Sistema Regional de Información
en línea para Revistas Científicas de América Latina,
el Caribe, España y Portugal

The lament is a phenomenon which is present in our daily life. However, its extensive presence also implies its trivialization, because suddenly can be inaudible and who are lamenting is invisible for others. The lament only affects when it is own or this is suffered by a person loved. While this phenomenon is above all an esthetic object, because expresses a discomfort sensation, pain or displeasure, it means this is an anesthetized society or it is insensitive to the pain of others. This allow to Latin American nations authorities do easy tasks, and they can carry out their violent administrations through the necropolitical resources, it is administered to bodies and their deaths, to achieve a more comprehensive control. In this manner, it is necessary a way to communicate the pain of other and re-sensitize us as a social and political transformation principle, for overcoming the critical conditions of misery in which our peoples live. For this purpose, it is proposed the Enrique Dussell concept: analectic, which takes above all an ethical burden in which a dialogue can be generated that privileges listening, which means it is no longer a negative dialectic, but rather that it is open and integrated and always pretending the goodness. The subject that has an analectic attitude has the capacity to listen to other from his oppression and generates in itself the responsibility to preserve his life and his safety, as a collective principle of collaboration. In this context, to develop a favorable policy to our conditions as Latin America peoples, it is necessary to transform and sharpen our sensitive powers, that is, esthetics. If the policy always refers to the other as a component of my own reality, it is necessary to learn to listen their needs, and a principle of this learning in the current conditions is the lament.

This work focuses on the interpretation based on the obtained data through archaeological prospections and excavations in Sombrero Negro, located in La Batea community, municipality of Muelle de los Bueyes, in the Autonomous Region of the South Caribbean Coast of Nicaragua (Región Autónoma de la Costa Caribe Sur, RACCS, for its acronyms) . This place is characterized by the high presence of materials from the pre-Hispanic period such as stylized rocks, engraved stones (petroglyphs), concentrations of lithic materials and ceramic fragments on the surface and a sepulchral area. Many of the rocks reflect figures of animals (crocodiles, birds), which have been used for their original forms for stylization. The engravings in stone show anthropomorphic, zoomorphic, phytomorphic, geometric and abstract representations. In three excavated pits, elements were identified of how these were elaborated, as well as ceramic and lithic artefacts that were placed in an orderly way inside them. As a result of this study it is determined that Sombrero Negro was a space where ceremonial practices were developed (rituals, worship, etc.); therefore, it was a significant place for the society that produced it. According to the comparative analysis of ceramic technology, the site was occupied between 400 BC., and 440 AD, relative chronology reinforced in theoretical and methodological approaches that belong to the archaeological and ethnography sciences.

This publication is presented within the framework of the archaeological rescue project in Villa Tiscapa, Managua Department, and focuses on the analysis of styles and decorative motifs presented in Sacasa Striated ceramic (800-1520 AD) and its link with pre-Hispanic funerary practices in the postclassic period of occupation. For the proposed intended, by means of an iconographic study, it is defined the characteristic elements of the mentioned ceramic that allow to understand and determine a direct reading of funeral materiality as a benchmark from the social component. This is linked to the production and reproduction of society, because it acts as a particular transmission mechanism to see the social world and denote everyday social relations of the pre-Columbian subject.

In the present study propose to analyze the different spaces of socialization, interaction modes and different manifestations of social, cultural and ethnic factors which determine mechanisms of social development in the community of Villa Chagüitillo. For this research, a literature review was conducted in various texts related to the theme, and bibliographic content that is contrasted with the views of the people of the community. The different spaces of socialization, whether spontaneous or pre-established, are characterized by playing an important role in the social development of each society, due to the transmission of values, customs, traditions, and different cultural representations that manifest themselves in social spaces. However in Villa Chagüitillo, this dynamic has gradually changed by the logic of technological development, which has affected traditional ways of interaction and creating a contrast in the spaces with the socialization of youth groups and older age groups, by the usefulness of technology as a new way of socializing.Keywords: spaces of socialization, social development, Identity, Interaction

In the present work, we analyze documentary and archaeological sources that provide substantive data to understand the socio-economic development experienced by Aboriginal communities that inhabited the territory that comprises the current Autonomous Region of the Nicaraguan Caribbean South Coast (RACCS), (RACCS) from 4140 b. C to 1502 a. C and their regional links. The analysis of these sources and other substitutes are the basis from which the data will be extracted for a larger study in process. Information extracted from archaeological and historical sources is also systematized. This information is organized to be used from the ethnographic method, allowing an understanding of the social processes of aboriginal communities.Keywords: Documentary sources, Archaeological sources. Specialized Database. Nicaraguan. Caribbean. Archaeology. Anthropology. Aborigines. History.

The Gaza Strip in Palestine has been classified in recent years by the United Nations as one of the areas of greatest humanitarian emergency. Considering the situation of war and economic blockade imposed by the State of Israel on the Palestinian population settled in this territory, it is meritorious to analyze how these situations of crisis and conflict obstruct the power to guarantee an effective food security, violating precepts and principles of International Humanitarian Law, as well as agreements on global development. Although literature about the conflict between Palestine and Israel is broad, few studies Case analysis of the Gaza Strip shows that food security understood as: availability, access, biological use of food and stability, cannot be effectively guaranteed in situations of armed conflict. The bibliographical sources consulted mostly correspond to reports from international cooperation agencies and non governmental organizations who have carried out humanitarian action in this area of the Near East and provide relevant information in the understanding and analysis of Gaza population reality.Keywords: Humanitarian crisis, food safety, Non-Governmental Organization Development, Gaza Strip, economic blockade.

Analyzing a single Nahuat-PIpil sentence in context, four typological traits are deduced: a headmarking language, a serial language with conjugated verbs in sequence, a lack of plural in (in) animate nouns, marked in adjective or number, and an arithmetic hybrid system, quintesimal (base 5) and vigesimal (base 20). The sphere of possession is added to these four attributes to establish a radical distinction from Spanish grammar. In contrast to a deep Spanish ambiguity —unifying the genitive phrase under a single preposition “de”— Nahuat-Pipil uses at least three different syntactic techniques: apposition, established relation, and inherent relation. The concepts of ownership, relation of part to whole, affiliation to a biological genus, etc. are steadily expressed. As pertinent as poetic, the ART/ARS of a language is defined by its grammatical notions and categories.Keywords: nahuat-pipil lenguage, nahuat-pipil art, gramatical category.