ISSN: 2310-2799
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546,196 artículos
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Año:
2019
ISSN:
2145-0706, 2011-3757
Rueda Fajardo, Santiago
Universidad Distrital Francisco José de Caldas
Resumen
The work of Jaime Ávila hides a careful analysis of power relations, through topics such as fashion, style and the city. Ávila›s method consists in starting from a microcosm and a micropolitical place as an outpost from which to analyze social dynamics, showing emotional restraint and animosity to drama, and using photographic resources such as the portrait and the serialized construction. In this article we study his projects Los radioactivos, La vida es una pasarela, Un metro cúbico, Cuarto mundo, Bombas and Talento pirata. Keywords
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Año:
2019
ISSN:
2145-0706, 2011-3757
Rincón Estrada, Fernando
Universidad Distrital Francisco José de Caldas
Resumen
The article focuses on the description and analysis of a collection of works that address aspects of sound when it occupies space. These aspects refer to internal components in timbre and rhythm and how these can influence the perception and projection of sound. These works also address the interaction between physical and virtual spaces and the spatial attributes of sound in relation to timbre and rhythm. The composition of timbres serves as a fundamental basis for the musical material contained in the works, using the synthesis of sound and extended techniques as a paradigm for the articulation and instrumentation of sound in vertical and horizontal layers. Rhythm is not only a parameter to articulate time, it can also be the parameter that articulates the musical material. The relationships of timbre and rhythm serve as an expressive substance in the elaboration of immersive soundscapes that are shaped by time and memory.
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Año:
2019
ISSN:
2145-0706, 2011-3757
Romero Flores, Javier Reynaldo
Universidad Distrital Francisco José de Caldas
Resumen
From a complex understanding of culture as a specific field and an approach to the singularly dense cultural processes found in the festive dynamics of the Bolivian Andes, its historical process and its political present, this reflection aims to make visible the fetishization of culture through the identification of tensions and disputes between different cultural practices and representations. At the same time, from this attained visibility, the “sequestration” of common sense from the majority populations becomes evident.
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Año:
2019
ISSN:
2145-0706, 2011-3757
Gómez, Pedro Pablo
Universidad Distrital Francisco José de Caldas
Resumen
When we ask ourselves about the role of art, as a legitimate form of sensitive knowledge, in the problematic framework of 21st century society, we also realize the struggle for the control of knowledge that is being waged everywhere, in this epoch of globalization of the economy, of ontological, ecological, epistemic, systemic and civilizatory crises. An era that at the same time is a place for global challenges, challenges that are approached from global perspectives and also from particular places and bodies marked by the traces of those disputes.
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Año:
2019
ISSN:
2145-0706, 2011-3757
Mazzoldi, Bruno
Universidad Distrital Francisco José de Caldas
Resumen
In seeking to accommodate the overflowing of the overly common meanings of a textual citation (equally submissive to the dynamics of the demonstrative enterprise behind rendez-vous and cita), let it be towards the dehiscent outbreak of the experience via Walter Benjamin, towards the unabridgable events in the narratives of a non-Western nature. We insinuate resonant intersections between some nocturnal adventures of historical materialism, the hypnoinsurgent movements of Maya communities and certain ritual choreographies from India.
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Año:
2019
ISSN:
2145-0706, 2011-3757
Araque Osorio, Carlos
Universidad Distrital Francisco José de Caldas
Resumen
The theater of corporal images and masquerades resembles and relates to the mechanics of the ritual, without being itself a ritual, but a creative alternative in the arts and aesthetics of a society. How can we re-construct the mechanism of action in all senses and all possible creative events? The understanding of the body and its relation to the mask is transformed into images, activating the sensitivity and inspiring other realities. It is a return to the primal, to the invisible, to the old, to the origin of art, where the mask is used to heal, exorcise and hunt, but above all, to propitiate idyllic levels of daydreaming, creativity, and social, cultural and artistic transformation.
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Año:
2019
ISSN:
2145-0706, 2011-3757
Balanzó, Alejandro; Ariza Porras , Angie Paola; Quiroga , David; Gómez Ramírez, Ángela
Universidad Distrital Francisco José de Caldas
Resumen
How can circus and the theater contribute to a social transformation towards peace founded on the promotion of rights? What lessons have we received from circus and theater practices in contexts that have historically been affected by the armed conflict? What do theater, circus and clown need in order to become means that facilitate the construction of protective environments for children and adolescents in these territories? This article addresses these questions from the experience of the program Circópolis, transformando espacios y creando sueños, implemented in territories affected by the armed conflict. We present an interpretation of the systematization of program experiences in the light of Balanzó’s knowledge stances perspective, in order to identify repertoires that take place when an artistic work is framed in institutional work processes linked to public policy discourses.
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Año:
2019
ISSN:
2145-0706, 2011-3757
Martínez Coronado , Luisa Amanda; Castro Sanabria, Laura
Universidad Distrital Francisco José de Caldas
Resumen
This article, the result of the project Tintas, esmaltes y engobes ecológicos (Ecological Inks, enamels and engobes), seeks to give an answer to the question: how to reduce the environmental impact of certain ceramic finishes through the collection of waste that could replace components normally used for these finishes? The quantitative research methodology was developed in four steps: bibliographic review, chemical formulation, collection and cataloging, and development of the tests. The main finding of the investigation was a formula for using toner residues, replacing the oxide in the ceramic ink formula; we also found an ink formula that works as an enamel blocker. We will continue further tests in the future to optimize the first results.
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Año:
2019
ISSN:
2145-0706, 2011-3757
Gómez, Pedro Pablo
Universidad Distrital Francisco José de Caldas
Resumen
Aníbal Quijano has explained, since the beginning of modernity, in its hegemonic centers, a way of producing knowledge that accounted for the cognitive needs of capitalism was developed. This way of knowing, called rational, which by its origin and character is Eurocentric, was imposed and admitted into the capitalist world as the emblem of modernity and as the only valid form of rationality. This modernity/rationality has remained a cognitive perspective of colonial capitalism that naturalizes people's experience within the colonial pattern of power
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Año:
2019
ISSN:
2145-0706, 2011-3757
Muñoz Castiblanco, Guillermo
Universidad Distrital Francisco José de Caldas
Resumen
This work highlights the intricate debate around archaeological studies of rock representations. Two archaeological sites in two different areas of the world (Chauvet in France and Chiribiquete in Colombia) have been opening roads to renew the theories that explain the origin and foundation of art history, as well as studies on the aesthetics of ancient settlements. These two rock sites, with different characteristics (cave and open sky), have allowed us to reinterpret these cave representations, which leads us to consider a new formulation on culture, aesthetics and human languages. Basically, it is an epistemological dispute about human thought and its ability to make representations, which are assumed as the origin of the work of art.
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