ISSN: 2310-2799
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546,196 artículos
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Año:
2016
ISSN:
2328-1308
Vargas Montes, Paloma
Instituto de Estudios Auriseculares (IDEA)
Resumen
The following discussion offers a panorama of the hermeneutical horizon from which the philological annotation apparatus of the Libro de los ritos critical edition was created. The book, written by the Dominican friar Diego Durán in 1579, describes the religious life of the Nahua people with emphasis in the Mexicas or Aztecs of the postclassical period. Also, this work offers some considerations about the ethnohistorical value of the Libro de los ritos and explains how this idea was used as a hypothesis to create the philological annotation apparatus of the critical edition. The value of the analysis of this experience is the contribution that it offers to the discussion between philologists about the proper methodology that must be used for the critical annotation of the Indian chronicles, documents that conserve the memory of the Native American people.
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Año:
2016
ISSN:
2328-1308
Ortiz Gambetta, Eugenia
Instituto de Estudios Auriseculares (IDEA)
Resumen
The aim of this paper is to analyze the burlesque style in Martin del Barco Centenera’s epic poem Argentina y conquista del Río de la Plata. In the first place, the notion of «discoursive traditions» is treated to give a wide framing to the text. Then, the concept of heteroglossia is analyzed and commented its use in the poem, regarding the use of anecdotes and three burlesque resources: irony, satire and grotesque. All these features enjoy the poem´s didactic style and intention of the work, becoming a text wich is new somehow to this tradition.
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Año:
2016
ISSN:
2328-1308
Oteiza Pérez, Blanca
Instituto de Estudios Auriseculares (IDEA)
Resumen
Review of Fray Toribio de Benavente, Motolinía, «Historia de los indios de la Nueva España», ed. Mercedes Serna y Bernat Castany, Madrid, Real Academia Española/Centro para la Edición de los Clásicos Españoles, 2014, 439 pp., ISBN 978-84-617-0715-74
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Año:
2016
ISSN:
2328-1308
von Wobeser, Gisela
Instituto de Estudios Auriseculares (IDEA)
Resumen
The life and work of Santa Teresa of Jesus had a great influence on the New Spain spiritual atmosphere by enabling a more intimate and direct relationship of women with God and contribute to the proliferation of nuns and beatified. In the Wonders of the Omnipotence and Miracles of the Grace in the life of the Venerable Servant of God Catharina of San Joan, Alonso Ramos writes the biography of Catarina of San Juan, a free slave considered saint, to whom in many passages compares with Santa Teresa. The purpose of Ramos was to create a female life model based on Teresian spirituality and values.
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Año:
2016
ISSN:
2328-1308
Rice, Robin Ann
Instituto de Estudios Auriseculares (IDEA)
Resumen
Saint Teresa of Jesus is the most important modern model for feminine religiosity. Nevertheless, in her times, her actions and her persona were under the ecclesiastical hierarchy’s skeptical scrutiny. By means of an analysis of La vida de Santa Teresa de Jesus (1590) by Francisco de Ribera and of one of the many comedies composed for her beatification in 1614, La bienaventurada madre Santa Teresa de Jesús, an apocryphal work by Luis Velez de Guevara, I propose to configure a portrait of the Saint from the point of view of the epoch’s collective imagination. Her configuration in the collective imagination was not always positive.
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Año:
2016
ISSN:
2328-1308
Casariego Castiñeira, Paula
Instituto de Estudios Auriseculares (IDEA)
Resumen
Analysing the errors committed by Calderón himself during his writing amplify the perspective on his complex composition process. The aim of this paper is to offer an initial approximation on autograph errors located in En la vida todo es verdad y todo mentira, La desdicha de la voz and Cada uno para sí. A first typology considering its production, its magnitude and its posterior survival is deduced from the examples exposed.
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Año:
2016
ISSN:
2328-1308
Waissbein, Daniel
Instituto de Estudios Auriseculares (IDEA)
Resumen
Giulia Poggi denies, in a recent study, that «De pura honestidad templo sagrado» describes the small sculpture of the Virgin of Villaviciosa in the Cathedral-Mosque of Córdoba, as suggested by me in 2010, and insists in the supposedly amatory character of the sonnet. In the following pages I demonstrate that neither of the two main arguments adduced by Poggi, a restrictive view of intertextuality, and an arbitrary summary of Pineda’s censorship comments, allow us to decide the point. Lastly, I indicate the comprehension mistakes of some lines of the sonnet by the Italian critic, which have led her astray; and I add some new factual information, related in part to Góngora’s converso condition, recently demonstrated, which strengthen the views that Poggi attempts to deny.
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Año:
2016
ISSN:
2328-1308
Serna, Mercedes
Instituto de Estudios Auriseculares (IDEA)
Resumen
After an introductory discussion of textual issues of the Historia eclesiástica indiana, the article studies certain rhetorical aspects of this chronicle: the abundant biographies of Franciscan friars who lived and preached in the New World, and the abundant use of miracles, supernatural visions and divine revelations. Mendieta also describes several instances of martyrdom of missionary friars. Finally, Mendieta uses the image of childlike innocence to describe Indians as genus angelicum.
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Año:
2016
ISSN:
2328-1308
de Navascués, Javier
Instituto de Estudios Auriseculares (IDEA)
Resumen
Pirate representation is studied in a series of Epic poems in the late sixteenth century and early seventeenth century. The ambiguous image of the English enemy is read in texts by Juan de Miramontes, Pedro de Oña, Martín del Barco Centenera and Juan de Castellanos, among others. On the one hand, Colonial Epic ignores some important differences between privateers and pirates since the privateering had been legally accepted by all European nations, including Spain. Besides, Pirate is always called «Lutheran» and revealing its absolute otherness with respect to the Catholic model. On the other hand, it proposes a laudatory epics enemy painting from the imitation of the values accepted by the colonial society. The relationship between the Spanish hero and the privateer is represented not in a vertical direction, as could happen between colonizer and colonized subject, but on a level of rivalry.
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