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546,196 artículos
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Año:
2017
ISSN:
0719-1529, 0716-3991
Pugibet, Veronique
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
The cinema that cultivates violence has adopted nowadays new forms, getting to dreadful
extremes as can be seen in Mexican cinema. Quemada-Díez in his mix film genre La jaula de
oro, offers a specific representation of a multi faceted violence, based on real migrants’ cases confronted to disasters of social and collective order with individual consequences, as the porosity of borderlines, criminal bands, betrayals, kidnappings, rapes. Victims of an initial symbolic violence (Bourdieu), they risk their own life to obtain what the State doesn’t provide them. We have analyzed how step by step the long initiatory odyssey of some four young migrants from Guatemala and Mexico towards the North, their “American Dream”, their golden dream, turns
into a genuine nightmare because of so much violence.
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Año:
2017
ISSN:
0719-1529, 0716-3991
Ramírez Miranda, Francisco Javier
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
Cuates de Australia is the chronicle of a catastrophe. It is the name of an ejido in the north of Mexico, the families of the place cyclically face the rigor of the summer and only resist by a diffuse tradition, whose roots are lost in the time. The natural disaster causes others: poverty, disease and migration. Every year they gather their things and leave the village waiting for the rains to return. When recording the conditions of life, Everardo González chronicles an
anticipated but inevitable catastrophe. It uses a contemplative and static style that testifies to
misfortune and resignation. This work analyzes the discursive mechanisms of the film to put into
context the conditions of life of this community, and to propose a political vision of the subject.
Likewise, it raises the analysis of the complete body of the work of the filmmaker, from which
this tape can be considered as a synthesis of his rhetorical searches.
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Año:
2017
ISSN:
0719-1529, 0716-3991
Santa Cruz, Eduardo
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
The article tries to unravel the structural tendencies that are at the base of the historical development of the Chilean television, especially in its transformation of a medium of classical and own of the last century, towards a digital media platform, in which different languages and supports converge, as well as its permanent role of important actor socio cultural, products of senses that interpret the national reality , in articulation with other discursive devices from other spheres and socio-political actors.
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Año:
2017
ISSN:
0719-1529, 0716-3991
Bossay, Claudia
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
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Año:
2017
ISSN:
0719-1529, 0716-3991
Corral-Velazquez, Gabriel
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
Queretaro state’s touristic promotion is proposed as example of public communication. Approximately since 1997 it has been articulated to the competitive advantages of the state,
as well as to the official publicity and the figure of the governor. In this paper, through the use
of discourse analysis, we examine its structure and the image that is been constructed from the
values promoted by each administration, since that time and until 2015
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Año:
2017
ISSN:
0719-1529, 0716-3991
Huard, Geoffroy
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
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Año:
2017
ISSN:
0719-1529, 0716-3991
Morales Vargas, Alejandro
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
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Año:
2017
ISSN:
0719-1529, 0716-3991
Gautreau, Marion
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
With the analysis of the photographs that Elsa Medina took of the consequences of the earthquake that hit Mexico City the 19th of September of 1985, we want to observe how the photojournalistic way of seeing does construct itself. After that, Elsa Medina will work at the newspapers La Jornada (Ciudad de México) and El Sur (Estado de Guerrero). With professionalism and knowing very well how to use her camera, she offers the portrait of a wounded city.
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Año:
2017
ISSN:
0719-1529, 0716-3991
Iturbe Tolosa, Andoni
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
The present article focuses on the analysis of the first part in the REC saga, one of the most important fantasy-horror film franchises in Spanish cinema. We believe that REC is paradigmatic for
the manner in which it links the catastrophe imaginary with media discourse, and thusly, we opted to analyze this emblematic movie by examining its discourse structures and intertextuality, allowing us to underpin a close interrelation between cinema and television. The investigation concludes that
REC, in effect, is indebted not only to traditional film narrative structures, but that it also draws on the conventions of contemporary TV reporting in its dealing with a fictional news report.
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Año:
2017
ISSN:
0719-1529, 0716-3991
Lagos Lira, Claudia
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
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