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546,196 artículos
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Año:
2015
ISSN:
0718-7181
Surghi, Carlos
Instituto de Estética. Facultad de Filosofía
Resumen
The present work is a theoretical study of the relationship between experience and theory, reflection and writing texts György Lukács, particularly in his Diary 1910-1911, together with the classic study The soul and the forms, defined a method of self expression of modernity:writing as I experience, and testing as a form of review. Thus, in the space that both texts set, our work seeks to show the relationship between writing of privacy (daily) and critical reflection (the trial), which leads us to believe that one dimension delimiting discursive procedures individual to think the uniqueness of the aesthetic phenomenon from the experience of self.
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Año:
2015
ISSN:
0718-7181
Rojas Pachas, Daniel
Instituto de Estética. Facultad de Filosofía
Resumen
The current research intends to analyze Enrique Lihn´s novel Batman en Chile. The work studies the relevance of the heroic myth´s resemantization (in the sense of deconstruction, of reconfiguration and/or of reaffirmation) produced by the use of textual strategies as irony, conceptual humor, intertextual references from pop culture and the abuse of bad taste and kitsch esthetics, intended to create a hybrid that placed a strain in the Chilean narrative and also explores the rhetoric of his productive context and the cold war in Latin America.
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Año:
2015
ISSN:
0718-7181
Santamaría, Alberto
Instituto de Estética. Facultad de Filosofía
Resumen
The aim of this article is to analyze the relationship between poetry and painting in the Abstract Expressionism. For that three names: Clement Greenberg (art critic), Frank O’Hara (a poet) and Willem De Kooning (painter). Through these names try to point out the close relationship between poets and painters in the so-called New York School
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Año:
2015
ISSN:
0718-7181
Parada Poblete, Marcela
Instituto de Estética. Facultad de Filosofía
Resumen
We propose a reading cross between the aesthetics of the Chilean silent cinema and their relationship with contemporary cinema Generation 2000, identifying the movement from the theatrical picture to the cinematographic frame. The early cinema mainly manifests an interest on itself, and the quotidian of their records of reality works as an excuse to a resource that explores their technical and aesthetic possibilities. In contemporary cinema, a different relationship with the quotidian is adopted, trying to explore the different levels of sense in the record of reality and temporality, as well as a search of cinema as representation and interrogation of world
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Año:
2015
ISSN:
0718-7181
Huerta, Ricard
Instituto de Estética. Facultad de Filosofía
Resumen
In this paper we propose a new view to the city and the urban cultural sphere, geographies to create places of learning from a teachers perspective. We discover unusual spaces linked to the cultural urban geographies suitable to create learning scenarios and reviewing a particular teachers’ seeing to the urban space. Educators are a powerful cultural reference to articulate the complex human endeavor that defines the city. We use the contributions from visual culture and visual arts education. Our work uses a case study analysis based on survey results from Santiago and Montevideo teachers. We used direct observation of several shared activities with Uruguayan and Chilean teachers.
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Año:
2015
ISSN:
0718-7181
Dittus Benavente, Rubén
Instituto de Estética. Facultad de Filosofía
Resumen
The article presents the theoretical frame to study the models of script in the Chilean cinema. The literature published and the increasing interest in the scriptwriters’ formation in the audio-visual industry, both in Chile and in foreigner, realize of the need to approach the dramaturgy and the professional standards from an of integration vision, which it overcomes the classic models of creative writing. Beyond the differences or agreements of the above mentioned theories, the scriptwriter −for acceptance or denial− seemed that it cannot obviate the influences of any basic rules of narrative structure.
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Año:
2015
ISSN:
0718-7181
Salinas Muñoz, Claudio; Stange Marcus, Hans
Instituto de Estética. Facultad de Filosofía
Resumen
This essay discusses a current debate on the literature about the so-called newest Chilean cinema. The matter of this it is not the aesthetic qualities nor the strategies of representation of these films, but the underlying political discourse that criticism have recognized in them. Reviewing the two main positions –one that celebrates the subjective turn and the avant-garde shape of these films, another that deplores the invisibilization of problems and social contexts in their representations– the paper proposes that the aesthetics procedures of these films have served to the production of a naturalizing and conservative discourse
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Año:
2015
ISSN:
0718-7181
Cornago, Óscar
Instituto de Estética. Facultad de Filosofía
Resumen
From The camera man, by Dziga Vertov, to recording technique through the camera-body developed by contemporary choreography and video filming, this article proposes a journey through different images of camera men and women. From a scenic perspective analysis, recording scenarios are compared in three historical moments: the camera-operator at the time of montage claim as their own language of film, the camera in first person following the direct cinema of Jonas Mekas and Robert Kramer, and the camera-body in the work of Olga Mesa and La Ribot, and the video work The decline of fear, by the collective Producer of Social Communication
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Año:
2015
ISSN:
0718-7181
Keizman, Betina
Instituto de Estética. Facultad de Filosofía
Resumen
The present paper considers placing Alfonso Reyes’s thought regarding cinema in the frame of the first cinema receptions, considering also how this reflection is joint to the Mexican’s criticism thought. Especially, they analyze the way that, through speculation, Reyes tries possible redefinitions for a new distribution of the sensitive and the arts, of the cognitive and sensitive light’s values and of the links between arts and science. What you read in Reyes is an effort for thinking new inventions forms that comes out of (or might come out of) the cinematographic art.
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