ISSN: 2310-2799
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546,196 artículos
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Año:
2015
ISSN:
1699-4949, 1699-4949
Lépinette, Brigitte
Asociación de Francesistas de la Universidad Española
Resumen
Reading Notes do not require an abstract
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Año:
2015
ISSN:
1699-4949, 1699-4949
Bénit, André
Asociación de Francesistas de la Universidad Española
Resumen
Born to Jewish Ashkenazi families who were victims of the Shoah and ruled by the silence law, Vincent Engel (1963) and Françoise Lalande-Keil (1941) consid-er fiction as the most accurate and efficient way to transmit this unutterable and traumatic experience to the following genera¬tions in order to overcome their own suffering and to gaze the future with serenity. In our work, we aim to show how these two Belgian writers fulfill their “duty of memory” imposed by themselves, and accept the challenge and how they achieve their aim through their most significant works where silence is used in various ways as a reading thread.
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Año:
2015
ISSN:
1699-4949, 1699-4949
Badiola Dorronsoro, María
Asociación de Francesistas de la Universidad Española
Resumen
Thanks to a daring and original exercise of focusing the narrative in first person, Robert Merle makes a historical Nazi the hero and narrator of his novel La mort est mon métier. Adding to this fact a careful choice of what is said and what is omitted, the author shows that the “final solution to the Jewish problem” by Hitler was not a massacre organized by some bloodthirsty or revengeful individuals, but a «hard task» accomplished by a group of dehumanized beings for whom the honor –and morals– consisted of total dedication to blind obedience to their superiors.
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Año:
2015
ISSN:
1699-4949, 1699-4949
Camarero, Jesús
Asociación de Francesistas de la Universidad Española
Resumen
With this research about the great novel from Irène Némirovsky, titled Suite française (1942), the methodology of nar-rativity tries to show the complexity of the narrative function and, at the same time, the phenomenological and herme-neutic dimensions of silence and oblivi-on, the two previous and even contrary to writing manifestations, history and literature, and its implicit consequence, the banality of evil. The critical and phil-osophical metho¬dology is inspired in the narrativity theory by Paul Ricœur, whose general principles are displayed mainly in his magnum opus Temps et récit.
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Año:
2015
ISSN:
1699-4949, 1699-4949
Ruiz Quemoun, Fernande
Asociación de Francesistas de la Universidad Española
Resumen
This paper shows the analysis of three autofiction comic books fo-cussed on different silences of deport-ed during and after the Shoah. The heros are Jewish children who survived hiding in silence thanks to the solidari-ty of the Righteous among the Na-tions. The analysis of these three com-ics, L'enfant cachée (Lizano, Dauvillier & Salsedo), Deuxième génération (Kichka) and L’agneau qui ne voulait pas être un mou-ton (Jean & Zad), shows the voice of three survivors who managed to break their silence of more than sixty years. We will focus on the God silence, the silence of the rescued who prefers to say nothing, which right to say was denied, who has disappeared in ashes... We will emphasize the memorial litera-ture of trials authors Wieviorka, Levinas and Friedemann, among oth.ers
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Año:
2015
ISSN:
1699-4949, 1699-4949
Peral Crespo, Amelia
Asociación de Francesistas de la Universidad Española
Resumen
The Holocaust Literature is tied to Si-lence from its beginning as the writing to silence. Write about the Holocaust and relate the experiences lived in first person or transmit them to the coming genera-tions means leaving the silence which, for years, was the ideal refuge. This research focuses on the literary production of Vivi-ane Forrester. The different expressions of silence that characterize her writings are analyzed. Silence is the cry that underlies in the most profound of the human being that return from the concentration camps, as Lazarus from the dead. It is a silence that grows to a cry because Forrester’s writing, almost in parallel to the fragmen-tary writing of Blanchot, announces livre à venir, expressing the cry in silence without the ending of the word.
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Año:
2015
ISSN:
1699-4949, 1699-4949
Arráez Llobregat, José Luis
Asociación de Francesistas de la Universidad Española
Resumen
Silences concerning the Shoah con-stitute a leitmotiv in Sylvie Germain’s narrative work. Motive and motivation intentionally emerge as a proteiform phenomenon from the writer-philosopher’s genius and from the his-torical and ideological substance, which imbue the novelist in every section of her literary creation. The purpose of this study is to interpret those silences in a set of selected novels where the Shoah takes up either a primary or a secondary role, but in any case a rele-vant one. To this end this study carries out a detailed study of the silence com-ing from the narrator’s origin, the victims, the murderers or God. Beyond the silence in humans and supreme beings, this study also investigates the spatial silence in that apocalyptic world.
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Año:
2015
ISSN:
1699-4949, 1699-4949
Saiz-Cerreda, María Pilar
Asociación de Francesistas de la Universidad Española
Resumen
Studying Léon Werth's war diary, means uncovering the author's narrative identity in such extreme circumstances as the Occupation. Not only will this diary become a personal refuge in the face of a certain death, but also the space in which he will fight against the dissolution of his own ego. Thanks to the imbrication of events, thoughts and emotions, Werth is able to discover his Jewish identity. Fur-thermore, because of his commitment to writing, that identity will be fully formed, being aware of both the function and the mission of that same writing. Fighting silence, Werth understands that he is a surviving witness and that his testimony is a declaration under oath that appeals to the reader's sense of responsibility.
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Año:
2015
ISSN:
1699-4949, 1699-4949
Sibilio, Elisabetta
Asociación de Francesistas de la Universidad Española
Resumen
Vercors, who achieved fame thanks to his first novel, Le silence de la mer, published undercover in 1942, makes silence one of the main themes in his work. Silence, which is the paradoxical expression of what Vercors calls “la qualité d’homme”, appears in his work according to two ma-jor categories: on the one hand the proud and resilient silence of the protagonist of Silence de la mer or of Arnaud, the main character of the short story Le démenti, who loses his life for having maintained an ob-stinate silence in the hands of his torturers; on the other hand, the guilty and desperate shameful silence of those who had lost their own humanity when faced with the horror of the camps or had hoped to save their lives by collaborating with the enemy. This paper will examine three of Vercors’ texts, Les armes de la nuit (1946), La puissance du jour (1951) and Le tigre d’Anvers (1986), which have Pierre Cange as protagonist, a member of the Resistance, deported, who through his own experience is faced with the fundamental theme of silence.
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Año:
2015
ISSN:
1699-4949, 1699-4949
Schulte Nordholt, Annelies
Asociación de Francesistas de la Universidad Española
Resumen
In a long series of books, Raczymow explored the past of his Polish Jewish family, from the Belleville quarter of his childhood to the lost world of pre-war Poland and the Shoah itself. Heinz, his most recent autobiographical work, is the acme of the series and the focus of the present article. This text is both an attempt to reconstruct the short history of Heinz, the author’s uncle, who was deported and whose first name he received, and a quest after his own identity, where his family relations and especially his maternal bond are at stake. How can the trauma of Heinz’s disappearance find an expression here? By what literary means, does the author say this experience without saying it, express it without filling up the void of Heinz’s absence?
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