ISSN: 2310-2799
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546,196 artículos
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Año:
2022
ISSN:
2448-8372, 2007-1140
Sánchez Ulloa, Cristóbal Alfonso
Departamento de Historia del Centro Universitario de Ciencias Sociales y Humanidades
Resumen
This article addresses and discusses the work of those who installed card lottery – lotto – stalls during the festivities in Campeche city, at the beginning of the 20th century. The research’s main sources are the applications that stallholders sent to the state government. I analyze here the strategies they used to obtain permits and the granting of extensions, whenever these were required. The article highlights how stallholders were able to organize collectively and adapt to political transformations. Likewise, it provides indications on how lotería de figuras disseminated in Campeche’s public space.
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Año:
2022
ISSN:
2215-4906
Jirón, Eddy; Núñez, Yariela; Rodríguez, Karina; Casanova, Pedro
Universidad de Costa Rica
Resumen
For this paper, natural fibers obtained from pineapple stubble were stained using red, olive green, black and orange synthetic anilines to later make textiles reinforced with a polylactic acid biopolymer (PLA). The fibers were obtained from the stubble by decorticating the leaves and then applying three different treatments: sodium hydroxide (5 %), sodium dodecyl sulfate (8.6 mmol/L), and ethanol (70 %). Later, they were compacted by adding PLA, pressure and temperature to form the textile in order to add strength and record its color change. The color difference in the fibers was measured before and after applying heat into the textile by means of the CIELAB system. At the end of the process, it was determined that the greatest change registered after the thermal unification during the experimentation was that of the orange aniline treated with ethanol, which had a magnitude ∆E* = 331,41.
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Año:
2022
ISSN:
2215-4906
Bautista Díaz, Roberto C.
Universidad de Costa Rica
Resumen
Yoruba dance is the result of a syncretic and intercultural process that emulates the contemporary scene. In this article, we propose an acting training that locates the needs identified by exponents of the gestual and psychophysical/intercultural formative slopes and channels them through yoruba dance as a structure and context, integrating the magical religious universe and the history of transculturation of an important part of artistic Latin American manifestations. In this way, our methodological proposal involves postulates of acting training in the Western tradition with the expressive ways in which African cultures persist in the Latin American tradition. This would generate a space of respect for our Latin American past and its syncretism. In short, the acting training proposed from the yoruba dance aims to provide the necessary interpretive tools to assume the stylistic and poetic diversity of the scene of our time from an ethical and holistic position.
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Año:
2022
ISSN:
2215-4906
Fugellie Videla, Daniela; Alfaro Bogantes, Luis
Universidad de Costa Rica
Resumen
This study offers an analytical approach to Canciones de la muerte (1983) for soprano and strings by Rocío Sanz Quirós (1934-1993), deepening in its particular representation of the motive of the death. The analysis is based on the four poems of the cycle, written by the composer herself, and the use of certain compositional ideas. The study also connects the analysis with some aspects of the composer’s biography, since this is one of her last compositions written before a long illness, marking the end of her creative trajectory. The study is connected to the transcription project of Sanz’ works at the Archivo Histórico Musical of the Escuela de Artes Musicales, Universidad de Costa Rica. The reason to study Sanz’ compositional language is also connected to the research project Fondecyt 1220792 “Serialism in Latin America as a cultural technique”, which has established a collaboration with Dr. Susan Campos Fonseca and the Archivo Histórico Musical from the University of Costa Rica.
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Año:
2022
ISSN:
2215-4906
Durán Segura, Luis
Universidad de Costa Rica
Resumen
This article outlines four annotations on the Performance Studies that center around the development, consolidation, availability, and application of this field of action, thought, and transformation. To that end, certain concerns related to the realms of creativity, research, and policy are explored. Based on the review of the contributions from several authors of different cultural, temporal, and geographic contexts, it was possible to highlight the multivoiced, open, and inconclusive nature of Performance Studies. The article ends showing the usefulness that this field offers for escaping from the processes of academic self-regulation and, consequently, embracing a post-disciplinary perspective that makes it possible to raise targeted questions that are both bold and unsettling.
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Año:
2022
ISSN:
2215-4906
Salas Tonello, Pablo
Universidad de Costa Rica
Resumen
This article analyzes the work of performing artists in San Miguel de Tucumán in a modernization period during the 60’s and 70’s. This study examines the new status that artistic work achieves due to two important events: the creation of the Teatro Estable de la Provincia and the presence of specialized theatre criticisms in the most popular local journal. Then, the article explores the radio drama’s circuit, a specific field separated from independent and official theatre, characterized for productions held by an entrepreneur, the circulation of companies in the interior of the province and a large number of spectators. The article makes contributions in the understanding, from a historical perspective, of the problems and challenges faced by theatre workers in a non-metropolitan city, where the frontier between radio drama and independent and official circuits is of great relevance.
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Año:
2022
ISSN:
2215-4906
Noguera, Lía Sabrina
Universidad de Costa Rica
Resumen
The Podestás are the founding family in what refers to theatrical activity in Argentina. Its family tree houses more than a hundred members (mostly artists) and covers the time span from the end of the 19th century to the 20th century. In this article, we focus on the study of what we have called ‘companies-families’, a category that responds to and evidences the blood ties established between its members and the marriage contracts also produced with artists from the local artistic field. From a study that contemplates the aesthetic, labor conditions and the incidence of affective ties, for their formations and for their ruptures, we center on the analysis of the companies-families formed in Buenos Aires by Jerónimo Podestá and Pablo Podestá between 1880 and 1920.
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Año:
2022
ISSN:
2215-4906
Sciurano, Guido
Universidad de Costa Rica
Resumen
The circuits of production, circulation and consumption that drive the classical music market are located mainly in Europe and North America. Despite the inequalities that place of birth imprints on the probability of becoming an international soloist, Latin America has been, during the 20th century, a prodigal pool of internationally recognized pianists. The multiple asymmetries in access to the classical music market have not prevented the international consecration of such brilliant figures, such as Teresa Carreño, Claudio Arrau, Martha Argerich, Bruno Gelber and Daniel Barenboim. This article proposes to describe the logics of international piano consecration from the prism offered by the trajectories of these Latin American artists, under the assumption that, by decentering the gaze (which traditionally contemplates the great centers from themselves), it is possible to illuminate these career logics and their transformations during the last century in a different and still productive way.
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