ISSN: 2310-2799
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546,196 artículos
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Año:
2018
ISSN:
2169-0847
Arellano-Torres, Ignacio Dionisio
University Library System, University of Pittsburgh
Resumen
This article analyzes the affective connotations of the transatlantic dialog proposed by Vientos de agua, a Spanish-Argentinean TV show. It is it´s project to establish a community for all the victims of structures of domination, may them be political or economic. Across the parallel histories of Argentina and Spain, a connection is established between the disruptive power of the Spanish fascism at the beginning of the 20th century, and that of the capitalism in Argentina at the beginning of the 21th century. Vientos de agua proposes the deconstruction of the binary structure inherited from the colonial momentum by creating the universal categories of victim and immigrant. We consider this project failed in view of the treatment of certain figures who in last instance remain excluded from the affective circuit. We conclude that these strategies end in the prevalence of the peninsular space, as well as in the exclusion of the indigenous and African element from the supposed new community, resulting in the failure of the migratory transatlantic dialogue.
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Año:
2018
ISSN:
2169-0847
García-González, Macarena
University Library System, University of Pittsburgh
Resumen
Children’s literature and media presents a privileged field to explore the reproduction of social discourses and consensus. In this article, we approach four works recommended by critics and mediators: the picturebooks La composición, Camino a casa and Un diamante en el fondo de la tierra, and the short film “Bear Story”. In these four texts, the interplay of the verbal and the visual makes references to political violence in Latin America. Assisted by visual theories —and by the category of image modality introduced by Gunther Kress and Theo van Leeuwen—, I analyze how these texts narrate dictatorship avoiding the remembrance of violence. The ideological analysis is complemented with reflections elaborated upon reader responses of primary education teachers as well as children obtained in reading workshops organized in Santiago de Chile.
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Año:
2018
ISSN:
2169-0847
Velazco, Salvador
University Library System, University of Pittsburgh
Resumen
This article analyzes Francesco Taboada’s 13 pueblos en defensa del agua, el aire y la tierra documentary (2008) from the perspective of the “coloniality of power.” This concept, in accordance with Walter Mignolo, refers to the subordination of the knowledge and culture of subaltern and excluded groups that is a feature of Western modernity. Taboada highlights the epic struggle of the 13 Villages in the State of Morelos Movement to defend not only natural resources (water, land, forests) but also the full rights of indigeous communities. This film is an obligatory reference for documenting indigeneous people’s movements and the social struggles that are being waged in today’s neoliberal Mexico.
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Año:
2018
ISSN:
2169-0847
Sánchez Ramos, Nelida Jeanette
University Library System, University of Pittsburgh
Resumen
The present article examines three works by Roberto Bolaño, who put the ballistic Effigies through narratology and cultural anthropology, who expose new uses for urban space by avoiding a symbolic imaginary controlled by the spatial functions of a disguised overmodernity. In this way, the analysis covers its axiological negativity, its ethical anomaly and the inconstancy of its constitutive definitions as characters, which are representations of evil in modern thought in America. It is a trajectory of the existential vacuum, impressions that will be repeated intermittently as anthropological structures from the regime of the image.
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Año:
2018
ISSN:
2169-0847
Moyano Barahona, Cristina
University Library System, University of Pittsburgh
Resumen
Resumen
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Año:
2018
ISSN:
2169-0847
Franco, José Javier
University Library System, University of Pittsburgh
Resumen
This writing proposes a reading of Tiempos del incendio (2014), by José Roberto Duque, and Lo que va dictando el fuego (2015), by Juan Antonio Hernández, as a remembrance and update of the events that happened in El Caracazo (1989). This text by Duque and Hernández can be understood as «collective devices of enunciation» (Deleuze, 1978) from a popular memory —both rebel and militant— that doesn’t only oppose to the official version of the events, but also starts again the questioning about the use of violence on behalf of the State as a political weapon during the puntofijista democracy (1958-1998) for the present/future.
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Año:
2018
ISSN:
2169-0847
Redondo-Olmedilla, José-Carlos
University Library System, University of Pittsburgh
Resumen
The interrelations among History, cognition and knowledge in the Trilogía del siglo XX, a set of novels written by the Mexican writer Jorge Volpi, constitute a discursive space where readers and critics can inquire and explore the meaning of nowadays Latin American narrative. In spite of the fact that evanescence and fragmentarism are elements that are clearly present in the analyzed works, the study sets to assess the novels as courses of a ‘serial knowledge’ and as attempts in the difficult balance between the real and the imaginary elements. Furthermore, the paper suggests that these works’ meaning leads the reader to a ‘foundationalist’ acceptance of History as an element for the cognition of the present reality as well as for the timeless one.
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Año:
2018
ISSN:
2169-0847
Lardone, Mariana Inés; Argañaraz, Eugenia
University Library System, University of Pittsburgh
Resumen
Reseña
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Año:
2018
ISSN:
2169-0847
Marino-Cicinelli, Simone
University Library System, University of Pittsburgh
Resumen
This article will aim to examine the consciousness process of Biruté Ciplijauskaité taking as object of study The Reverse of the Soul (2003) written by Carla Guelfenbein. The work tries to address the following question, among others: Can memory be an instrument to overcome a trauma? Firstly, it aims to analyse the female body and, subsequently, focus specifically on the memory and the trauma. Secondly, the idea is to ascribe what we call “corporal narrative”, a form of writing which the body is the centre.
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Año:
2018
ISSN:
2169-0847
López, Rodrigo
University Library System, University of Pittsburgh
Resumen
In 2666, Roberto Bolaño configures, situated at the Mexican desert of Sonora, a latinamerican and post-apocalyptic scenario, a paradigmatic state of exception where, in an almost forensic style, innumerable corpses of women proliferate during more than 350 monotonous and inexhaustible pages: byproducts of a large scale femicide, nude lives deprived of political existence. In the structure of this posthumous novel, unfinished, demesured in its extension, Bolaño, through fragmentarities, digressions, interruptions, reveals an authentic poetic of inconclusion: there is no narrative totality capable to address the unlimited character of crime and absolute evil experienced during the twentieth century. This way, read under the lacanian logic of the pas-tout, this poetic of inconclusion enables the irruption of the real that interrupts the narration, the ideological closure of a perverse socio-symbolic order.
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