Sistema Regional de Información
en línea para Revistas Científicas de América Latina,
el Caribe, España y Portugal

Neste trabalho, buscou-se focalizar a interação entre falante e ouvinte e, especialmente, os momentos em que se dá a violação da regra geral da conversação, “fala um de cada vez”. O foco deste trabalho foi o fenômeno da sobreposição de vozes e, como foi esclarecido, não houve qualquer preocupação em definir e analisar a sobreposição do ponto de vista das estratégias de gestão de turnos, isto é, se houve ou não interrupção ou assalto ao turno, mas tão somente algumas razões que levam o interlocutor a sobrepor-se à fala daquele que está com a palavra.

En este artículo, analizamos las secuencias de conectores que aparecen en conversaciones coloquiales en español del corpus Val.Es.Co. Siguiendo la propuesta presentada en Cuenca y Marín (2009) y revisada y aplicada al inglés en Cuenca y Crible (2019), diferenciamos tres tipos de relaciones entre dos o más conectores consecutivos: yuxtaposición, adición y composición. El análisis permite describir y ejemplificar cada tipo de secuencia, identificar las secuencias que incluye el corpus de análisis y estudiar con un poco más de detalle los casos de conectores o marcadores compuestos.

The present work analyzes the expression en lo que cabe, construction in process of fixation as discursive operator that shows certain complexity in its construction and macrosyntactic behavior. It satisfies some requirements of the so-called discursive operators, but coexists with free construction. Its value is to limit an assessment and reduce the argumentative force of its scope. This procedural meaning evolves from the original semantic content and the functions it fulfils in the discours

Two general considerations can derived from all the considered data. Firstly, it is possible to trace a continuum of NuCxs based on their degree of cohesion, fixedness, specificity and idiomaticity, which correlates with the kind of approximate or vague meaning and function. The more the NuCxs become idiomatic the less they express quantity. In many cases, the constructions acquire a pragmatic value and codify a manner of express the degree of commitment, the attitude of the speakers and the kind of relationship s/he would like to enter into with the addressee. In these cases, the various levels of vagueness are often thickly intertwined and not easily untangled. Secondly, the approximate numeral constructions with small numerals seem more specified and fixed compared with those with large ones. Probably this is due to their frequency, since we know that small numerals are much more used than large numerals (Mehler&Dehaene 1992).  Although it is necessary to do further research on this specific point, these results seem to be another element confirming that the means to be vague are more numerous than those that convey the opposite functions (Caffi 2007). 

La celebración de este II Congreso Internacional del español hablado, al cumplirse los 25 años del Grupo Val.Es.Co., es una excelente ocasión para realizar un balance de lo que se ha hecho y de lo que aún falta por hacer. Pero el creciente interés de los lingüistas por el análisis de la oralidad lo convierte inmediatamente en provisional y limitado. Estas reflexiones se centran sólo en los estudios que tratan de sintaxis, y la atención se fija en los problemas (teóricos, metodológicos, prácticos) con los que ha habido que enfrentarse, bastantes de los cuales aún no están resueltos. El futuro y la proyección social de la investigación se abordan brevemente en la parte final.

El italiano Lazzaro Spallanzani (1729 – 1799) es bien conocido como el científico que desmontó las teorías de la generación espontánea. Pero Spallanzani fue también un pionero en el estudio de la regeneración de los seres vivos. En 1768 publicó el Prodromo, una obra sobre reproducción animal, en el que se interesaba también por la regeneración. Spallanzani describió varios tipos de regeneración, la de la cola de la rana y de las extremidades de la salamandra. Antes, en una carta dirigida en 1766 al biólogo suizo Charles Bonnet había descrito también la regeneración de la lombriz, de la babosa o del caracol.

La presente contribución quiere reflejar mi sentido homenaje de admiración y cariño a Antonio Briz, por todo lo que nos ha dado, como filólogos, como lingüistas, como hispanistas, como personas (colegas, amigos, compañeros…), sobre todo desde 1993, es decir, en el transcurso de los 25 años –Bodas de Plata– cumplidos por Val.Es.Co en octubre de 2018, pero, en realidad, para mí, desde hace más de tres décadas, pues conocí a Antonio Briz en el año 1986.

In the twentieth century's artistic avant-garde, the abstraction contributed to the oblique and asymmetrical vision thanks to a look away from frontalities that would relegate the importance of the binomial space - time. The balance between weight and weightlessness, or statism and instability, led to movements such as Russian constructivism, Neoplasticism, Elementalism or suprematism. Some later spatial utopias, such as that developed by the French group “Architecture Principe”, inherited that theoretical legacy proposing to challenge the spatial order established with its Theory of "Fonction Oblique”, from the cultural context of May 68 French. Its dimensional scope, reflected in its ambitious graphics, ranged from the territorial to the domestic. However, its conceptual foundation was more literally materialized in reduced scale’s experiments, such as the French Pavilion of the 35th Venice Biennale of 1970. This article will identify the theoretical precedents of the sensory experience offered by this ephemeral space, whose main foundation was the questioning of the Cartesian axes of its architectural envelopes -floor, wall and ceiling- and their indiscriminate fusion. The critical analysis of the Pavilion, carried out by Claude Parent integrating architecture and art under the paradigm of the oblique, will allow us to question whether contemporary architectures continue to develop that conceptual legacy, and if at other scales it has ceased to be as utopian as then, and if it makes even more sense.

In 1995; several years before the inauguration of the Universal Exposition in the year 2000 in Hannover with the theme "Mankind, nature and technology; creating a New World "; The Swiss authorities decide to convene a competition idea to select the best project to represent the country at this event. Among more than one hundred projects presented for an ephemeral pavilion, the winner of the second and final phase was the proposal presented by Peter Zumthor under the motto Batterie. Away from the container concept with content; replicated many times in this type of exhibition, the proposal will emerge from experience of going through its spaces between a series of stacking of wooden slats. A temporary "pentagram" where different notes and tones sprout from the sequence. This architectural melody has some recognizable chords in another pavilion, the original by Aldo van Eyck inaugurated in 1965 in Sonsbeek. Spaces between walls; resonances and echoes between both fleeting exhibition proposals.

In 1929 the ‘Suomen Messut’ was celebrated in Turku on the occasion of the commemoration of the 700th anniversary of the city. Alvar Aalto and Erik Bryggman, the two architects who best knew the international avant-garde, were chosen as the designers of the exhibition. Both were in search of their own language, exploring and trying to distill different influences. The Turku´29 fair was the perfect opportunity to rehearse. A rapid construction for a very short subsistence period, and with a very broad social impact, was an exceptional occasion that could not be missed. For them it will become an authentic laboratory that would give them the opportunity to explore in their referents, and to experience architectural solutions and answers. The exhibition extended far beyond its intended limits, invading an important part of the city and, in fact, overlapping it. This architecture tried to colonize Turku and turn it into an extensive modern complex even if only for a few days. Its construction was done in wood, but not in the traditional way but according to contemporary standardized criteria. From critical positions with an apparent functionalism, they would work to achieve an "extended" rationality that would soon mature in their long trajectories.