma de Madrid
Resumen
This article aims to underline the artistic emergencies stemming from docu- mentation and filmic versions of the original choreographic work Rosas danst Rosas following the project´s different manifestations up to the interaction proposition RE:Rosas!, in order to show how these different materialities open up new spaces for creative dialogue and an opening unto fields of reception that go beyond the reduced circle of avant-garde contemporary dance.
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Año:
2019
ISSN:
2529-9913, 1134-6795
Pousa, Laura
Universidad Autónoma de Madrid
Resumen
Audiovisual content platforms have become the main players of today’s international (and in some cases local) industry changing consumption habits not only through the purchase and difussion of their products, but also through the production of their own content. The main goal of this article is to understand how these audiovisual and structural changes propagated by the Internet and a wider use of streaming could have determined the narrative, aesthetic and ideology of current television and cinematic products. However, I do not intend to present an exhaustive analysis of the audiovisual sector nor of the contemporary consumer’s behauviour. Even though these works do not belong to a specific typology, they have similar features that allow us to classify them according to the parameters of mainstream products and close the gap with a new category and definition, the ‘convergent fictions’.
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