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546,196 artículos
Año:
2017
ISSN:
2255-520X, 1577-3388
Manzano, Valeria
Ibero-Amerikanisches Institut Preußischer Kulturbesitz (Berlin)
Resumen
This article reconstructs the emergence of a counterculture in the early 1960s. In particular, it focuses on the New Solidarity Movement, which was created by a group of poets and writers, and anchored on a network of little magazines, correspondence, and meetings, such as the one held in Mexico City in 1964. These writers aimed at constructing an inter-American fraternity and, from a neo-humanist perspective, called to the “awaken consciousness” of the Americas in order to discuss the meanings of a revolution that they envisioned as ongoing and conceived of as dual, collective and subjective. The analysis of this singular experience contributes to a better understanding of the plurality of meanings that the language of revolution acquired throughout the 1960s.
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Año:
2017
ISSN:
2255-520X, 1577-3388
Lainck, Arndt
Ibero-Amerikanisches Institut Preußischer Kulturbesitz (Berlin)
Resumen
Taking Walter Benjamin’s Theses on the Philosophy of History as a point of departure, the evaluation of a variety of studies on Los relámpagos de agosto serves to take inventory of how Ibargüengoitia parodies the legacy of myths about the Mexican Revolution as living history. That the historical truth of the story is lost can already be seen by looking at the frame story which allows reading the novel as a false vindication of revolutionary disputes amongst many others. By comparing the frame story of the fictitious memories of the general Arroyo with the memories of Obregón and Amaya, on the one hand, and the epilogues of Los relámpagos de agosto and Las muertas, on the other hand, a subtle and still not sufficiently appreciated construction becomes apparent: one of the narrators has simply given up in the face of history’s changeability.
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Año:
2017
ISSN:
2255-520X, 1577-3388
Burbano de Lara, Felipe Eugenio
Ibero-Amerikanisches Institut Preußischer Kulturbesitz (Berlin)
Resumen
This article analyzes the contradictory uses of the concept of citizenship in the governmental practice of Rafael Correa’s party Alianza País (AP). Correa’s AP is a self-described leftist movement that promised a “Citizen’s Revolution”. Yet in power Correa restricted the institutional foundations that allow for citizens to articulate their autonomous demands. His administration repressed and coopted social movements, and other organizations of civil society. I argue that AP self-conception as a movement that promised to found from scratch all institutions of society explains their contradictory appropriation of the concept of citizenship. Instead of delivering a citizen’s revolution, they created a plebiscitary democracy under Correa’s leadership with the support of a strong state.
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Año:
2017
ISSN:
2255-520X, 1577-3388
Graff, Stephen
Ibero-Amerikanisches Institut Preußischer Kulturbesitz (Berlin)
Resumen
This article approaches Dulce Chacón’s novel La voz dormida in the frame of its influence in Spain’s politics of memory. It offers to expand the horizons of the numerous works carried out up to the date relying on Jacques Derrida’s theories and reasonings on the notion of testimony or witnessing, in order to analyze the limits and the strengths of the narrative project of the authoress. Across this research, it will evoke the reasons for which the writer, who comes from a right-winged aristocratic family, felt the need to deliver the testimonies of communist victims of Franco. After questioning the possibility of bearing witness for the other, it will point that Chacón’s perspective may in fact proceed of an ideological coherence with the contemporary political power.
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Año:
2017
ISSN:
2255-520X, 1577-3388
Galeano, Diego; Rocha Gonçalves, Gonçalo
Ibero-Amerikanisches Institut Preußischer Kulturbesitz (Berlin)
Resumen
Introduction to dossier.
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Año:
2017
ISSN:
2255-520X, 1577-3388
Francomano, Emily C.; Rodríguez Mansilla, Fernando; Rodríguez-Rodríguez, Ana M.; Lainck, Arndt; Jaeckel, Volker; Rojas, Pablo; Arlandis, Sergio; Bellini, Giuseppe; Samson, Regina; Zavala Medina, Daniel; Salto, Graciela; Paniagua García, José Antonio; Dhondt, Reindert; Pulido Ritter, Luis; Rodríguez-López, Carolina; Pallàs, Elisabet; Clemen, Martina; Alzate Echeverri, Adriana María; Poettering, Jorun; Peach, Niall A.; Hensel Riveros, Franz D.; Amaya, Carlos Eduardo; Sánchez Román, José Antonio; Mueller, Antony P.; Salman, Ton; Plötz, Jochen; Böse, Katrina; Ortiz de Orruño, José María
Ibero-Amerikanisches Institut Preußischer Kulturbesitz (Berlin)
Resumen
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Año:
2017
ISSN:
2255-520X, 1577-3388
Genschow, Karen; Spiller, Roland
Ibero-Amerikanisches Institut Preußischer Kulturbesitz (Berlin)
Resumen
The audiovisual representations of collective traumas in Latin America that have emerged in the 21th century are formed as cultural means of memory. As such they play a guiding role, both in terms of diffusion and as well as specific forms and images with which they have provided the traumas as products of dictatorships, violence and losses at a collective level. The introduction to this dossier outlines some general reflections about the relationship between collective trauma and audiovisual memory and then leads to the analysis of different articulations and representations of specific traumas, such as the Chilean and Argentine dictatorships, the armed conflict in Peru, systematic repression In Guatemala and a loss of another type that is articulated in audiovisual productions in Brazil.
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Año:
2017
ISSN:
2255-520X, 1577-3388
López Petzoldt, Bruno
Ibero-Amerikanisches Institut Preußischer Kulturbesitz (Berlin)
Resumen
The disappearance of both the itinerant cinema and the train has left a void in several countryside communities in Paraguay. Hugo Gamarra Etcheverry’s Profesión Cinero, along with Mauricio Rial Banti’s Tren Paraguay, are contemporary documentaries by Paraguayan film makers who bring back the voices of communicative memory reminiscent of past personal experiences related to the periodical visits of the cinema and the train to the villages. This article investigates the audiovisual techniques used to deal with the communicative memory in both films, while also examining the additional significations arising from the intersection of cinema and the oral, bilingual manifestations which express those memories.
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Año:
2017
ISSN:
2255-520X, 1577-3388
Palacios, José Miguel; Donoso Pinto, Catalina
Ibero-Amerikanisches Institut Preußischer Kulturbesitz (Berlin)
Resumen
This article approaches the trauma of the Chilean dictatorship through the intersection between childhood and exile. It analyzes the role of childhood in Chilean exile cinema, focusing on documentaries produced throughout the 1970s and 80s. We will study the presence of childhood as a symbol in the political imaginary of exile, discuss the ways in which cinema recognizes and authorizes children’s testimony, and cover the dilemmas of desexilio and counter-nostalgia in films devoted to the theme of return. The article argues that Chilean exile cinema turns to childhood as a key experience to understand the cultural phenomenon of uprootment, its psychological and social repercussions, and its role in the formation of an exilic subjectivity.
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Año:
2017
ISSN:
2255-520X, 1577-3388
Garcerá, Fran
Ibero-Amerikanisches Institut Preußischer Kulturbesitz (Berlin)
Resumen
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