ISSN: 2310-2799
Aviso:
Los resultados se limitan exclusivamente a documentos publicados en revistas incluidas en el Catálogo 2.0 de Latindex.
Para más información sobre el Descubridor de Artículos escribir al correo: descubridorlatindex@gmail.com.
Leer más
Búsqueda por:
546,196 artículos
|
Año:
2018
ISSN:
2253-8305, 1130-5762
Daza Somoano, Juan Manuel
Secreariado de Publicaciones-Universidad de Sevilla
Resumen
The risco is a sacred and liturgic ephimeral scenery which is set up annually in Cantillana town (Seville) for the Marian religious festivities. It comes from 18th century and has a deep allegorical doctrinal content from Baroque origin.
|
|
Año:
2018
ISSN:
2253-8305, 1130-5762
Recio Mir , Álvaro
Secreariado de Publicaciones-Universidad de Sevilla
Resumen
This paper is a methodological approach to a historical and artistic analysis of the carriages in Spain and Viceregal America. There are used for it three types of fundamental sources: legal, documentary and iconographic. It allows seeing the relation of the carriages with urbanism, architecture, sculpture, altarpieces, painting and decorative arts.
|
|
Año:
2018
ISSN:
2253-8305, 1130-5762
Navarro Moragas, Francisco Javier
Secreariado de Publicaciones-Universidad de Sevilla
Resumen
Every communicative experience entails an intended, literal content and an instinctive communicative increase. The former is consciously elaborated whereas the latter flows as an involuntary emanation. Beyond the denotative and connotative elements in any work of art, they ooze a simultaneous discourse, the discourse of the gesture, which truly shows the idiosyncratic pulsions of the artist. Thus, the dance of complementation of opponents of reason and pulsion, prose and poetry, ethos and pathos, is entangled in the canvasses by Velázquez giving rise, in a happy synergy, to the work of art itself, whose gestural plasticity is nourished by the same throb with which some of the more relevant artistic manifestations of the 20th century would be nourished later.
|
|
Año:
2018
ISSN:
2253-8305, 1130-5762
Martínez Lara, Pedro Manuel
Secreariado de Publicaciones-Universidad de Sevilla
Resumen
The find of a new document that collects operations of restoring and renewal of the Church of la O, as a result of the earthquake of 1755, have allowed to shed light on the construction process of this singular building, especially of its Tower Bell, documenting their authors and sequence of works, as well as some elements emphasized as the ceramic altarpieces that embellish it.
|
|
Año:
2018
ISSN:
2253-8305, 1130-5762
González Estévez, Escardiel
Secreariado de Publicaciones-Universidad de Sevilla
Resumen
The angelic hyerarchy, structured by Dionisus the Areopagite since 5th century, did not have a wide iconographic development, however it can be seen in works, above all, from Late Medieval Age. In this paper, we dealt with an iconographic coding born in West Andalousia in the first half of 18th century and based on a 1713 engraving included in the Capuchin Fray Feliciano de Sevilla’s Trisagio especial devoto. We analyse five unknown paintings located in churchs in Lebrija, El Puerto de Santa María, Sanlúcar de Barrameda and Arcos de la Frontera.
|
|
Año:
2018
ISSN:
2253-8305, 1130-5762
Santos Márquez, Antonio Joaquín
Secreariado de Publicaciones-Universidad de Sevilla
Resumen
This paper reveals new contributions on altarpiece and sculpture in Osuna during the first half of the 18th century.
|
|
Año:
2018
ISSN:
2253-8305, 1130-5762
Roda Peña, José
Secreariado de Publicaciones-Universidad de Sevilla
Resumen
The Saint Joseph Chapel, built in the historic heart of Seville as the seat of the guild brotherhood of carpenters, preserves both inside its walls and its two exterior fronts an interesting collection of sculptures by Cristóbal Ramos (1725-1799) made at the beginning of the last third of the 18th century, most of which are attributed to him for the first time in this paper.
|
|
Año:
2018
ISSN:
2253-8305, 1130-5762
Justo Estebaranz, Ángel
Secreariado de Publicaciones-Universidad de Sevilla
Resumen
José González y Giménez, a sculptor born in Granada who played an important teaching role in different academies in Ecuador and Spain, spent his last years in Cordoba. Being little known its production and his life, there was a total ignorance of the circumstances of his last years. Thanks to the hemerographic sources and to unpublished documents from the archive of the Real Academia de BBAA de San Fernando, we have been able to reconstruct his last moments as a teacher and als the bitter years that passed until his death. In this paper we address the situation of González y Giménez in his last years of life, as well as the role played by other artists in his retirement
|
|
Año:
2018
ISSN:
2253-8305, 1130-5762
Illán Martín , Magdalena; Velasco Mesa, Custodio
Secreariado de Publicaciones-Universidad de Sevilla
Resumen
María Luisa Puiggener (Jerez de la Frontera, 1867-h. 1921) was the female painter who reached greatest presence and recognition in the Sevillian artistic scene during the first decades of the 20th century. This paper presents unpublished information about her biography and career, as well as new works which have just been incorporated into his still meager catalogue.
|
|
Año:
2018
ISSN:
2253-8305, 1130-5762
Lorenzo Lima, Juan Alejandro
Secreariado de Publicaciones-Universidad de Sevilla
Resumen
This paper provides a study of two sculptures preserved in the Canary Islands that can be attributed to Blas Molner (1738-1812), based on references previously published by other researchers and unknown archival documentation that helps to understand its existence. It proposes a contextual analysis, focusing on its value with a historical, artistic and commercial approach.
|
Hecho en México, Universidad Nacional Autónoma de México (UNAM). Todos los derechos reservados 1997-2022. Esta página puede ser reproducida con fines no lucrativos, siempre y cuando no se mutile y se cite la fuente completa y su dirección electrónica. De otra forma, se requiere permiso previo de la institución por escrito. Mapa del sitio | Créditos
