ISSN: 2310-2799
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546,196 artículos
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Año:
2019
ISSN:
2358-6060
Santos, Flavia Cristina Honorato dos; Silva, Renata de Lima
Universidade Federal de Goiás
Resumen
It is proposed, in this work, to initiate a discussion and reflection on the process of creation of the show Por Cima do Mar Eu Vim, from the work of composition of the character Maria, built through the methodological and aesthetic approach used by the artistic group Núcleo Coletivo 22. In this process, elements of popular culture and Afro-Brazilian culture were of extreme importance for the construction of the character. In this article, some paths will be presented that have enhanced this body dramaturgy.
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Año:
2019
ISSN:
2358-6060
Bolognesi, Mario Fernando
Universidade Federal de Goiás
Resumen
The mechanisms of seduction of audiences were used by beggars, especially the cerretani, by charlatans and by buffoons. Artistics activities participated in the sale of a place to heaven and the sale of medicines and health services. Finally, they became the exclusive sale of shows. This last step required the professional specialization of actors and acrobatics artists at the market of spectacles, mediated by a businessman.
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Año:
2019
ISSN:
2358-6060
Cintra, Ana Lucia Rosendo
Universidade Federal de Goiás
Resumen
Ana Lucia Rosendo Cintra conducted the following interview with Luciane Grecco, from the production design team of Castelo Rá-tim-bum, in her studio at Vila Madalena,São Paulo, on April 20, 2017. This interview was done for the Dissertation of theTecnologia em Design Gráfico Course, of the Universidade Tecnológica Federal do Paraná, finalized in 2017, with the titleCastelo Rá-Tim-Bum: Design's contribution in the construction of a pedagogical visual and ludic language, under the guidance of the Professor Dr. Ismael Scheffler.
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Año:
2019
ISSN:
2358-6060
Scheffler, Ismael; Nunes, Alexandre Silva; Monteiro, Cássia Maria
Universidade Federal de Goiás
Resumen
Editorial, v. 5, n. 1, 2019
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Año:
2019
ISSN:
2358-6060
Nunes, Alexandre Silva; Monteiro, Cassia Maria; Scheffler, Ismael
Universidade Federal de Goiás
Resumen
The present edition of the Arte da Cena Journal brings the first part of the thematic dossier Scenography, Production Design and Design of the Scene. Due to the high demand for submitted proposals, the organizers decided to divide the dossier into two parts, reserving other articles related to the present studies for the next issue of the journal, when the dossier will be completed.
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Año:
2019
ISSN:
2358-6060
Pereira, Dalmir Rogério
Universidade Federal de Goiás
Resumen
This visual essay presents the main ideas that guided the conception, as well as the sketches and images of the public presentation of the urban performance Tropa de Choque, performed within the Experimental Laboratory of Performance Design, at the Escola de Música e Artes Cênicas of the Universidade Federal de Goiás, conducted by Professor Dalmir Rogério Pereira, with photographic record by Professor Alexandre Nunes. The performance had significant repercussions, nationwide, having been reported in some formal communication vehicles and social media.
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Año:
2019
ISSN:
2358-6060
Silva, Sebastião de Sales; Haderchpek, Robson Carlos
Universidade Federal de Goiás
Resumen
This article aims to present the folk play Boi de Reis from the community of Santa Cruz Site of the City of Vera Cruz/RN making a cut about the work of the joker "Zé de Moura" - who took over for many years the character Mateus in the play of the Boi. This joker inspired the construction of the show “Saudades Z (é)”, fruit of the Master's research entitled Saudades Z(É): Metaforizando a construção do corpo brincante developed in the UFRN Postgraduate Program in Performing Arts (2016). When talking about Mateus de Zé de Moura this research crosses the memories of a people, the folk play of the Boi de Reis and the actor-player who became contaminated with the magic of play.
Keywords: Memories, Folk Play Boi de Reis; Actor-Player.
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Año:
2019
ISSN:
2358-6060
da Silva, Daniel Marques
Universidade Federal de Goiás
Resumen
Abstract: This article investigates the type of the “malandro” and its figuration in Brazilian popular tradition, regarding the musical theater in Rio de Janeiro and the Brazilian Popular Music, with the intention to affirm that its constitution in the country's social imagery is an alternative form of integration, perhaps the only possible one, to a high proportion of the excluded people.
Keywords: Brazilian popular theater; character; comic type; “malandro”; “malandragem”.
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Año:
2019
ISSN:
2358-6060
Olendzki, Luciane Campos
Universidade Federal de Goiás
Resumen
ABSTRACT
This manuscript addresses meanings of the clown's figure and scenic art, in comic tensioning and creative game with the serious world. For this, we bring to this reflection the extemporaneous forces of poetic types of the genealogy of clownery (jugllers, buffoons, jesters, etc.) and the Nietzschean criticism of the moral values and human types that inflict weight and gravity to existence. With this, we question what can the clown do – recognized in their universal character as fool, idiot, vagabond, misfit, unreasonable, animalistic, miserable, vile, marginal – with their scenic and humorous art in the contemporaneity, facing the horrors and serious tragedies of existence?
Keywords: clowns; humor; laughter; existence; resistance
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Año:
2019
ISSN:
2358-6060
Abreu, Tássia Murad; Siqueira, Adilson Roberto
Universidade Federal de Goiás
Resumen
This article looks into the Festormance scene/action to unravel possible cooperations with the future artivist intervention Renda-se. We will examine the text/textile in the light of Schechner, the immersive performativity, the “Ariadne´s thread by Nietzsche” developed by Deleuze, and the political and Dionisio encounter between Schechner, Nietzsche and Hakim Bey as strategies for immersion and participation into a research in arts, urbanities and sustainability, with artivism and educommunicative dimension, as well as promoter of collective creation as an action for a consciousness of Being.
Keywords: artivist performance; Ariadne´s thread; temporary autonomous zone; collective creation; wearable conscience.
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