ISSN: 2310-2799
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546,196 artículos
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Año:
2022
ISSN:
2341-1139, 0211-2574
Rodríguez Marín, Francisco José; Godínez-Moreno, Marcela
Universidad de Oviedo
Resumen
This article is part of a research process that is contextualized in two different areas: the plastic arts at the Centro de Arte Contemporáneo de Málaga and the performing arts at the Conservatorio Superior de Danza de Málaga Ángel Pericet. Both activities have a point of confluence in the collaboration that both institutions began in 2008 to create specifically conceived choreographies based on certain works and exhibitions. The dance performances, performed in front of the works of art and to the public, are conceived as an extension and interpretation of them, seeking to enrich their message. This article analyzes the creative process and some of the most significant experiences.
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Año:
2022
ISSN:
2341-1139, 0211-2574
Mancebo Roca, Juan Agustín
Universidad de Oviedo
Resumen
The recent discovery and restoration of the murals that Giacomo Balla painted in the Bal Tik Tak commissioned by Ugo Paladini in 1921 have revived interest in the painter and his futurist interventions on furniture and decoration derived from his manifesto Ricostruzione futurista dell´universo. This article reconstructs Balla´s intervention based on the scarce graphic evidence and sketches for the setting of the Roman premises. It also highlights the programmatic dissolution between the lines of art and life based on the reviews of its inauguration, the venue and its music that turned the Bal Tik Tak into one of the emblematic venues of the mundane Roman nights. Its success led to the creation of other similar Futurist venues such as the Cabaret del Diavolo in 1922 and the Cabaret della gallina a tre zampe in 1923 and influenced other similar venues of the European avant-garde.
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Año:
2022
ISSN:
2341-1139, 0211-2574
Jiménez-Leciñena, Javier
Universidad de Oviedo
Resumen
This article aims to analyse the concept of "gay post-domesticity", understood as a rearticulation, by gay men, of the heteronormative values of the home through technology, more specifically, the selfie. This use of contemporary photography will be analysed in its potential to create alternative spatialities through the image, thus creating new readings and transgressive uses that visually and discursively question traditional domestic ideology. This approach seeks, in short, the widening of LGTBIQ+ spaces and times, necessary to inhabit a more just and egalitarian society, based on the political and creative power of visuality, as well as the exploration of the performative character of the image.
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Año:
2022
ISSN:
2341-1139, 0211-2574
Ledesma, Antonio
Universidad de Oviedo
Resumen
Reseña. Ibáñez Fernández, Javier y AlonsoRuiz, Begoña, El cimborrio en la arquitecturahispánica medieval y moderna,Instituto Juan de Herrera, Madrid, 2021.
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Año:
2022
ISSN:
2341-1139, 0211-2574
Villa Varela, Aida
Universidad de Oviedo
Resumen
This study deals with the construction of a welfare building "El Hospitalillo" by Empresa Nacional Siderúrgica S.A. (ENSIDESA) in Llaranes, Avilés, Spain. In addition to analyzing the architecture of the same related to the hospital buildings of companies, it is put into context within the historical period in which it is registered, Francoism, and the paternalistic business practices carried out during the dictatorship. This is intended to highlight the problems that lead to this type of construction: accidents and occupational diseases, which pose a high risk to employees, and on the other, the benefits that this type of propaganda offers employers. Archival and bibliographic sources, as well as field works, have been used to carry out the research to check the current state of the building.
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Año:
2022
ISSN:
2341-1139, 0211-2574
Luque Teruel, Andrés
Universidad de Oviedo
Resumen
Picasso´s encyclopedic sculpture was adjusted to three periods in different workshops, in Boisgeloup, in 1933-1934; Paris, in 1937 and 1943-1945; and Vallauris, in 1948-1954. During three years in this last stage he made still lifes with various elements, in which he took the encyclopedic method to its maximum level of plastic expression, especially in the cases in which he included vases with flowers, in which the objects had a prominent participation diverse that transformed into containers and the integration of industrial materials such as parts of plants and flowers. The article systematically studies for the first time these works, collected in the catalog of Werner Spies and Christine Piot, who only commented on then in a generic way, so that the classification and detailed analysis of all of them provide a deeper and more exact knowledge of each one and, by extension, of the encyclopedic sculpture as a whole.
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Año:
2022
ISSN:
2341-1139, 0211-2574
Pérez, Salvador
Universidad de Oviedo
Resumen
Con este trabajo exponemos cuatro piezas marianas inéditas del escultor sevillano Cristóbal Ramos Tello (1725-1799), conservadas en el monasterio de San Leandro de Sevilla y en una colección particular. Destacan las iconografías de las Dolorosas, así como la letífica Virgen del Amparo. El análisis del medio que rodea a estas imágenes revelan los rasgos que remiten claramente a sintagmas tradicionales barrocos, así como a la producción del artista propuesto.
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Año:
2022
ISSN:
2341-1139, 0211-2574
Domínguez Rodríguez, Rubén
Universidad de Oviedo
Resumen
From 1950 onwards, the Instituto Nacional de Industria promoted one of the most ambitious enterprise. The construction of ENSIDESA steelworks and the birth of the working-class neighborhoods, highlighting Llaranes, favoured the creation of new services and facilities for the "producers". Within these paternalistic policies, education worked a fundamental role. The great demand for educational spaces allowed the Company to design and build provisional schools for the settlements of Llaranes and "Francisco Franco". Both of them are analyzed in this article. Despite their deliberate temporariness, these small buildings had an attractive functionalist design, executed without leaving behind the aesthetic will of their forms and the creation of pleasant spaces for work and recreation.
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Año:
2022
ISSN:
2341-1139, 0211-2574
de Ortueta Hilberath, Elena
Universidad de Oviedo
Resumen
Miguel Primo de Rivera’s dictatorship took advantage of the Ibero-American exhibition in Seville to establish ties of fraternal conciliation and economic rapprochement with Spain’s former territories overseas. Also, official institutions, such as the Board of Works of the Port of Tarragona, took part in the publicity campaign extolling the figure of the dictator and his regime. The new political, economic, and cultural organisation was reflected in the promotion of tourism, infrastructure improvements and the creation of monopolies. Seville’s “Plaza de España” was used for official exhibitions, including those of the Ministry of Public Works, divided into two sections: the hydrographic confederations and the ports hall. Photographs and models were exhibited there, but no official guide was published. Thus, once the exhibition was closed, the documentation sent by the different port boards fell into oblivion. We provide the material produced by the institution of Tarragona and rescue the graphic information of one of the mock-ups.
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Año:
2022
ISSN:
2341-1139, 0211-2574
Fernández García, Noelia
Universidad de Oviedo
Resumen
Review of FERNÁNDEZ RODRÍGUEZ, Begoña, Las Nuevas Atlántidas. La afectación de monumentos por la política hidráulica española en el siglo XX, Andavira, Santiago de Compostela, 2020.
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