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546,196 artículos
Año:
2022
ISSN:
2448-8372, 2007-1140
León Velarde, Iván Francisco; Chávez Rodríguez, Jesús Rafael
Departamento de Historia del Centro Universitario de Ciencias Sociales y Humanidades
Resumen
The objective of this article is to analyze the strategies implemented by the state in order to control the space operation for the sale of alcoholic beverages in the city of Culiacán, Sinaloa, during the Revolution, from 1911 to 1915. This work is based on a qualitative approach that allows examining the decrees, agreements issued during the council sessions, police factions, files of the criminal branch and relevant notes from the Sinaloa press. We argue that there was a significant lack of control and surveillance in the so-called ‘ethylic spaces’, which made it impossible to comply with the regulations, as well as the complicity of members of the local government so that the saloons operated illegally.
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Año:
2022
ISSN:
2448-8372, 2007-1140
González Esparza, Víctor Manuel
Departamento de Historia del Centro Universitario de Ciencias Sociales y Humanidades
Resumen
This article offers a reflection on the political order and corruption in Nueva Galicia through the case of Santiago de Vera, president of the Audiencia of Guadalajara between 1593 and 1605. En order to do this, I present new readings of the available textual sources, such as the visit of Judge Paz de Vallecillo and Vera's own letters to the Council of the Indies. Hence, I analyze the subject, not from the difference between the public and the private – typical of the modern Staten – but from the negotiation between the different instances, especially in terms of maintaining the confidence of the Crown and, in some cases, of the population itself.
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Año:
2022
ISSN:
2448-8372, 2007-1140
Rodríguez Beltrán, Joaquín
Departamento de Historia del Centro Universitario de Ciencias Sociales y Humanidades
Resumen
This article seeks, first, to contextualize an anonymous satirical poem, unknown until now, which appeared titleless in Guadalajara on 12 November 1750. Second, it offers a modernized edition of the poem with annotations. The poem in question is a political satire directed against the contemporary authorities in the Royal Court of Guadalajara, pointing out the corruption of officials and their enrichment at the expense of others. In general, I argue that the poem could be explained by the discontent of the time; in particular, I indicate the clues which suggest that the person who wrote was close to the clergy, to the town council or to the major landholders of the region.
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Año:
2022
ISSN:
2448-8372, 2007-1140
Cornejo Márquez, Kenia; Rodríguez Santana, Esther
Departamento de Historia del Centro Universitario de Ciencias Sociales y Humanidades
Resumen
The return of Halley’s comet in 1910 became a popular event because of its scientific importance and the controversy surrounding it. Although this event was publicized through different media, this paper aims to specifically study the popularization process documented in the Mexican newspaper El Imparcial. Our methodology is based on qualitative content analysis, through which we identified four main themes: ‘scientific explanation’, ‘controversy’, ‘public interest’ and ‘expectations for 1986’. The examination of these themes reveals the people who promoted the dissemination, the interests and strategies of the press, and the public’s reaction.
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Año:
2022
ISSN:
2448-8372, 2007-1140
Fessler, Daniel
Departamento de Historia del Centro Universitario de Ciencias Sociales y Humanidades
Resumen
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Año:
2022
ISSN:
2448-8372, 2007-1140
Puig Carrasco, Alberto
Departamento de Historia del Centro Universitario de Ciencias Sociales y Humanidades
Resumen
The Mixton War (1540–1541) was the last symmetric war within the viceroyalty of New Spain until the arrival of the insurgency and the Mexican Independence War in the early 19th century. In this paper, I approach, from military history, those aspects corresponding to the military strategy carried out by both sides in order to understand the decisions that were made, the reason for them and how these led to the defeat of the indigenous army at the end of 1541.
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Año:
2022
ISSN:
2215-4906
Uncal, Lucía
Universidad de Costa Rica
Resumen
The entry of women into the theatrical activity is one of the main problematic knots in the process of professionalization of comedians in the Hispanic Monarchy’s territories during the Early Modern Period. Specifically, the incorporation of comediennes into a theatrical company contemplated their inclusion within specific corporate networks and the constitution of a new social identity. In this paper we will trace the tensions, negotiations, ruptures and alliances that unfolded within the framework of the incorporation of female comedians in the Teatro de La Ranchería, the first coliseum of viceregal Buenos Aires, between 1783 and 1792. Based on two cases recorded in court cases, that of Josefa Zamalloa y Escobar and that of María Mercedes González Benavidez, we propose to address some particularities of the entry of women in the rioplatense theatrical activity by analyzing the way in which they construct their own tactics, individually and corporately.
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Año:
2022
ISSN:
2215-4906
Eduardo Schiaffino: a painter in the configuration of art history and museum management in Argentina
Lo Russo, Alejo
Universidad de Costa Rica
Resumen
Eduardo Schiaffino, a painter with studio training in Buenos Aires and Paris, not only shaped new labor insertions in the local artistic environment, but had to legitimize his actions and personal perspectives. As weighted as he was questioned in life, his figure was recovered in historiography since the 1990s, when his role was highlighted in the process of development of the artistic field in Argentina, between the last decades of the 19th century and the first of the 20th. We propose in this article to investigate the ways in which he used his strengths as a painter and as a self-taught theoretician to inaugurate spaces, such as art history or museum management, in an artistic field in formation and, at the same time, legitimize his action.
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Año:
2022
ISSN:
2215-4906
Sequeira-Rovira, Paula
Universidad de Costa Rica
Resumen
This article is interested in the expressions of art linked to the disease. Although historically these representations have shown closeness to ugliness or the unpleasantness of the pathological, in pandemic times, other symbolisms have been produced. In the case of the surgical mask, it has been used not only as a metaphor to show its closeness to the pandemic caused by SARS-CoV-2, but also to express individualistic ideas of how to handle the pandemic and a more personal management of the health crisis. Special importance has been given to the exhibitions of “Masks x artists”, organized by the Jade Museum in Costa Rica, and “Mask of art. My only protection” from Puerto Rico. Likewise, other types of artistic spaces that are interested in COVID-19, where this device has a prioritary position, were mentioned in this study.
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