ISSN: 2310-2799
Aviso:
Los resultados se limitan exclusivamente a documentos publicados en revistas incluidas en el Catálogo 2.0 de Latindex.
Para más información sobre el Descubridor de Artículos escribir al correo: descubridorlatindex@gmail.com.
Leer más
Búsqueda por:
636,460 artículos
|
Año:
2025
ISSN:
0718-2201, 0716-4254
., .
Departamento de Humanidades y Arte. Universidad de los Lagos.
Resumen
Si hemos de aceptar la tesis de Charaudeau, acerca de que el discurso constituye una puesta en escena a la que ingresan sujetos empíricos revestidos de una nueva identidad (discursiva ahora), y parcialmente coincidente con la de los sujetos empíricos de los que provienen, podemos aceptar, entonces, que lo que vincula a la mayoría de los trabajos que presentamos en este quincuagésimo noveno número de Revista ALPHA es precisamente la mirada a los distintos “yoes” que emergen en el escenario discursivo, sea que este se ofrezca en formato lingüístico-textual o pictórico e incluso coreográfico-dancístico.
|
|
Año:
2025
ISSN:
0718-2201, 0716-4254
Arance, Isabel
Departamento de Humanidades y Arte. Universidad de los Lagos.
Resumen
The interest of this report resides in the communicative power of dance and in its capacity of been understood as a scenic and theatrical language, focusing both dance and choreograpy as possible independent languages able to generate sense, meaning and, or significance, questioning the possibility of being understood as a rhetoric display where the formal configuration takes the leading role in the scenic composition without giving up its communicative capacity; affair that wants to analyze the choreographic creation processes and dancistics from it interaction with the aesthetic theory and literature. To develop the present analysis we have chosen the aesthetic thought of Jacques Derrida, about whom we shall create the pertinent line of argument linking it to the compositive way of action of the american choreographer William Forsythe.
|
|
Año:
2025
ISSN:
0718-2201, 0716-4254
Rojas Valdés, Mitchel Angelo
Departamento de Humanidades y Arte. Universidad de los Lagos.
Resumen
In this paper an attempt will be made to carry out an approach to the ortegan concept of historicity, as it is exposed by the Spanish philosopher in some of his crucial texts. Likewise, it will seek to show how this concept is related and framed in Ortega's broader theory of human life. In summary, the objective of this paper is one: to develop an approach to the concept of historicity and its relationship and place within the theory about human life in Ortega y Gasset. On the other hand, some possible similarities (and differences) of the ortegan focusing with respect to other related authors, such as Heidegger and Sartre, will be indicated in broad strokes. To achieve the aforementioned, Ortega’s texts will be taken into account: History as a system, Man and people, Ideas and beliefs, Asking for a Goethe from within and For the “Archive of the Word”; on the texts of Heidegger and Sartre, these will be adequately indicated in their time and place.
|
|
Año:
2025
ISSN:
0718-2201, 0716-4254
Jiménez-Barrera, Joaquín
Departamento de Humanidades y Arte. Universidad de los Lagos.
Resumen
The purpose of this article is to reflect on the relationship between human subjects and technological devices through two artistic installations: Máquina Cóndor (2006-ongoing) and Máquina de Coser (2009-ongoing), by Chilean visual artist Demian Schopf, through the critical perspective of new materialisms. By means of a brief theoretical journey that addresses the studies of Walter Benjamin (1936, 1983), Jane Bennett (2010), Jusi Parikka (2012, 2021), Manuel de Landa (2021), among others, I propose that Schopf's works are constitutive of a poetics of assemblage, in which the frictions between organic bodies and technological devices propitiates the configuration of a complex human-machinic framework. As a methodology, I examine two discursive procedures of the works that establish this configuration: writing and dialogue, poetic mechanisms made possible by artificial intelligence.
|
|
Año:
2025
ISSN:
0718-2201, 0716-4254
Rodríguez Fernández, Mario; Rodríguez, José Manuel
Departamento de Humanidades y Arte. Universidad de los Lagos.
Resumen
Based on the phrase: the orchid and the wasp make a map within a rhizome, we conjecture that one of the subjects who say I in the poem and the people buried in Macchu Picchu enter into a common future. Such becoming creates “another Macchu Picchu” not a carbon copy of the real monument; creation unleashed by the presence of various selves in the text (or various “Nerudas”).
|
|
Año:
2025
ISSN:
0718-2201, 0716-4254
González Pauget, Mathieu
Departamento de Humanidades y Arte. Universidad de los Lagos.
Resumen
Thucydides in his narration of the Peloponnesian War gives a fundamental role to the action of individuals. For Leo Strauss, this importance is not merely historical. What the Athenian author seeks is to give universal lessons about political action. In this way, the characters are also archetypes and it is through the study of these that the aspiring politician can learn how to achieve better action, in addition to showing how to balance issues such as religion and politics.
|
|
Año:
2025
ISSN:
0718-2201, 0716-4254
Garófalo Rodríguez, Luciano
Departamento de Humanidades y Arte. Universidad de los Lagos.
Resumen
This article analyzes the peculiar understanding of the notion of truth that Heidegger develops in close connection with the problem of dwelling and preserving. The hypothesis that serves as a starting point is that space, understood as “gathering”, allows us to clarify the link between these notions and the conception of “being” as Geviert that is at the basis of the late Heideggerian approach. The paper concludes by offering an alternative interpretation of the relationship between truth and preserving, beyond a trivial ecologism.
|
|
Año:
2025
ISSN:
0718-2201, 0716-4254
Blanco Ilari, Juan Ignacio
Departamento de Humanidades y Arte. Universidad de los Lagos.
Resumen
Albert Camus has been a central figure in world culture for much of the 20th century. His polyphonic work combines metaphysical, anthropological and political problems. In this work we dwell on the "images" that disturb the soul of the writer and that, therefore, structure all his work. The tender and lost look of his mother, the child who dies in the streets of Algiers, the wooden piano that enlivens the sad day in the concentration camp are just some of the scenes that go through the great work. Our thesis is that they not only modulate the sensitivity of the great writer, but also give structure and motivation to his fundamental philosophical categories: absurdity and rebellion.
|
|
Año:
2025
ISSN:
0718-2201, 0716-4254
Mansilla Torres, Sergio
Departamento de Humanidades y Arte. Universidad de los Lagos.
Resumen
Is there poetry here? In this work several possible answers to this central question are discussed. The question operates as a starting point for a reflection on the presence (and absence) of poetry in our linguistic practices and in the non-linguistic material reality of the “world of life” (Schutz). At the same time, it is an attempt to theorize about poetry and the poetic, putting into practice, in a very personal way, what Georg Steiner calls “the poetry of thought” and appealing to the notion of image proposed by Lezama Lima.
|
|
Año:
2025
ISSN:
0718-2201, 0716-4254
Bello, Javier
Departamento de Humanidades y Arte. Universidad de los Lagos.
Resumen
En un trabajo anterior sobre la poesía de Valentina Marchant (Bello 2016), la presentación de su primer libro, titulado Tránsito ciego (Marchant 2013), me pareció necesario situar la obra en una línea perdida de la poesía chilena, alejada de la atención crítica, desplazada, a partir de la década de los 60, del lugar primordial otorgado a la antipoesía y a la figura de Nicanor Parra, y con posterioridad a la idea de “poesía nueva” del periodo dictatorial...
|
Hecho en México, Universidad Nacional Autónoma de México (UNAM). 1997-2025.
Se autoriza la reproducción total o parcial de los textos aquí publicados siempre y cuando se cite la fuente completa y la dirección electrónica del sitio web.
Mapa del sitio | Créditos
Español
Inglés
Portugués
|