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636,460 artículos
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Año:
2024
ISSN:
1870-3062, 0185-1276
Cuadriello, Jaime
Instituto de Investigaciones Estéticas
Resumen
La biografía del monje y polígrafo Manuel de San Juan Crisóstomo Nájera está a la espera de un libro que dé cuenta de su personalidad como intelectual y político, pero también de su papel como promotor de las artes y pensador estético. Este trabajo es un comienzo: reconstruye la figura del “sabio padre Nájera” y los múltiples aspectos de su quehacer como personaje público: educador, lingüista, geógrafo, arqueólogo, traductor, orador sagrado, bibliófilo e impulsor de la renovación artística en la Academia de San Carlos y en los centros escolares de San Luis Potosí y Guadalajara. Igualmente rescata parte de su pensamiento político y de su activismo, un tanto olvidado, en el surgimiento del partido conservador; su cercana relación literaria e intelectual con Bernardo Couto y Lucas Alamán (quienes, a su muerte, levantaron la escultura y monumento funerario que aún se conserva en el Hospital de Jesús, obra de Manuel Vilar).
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Año:
2024
ISSN:
1870-3062, 0185-1276
Rocha Iturbide, Manuel
Instituto de Investigaciones Estéticas
Resumen
Este ensayo trata sobre el desarrollo de un sistema numérico basado en la tabla védica, para aplicarlo a la composición musical, y que está basado en series numéricas complementarias de ocho dígitos. El origen del proyecto fue la colaboración con el artista Juan Luis Díaz Nieto (1939-2019) para componer música a partir de esta tabla, de manera análoga a cómo este creador mexicano realizaba sus esculturas. El texto inicia con algunos antecedentes históricos referentes a la composición musical, a partir de distintas representaciones matemáticas realizadas por importantes compositores como Pierre Boulez, Iannis Xenakis y James Tenney, mediante el uso del triángulo de Pascal, la serie de Fibonacci, y otros sistemas. Enseguida se explica el origen de esta investigación y el método de interpretación musical de la tabla. Por último, estas ideas se desarrollan y se expanden, mediante el uso de la teoría de los pitch-class sets, para crear nuevas series a partir de la base numérica original del sistema, y se sugieren, además, distintos modos de implementación musical.
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Año:
2024
ISSN:
1870-3062, 0185-1276
Molina Salinas, Claudio
Instituto de Investigaciones Estéticas
Resumen
The discussion covered by this article falls within the domain of popular arts and crafts, and also that of terminological lexicography (terminography). This work states the need for a corpus pertaining to a textual genre—something that is quite common in areas such as art history and archaeology (museum catalogs)—and explains the design method used. The concept of a corpus management system is also reviewed, and the tools available online are described; in particular, the reason why AntConc was opted for as the corpus management system for this purpose, and the software’s characteristics are explained. Lastly, I show how, by using corpus analysis techniques, in combination with AntConc, lists of candidates for monolexical and multilexical terms can be generated, along with vocabulary related to term candidates, for the purpose of writing specialized dictionary definitions.
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Año:
2024
ISSN:
1870-3062, 0185-1276
Marin, Fwala-lo
Instituto de Investigaciones Estéticas
Resumen
The paper delves into directorial concepts that align with strategies for creating contemporary stagings. We analyze interviews conducted with theater directors from the contemporary independent theater scene in the city of Cordoba, Argentina, so as to obtain an understanding of the conceptions guiding their actions. We identify three pairs of contrasting positions: first, that between conceiving plays as products or as challenges; second, that of conceiving stagings as either events or devices; and thirdly, the choice between material compositions or those based on meanings. These contrasting notions are made to engage in a discourse with the stagings created by these directors. In conclusion, we consider aspects of the singular nature of the sphere of independent theater production.
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Año:
2024
ISSN:
1870-3062, 0185-1276
de la Torre Llorente, Elisa
Instituto de Investigaciones Estéticas
Resumen
The article analyzes the little-known concept of infrathin, introduced cryptically by Duchamp in a notebook in 1914. The artist used it at several moments subsequently in reference to particular observations of life which he grouped using this term as an ambiguous link and leaving the decoding of its content to the free interpretation of the reader. Fruit of a long conceptual path that leads to the denial of the visual, the infrathin collects multiple and varied meanings; thus its complexity makes it a quite difficult concept to explain and define. The text synthesizes the work of a number of authors versed in Duchamp’s work, and comes to the conclusion that the relationship between all the different meanings lies in a metaphysical sense concerned with the contingency of reality. Finally, it proposes a systematization that adjusts to all possible variants for a greater understanding and possible application as an artistic-aesthetic category.
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Año:
2024
ISSN:
1870-3062, 0185-1276
Valero Pie, Aurelia
Instituto de Investigaciones Estéticas
Resumen
In order to identify current experiences of time, this article considers the debate concerning the equestrian statue of Charles IV, better known as El Caballito, in the aftermath of its 2013 disastrous attempt at restoration. The classification of heritage values, as proposed by Alois Riegl, serves as a tool to understand a conflict that involved different conceptions of tradition and identity. I claim that the different ways in which the statue was preserved and restored during a few key moments in the nineteenth, twentieth and twenty-first Centuries reveals central features of our relation to time and the transformations that lead to today’s regime of historicity.
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Año:
2024
ISSN:
1870-3062, 0185-1276
Soto Rodríguez, Mario Andrés
Instituto de Investigaciones Estéticas
Resumen
This article addresses the work La Revolución by the Mexican painter Fabián Cháirez and the public reception of the painting, considering the events that marked his exhibition at the Museum of the Palacio de Bellas Artes in Mexico City, in early 2020. The analysis focuses on the attacks and defenses that were put forward on the work and the artist himself, taking as a point of reference the three defenses of contemporary art proposed by Anthony Julius: the canonical defense, the formalist defense, and the distancing defense. It concludes that the transgression offered by the artist facilitates a renewal of the figure of Emiliano Zapata, since, by questioning the imaginaries of hegemonic masculinity, the painting serves as a queer piece of resistance. The work in question implies a reappropriation, resignification and a theatricalization of the figure of the “Caudillo del Sur”.
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Año:
2024
ISSN:
1870-3062, 0185-1276
Candelaria Ampacún, Eduardo
Instituto de Investigaciones Estéticas
Resumen
In this paper I analyze the plastic affinities between the figurative devices of postclassic art from the Huasteca region (900-1521 AD) and the designs that Teenek women currently embroider on their sacred garment: the dhayemlaab. The study of the formal expression of textile works and the spatial relationships that take place in them, enables us to recognize the effectiveness of graphic strokes as a mnemonic procedure that has facilitated the conveyance of information and transmission of knowledge over time. In this case, an explanation is provided in visual and figurative terms of the Teenek conception of cosmic functioning and its phenomena, especially the intrinsic relationship that for them exists between the ascendant projection of the Sun in the east and the growth of the maize plant.
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Año:
2024
ISSN:
1870-3062, 0185-1276
Masella, Paulo
Instituto de Investigaciones Estéticas
Resumen
Since Brazilian cave paintings with erotic content are barely publishedn art history books, questions arise about the reasons for their absence: Are these images being censored, or are they simply unknown? Are they being concealed on account of their erotic or even pornographic content? In what fields of knowledge is one authorized to see and talk about these images? Such inquiries led this research towards issues such as the relationship between artwork and sexuality, as well as between visual art and the technical image, in addition to considering the hypothesis of a post-colonialist approach in the case of their simply being unknown. Thus, the aim is to address the place of erotic pictures in the artistic context, as well as the very meaning of visual arts in a world full of technical images.
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Año:
2024
ISSN:
1870-3062, 0185-1276
Flores Morán, Aban; Torres Torres, Eugenio Martín
Instituto de Investigaciones Estéticas
Resumen
The epigraphs in conventual mural painting have been little studied.This article seeks to address this oversight, focusing on the detailed analysis of these texts. Our research focuses on the epigraphs painted in the convents of the central highlands in the 16th century. The aim is to understand the underlying values that were intended to be highlighted, the audience these messages were directed at, and the similarities and differences in the texts used by the mendicant orders. In addition to deciphering these texts, we also explore their relationship with the places they are located, in order to discern the purpose and meaning that each text gave to its respective space. Thus, we conceive of the epigraphs not as mere static inscriptions, but as active directives intended to guide people towards a more intimate and deep connec-tion with the divine.
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Hecho en México, Universidad Nacional Autónoma de México (UNAM). 1997-2025.
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