Sistema Regional de Información
en línea para Revistas Científicas de América Latina,
el Caribe, España y Portugal

The media companies in Spain (press, radio broadcasting and television) have not only competed by seeking to provide a better information service, they have also done so by using their media as a tool to inflict damage on their rivals: revealing information harmful to them or questioning their honesty and professional ethics. In the recent history of Spain there have been times when this type of practice has been more pronounced, coinciding with the application of a media management model, 'author media' , where one single person takes  control of the company's journalistic aims and its business interests. This model clearly worked between 1976 and 2017.

Ficha técnica: Siboghán McHughTiran Humanidades2022312 ppISBN: 978-17-4223-702-2

Company owners and Chief Executive Officers (CEOs) have a key role when it comes to reputation management. To succeed in that assignment, they must be prepared and acquire the competencies needed to face that kind of responsibility. This research seeks to review the state of executive training in Mexico in terms of corporate reputation. In order to do so the research uses different tools that will allow us to know the reputation-related subjects offered by the MBA courses subject to study. Likewise, the opinions of the academic managers of these courses and professionals dedicated to reputation consulting, will be analyzed. Finally, a study will be carried out among owners, CEOs and C-Suite members, to find out their point of view regarding the importance of reputation in modern organizations, as well as the need for them, as company managers, to be able to manage it properly.

The festive, carnival-like spirit is deeply rooted in Mediterranean culture and arts. Countless festivals of a religious or distinctly pagan nature dot the lands surrounding this sea, which supports and connects them. The fiesta also runs through the entire filmography of the Valencian filmmaker Luis García Berlanga, as it could not be otherwise. It is undoubtedly present, sometimes with great prominence, throughout his film legacy. In his case, the popular fiesta draws directly from his beloved Fallas of Valencia, as an unmistakable sign of the jubilant, anarchic and carnivalesque nature of his films. Beginning with Luis García Berlanga, whose centenary year of his birth was just recently celebrated, three studies on the work of the Valencian director can be found in this monograph entitled, Mediterranean, Fiesta, and Carnival; Cinema and the Arts. The articles are presented in chronological order according to the sequential production of his films. As such, we first find an analysis of ¡Vivan los novios! (Long live the bride and groom) (1970), followed by the Leguineche trilogy: La escopeta nacional (1977), Patrimonio nacional (1980), and Nacional III (1982), and we conclude the volume with La vaquilla (1985).

Social Media have opened up a world of possibilities for communication and personal development, although if they are used in an inappropriate way they are a potentially dangerous tool for those who are not aware of their enormous capacity. Minors, due to their characteristics from to their age and their moment of development, are a group that must be specially protected against these type of risks. This research analyses the knowledge that minors have about the existing legal regulations applicable to their actions in Social Media and, therefore, of the consequences that an incorrect use of them may have for them. For this purporse, a Delphi methodology is carried out with experts on the topic and two focus groups with minors, in order to obtain the data that allow made this diagnosis.

Ficha técnica: Carles Marín LladóGedisa Editorial2006192 pp.ISBN: 8497841298

Ficha técnica: Christopher WylieRoca Editorial, Barcelona2020334 pp.ISBN: 978-84-18014-24-6

Ficha técnica: Kovach, B., and Rosenstiel, T.Bloomsbury Publishing2010233 pp.ISBN: 1608193020    

The main motivation is getting to know the Spanish cinema of the seventies in its extension with the focus on the evolution of its discourse from 1970 to 1979. The objectives are based on knowing the plot features of greatest recidivism, as well as relating the evolution of the narrative approaches, the flexibility and the change of the discursive proposals with respect to the last years of the Franco regime and the beginning of the Transition when a drastic change has been detected. Genre films, such as the Euro-western, `giallo ́ or horror films in co-production are virtually extinguished by the middle of the decade, and new approaches emerge such as ‹S› films and quinqui cinema, among others. There are various social confrontations projected on the fictional narrative. Sexual assault becomes a recurring theme and, throughout the decade, it would get ever-more crude in its representation.

Ficha técnica: Jorge David Fernandez GómezEditorial McGraw-Hill Interamericana de EspañaMadrid, 2013217 pp.ISBN: 978-84-48183-73-8