ISSN: 2310-2799
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546,196 artículos
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Año:
2018
ISSN:
2415-2218, 1810-7524
Huárag Álvarez, Eduardo
Instituto Ricardo Palma de la Universidad Ricardo Palma
Resumen
The essay establishes a comparison between the story of the Inca Garcilaso about Aguirre, and the story that Ricardo Palma calls “The ears of the mayor.” Likewise, a comparison is made between the account of the melons and the natives who believed they had been betrayed by a letter; and the story of Palma that are titled “Carta sings”. When comparing it will be possible to notice the similarities in the narrative plot and the image of the historical personages; But also the notorious differences in the treatment of the story and the discursive style. It mentions why, probably, the writer of the traditions does not mention the Inca Garcilaso being that was the predecessor of the narrative proposal.
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Año:
2018
ISSN:
2415-2218, 1810-7524
Kapsoli Escudero, Wilfredo
Instituto Ricardo Palma de la Universidad Ricardo Palma
Resumen
a narrative resource used by many writers, the anecdote was an essential element in the work of don Ricardo Palma. In fact, the presence of this element managed to enrich and give vitality to that impressive and vast detailed picture of historical events and characters that managed to create the writer of Lima with his pen. It is precisely in El Demonio de los Andes, one of the traditional works of the traditionalist, where history and anecdote complement each other in the best way delighting many readers, but also giving many critics to question the work of Palma as Historian for the recurrent abuse of the anecdote. The present work seeks to delimit the boundaries between history and fiction and the use of the anecdote in the work of the traditionalist.
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Año:
2018
ISSN:
2415-2218, 1810-7524
Ayala Olazával, José Luis
Instituto Ricardo Palma de la Universidad Ricardo Palma
Resumen
The language and lexicon of the liberator Simón Bolívar were collected by Ricardo Palma in several of his traditions. Nevertheless, there is a veil of mystery about the originality of some words and phrases attributed to the Venezuelan general. In this sense, the present work offers us some ideas on this subject.
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Año:
2018
ISSN:
2415-2218, 1810-7524
Arroyo Laguna, Eduardo
Instituto Ricardo Palma de la Universidad Ricardo Palma
Resumen
Ricardo Palma’s life is one of the most passionate of our history. He was an intellectual besides a political, an action man. During his life he wrote poetry, journalism, theater, chronicle and Traditions, becoming in the social-historical consciousness of Perú.
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Año:
2018
ISSN:
2415-2218, 1810-7524
Coloma Porcari, César
Instituto Ricardo Palma de la Universidad Ricardo Palma
Resumen
Research work on Ricardo Palma’s description of the celebrations of Christmas and Epiphany, in colonial and nineteenth-century Peru. Nativity scenes, imagery, the dance of the “pallas”, male and female singers, Infant Jesus “urine”, the Epiphany, the Mayors Procession and the Epiphany in popular and lower class culture.
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Año:
2018
ISSN:
2415-2218, 1810-7524
Bazán Montenegro, Dora
Instituto Ricardo Palma de la Universidad Ricardo Palma
Resumen
The aim in our paper is the linguistic and meta-linguistic study of the language that Palma used throughout his life and in all his works. This within the synchronic and diachronic parameters and in the phonetic, morphological, syntactic, semantic, lexical, onomastic, forms of addressing fields and overall in the scientific and technical language registry.
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Año:
2018
ISSN:
2415-2218, 1810-7524
Rosa Campusano: patriota comprometida vista por la tradición de Palma y el historiador Germán Leguía
Mera Ávalos, Arnaldo
Instituto Ricardo Palma de la Universidad Ricardo Palma
Resumen
From the review of the tradition Rosa Campusano, “La Protectora” we will be able to reconstruct her participation in the work of propaganda and dissemination of the patriotic cause before and after the arrival of the Liberation Expedition of General San Martín in 1820 consulting the work of the Outstanding historian German Leguía and Martínez. Finally we will see how the new state constituted and denominated Protectorate decorated by this work in 1822 and the opinions expressed by don Ricardo Palma in this respect.
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Año:
2018
ISSN:
2415-2218, 1810-7524
Valero Juan, Eva
Instituto Ricardo Palma de la Universidad Ricardo Palma
Resumen
Critical studies on the Peruvian Traditions have addressed the treatment of space, eminently urban (Lima) in the work, pointing to the importance of the characters and “intrahistory” on descriptive aspects of Peruvian landscape and nature. Nevertheless, a revision of the Traditions from the point of view of the treatment of geography, landscape and nature, reveals fragments in which it acquires an importance that, although overlapping, imposes routes to the urban history and, therefore, to the stories rescued and recreated by the traditionist.
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Año:
2018
ISSN:
2415-2218, 1810-7524
Ada Batticuore, Graciela
Instituto Ricardo Palma de la Universidad Ricardo Palma
Resumen
Consecrated as one of the best writers in Latin America, don Ricardo Palma maintained an intense epistolary correspondence with renowned characters from Peru and abroad. In his long list of epistles, the names of women writers such as Juana Manuela Gorriti, Clorinda Matto de Turner, Mercedes Cabello de Carboneda, among others, were distinguished with whom he managed to share various issues related to the literary field, the political scene, the private sphere, among others themes. Precisely, the present work deals with the message of these letters, which give us an idea of t he degree of admiration and confidence that the writer from Lima had by these female writers.
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Año:
2018
ISSN:
2415-2218, 1810-7524
Reyes Tarazona, Roberto
Instituto Ricardo Palma de la Universidad Ricardo Palma
Resumen
The Traditions of Ricardo Palma have enjoyed great recognition since its appearance, but also they have been object of criticism and disqualification by some intellectuals and writers as Manuel Gonzales Prada, the indigenists and Sebastian Salazar Bondy. The last one, one of the most distinguished key figures from the Generation of ’50, in Lima the Hideous, accuses the traditionist to be the main myth creator of an idyllic Lima and the “colonial Arcadia”; of an ancient vision that should be dismissed for being retrograde. This position has widespread to the rest members of his generation. This article demonstrates that this generalization is erroneous, since most of the members of this generation consider Palma as a classic and recognize his values as creator and in his role in Peruvian literature formation.
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