ISSN: 2310-2799
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546,196 artículos
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Año:
2022
ISSN:
0719-1529, 0716-3991
Peters, Tomás; Lagos Lira, Claudia
Universidad de Chile. Facultad de Comunicación e Imagen
Resumen
Este nuevo número de Comunicación y Medios inaugura una nueva etapa en su historia con la aceptación de Elsevier para integrar la prestigiosa base de datos Scopus. Como equipo editorial este logro significa un reconocimiento a la calidad de nuestros artículos, así como también al trabajo que dedicamos a la edición completa de cada número. Más allá de los cuestionamientos legítimos a los mecanismos de indexación y a los indicadores estandarizados, formar parte de Scopus implica una complejización de los procesos editoriales y un desafío para buscar y atraer nuevas voces y enfoques complejos en sintonía con los cambios epocales que las comunicaciones, el periodismo, la cultura y la tecnología atraviesan/atravesamos.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Gomes Goveia , Fábio
Universidad de Sevilla
Resumen
This communication explores the multiple narratives in the internet of protest occurred in Vitória capital of Espirito Santo (Brazil) in June 2011. We have identified a way to tell the story through the social media: monster-narrative. We use the concept of multitude coined by Hardt and Negri as a way of thinking about contemporary society and the transformations. Still stuck in the traditional and grand narratives to tell their stories, local journalism was hit during protests in favor of improving public transport in the region.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Contreras Pulido, Paloma; Aguaded Gómez, José Ignacio
Universidad de Sevilla
Resumen
We present a proposal for intervention and research in the prison with the radio. Based on the experience by working in the Huelva Penitentiary for 5 years analyzing the way in which prisoners communicate with today's society through the media, in this case with cultural and educational dyes: Uniradio. It is therefore, the exposure of a case study, whose investigation is still active and it has resulted from a doctoral thesis and a radio program, "The broken shoe", produced entirely by the prison inmates.
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Año:
2022
ISSN:
1989-600X, 1695-6206
García Catalán , Shaila
Universidad de Sevilla
Resumen
Back to the Future tells the adventures of a teenager and a scientist who creates a machine installed in a DeLorean to travel back in time. But the frequent jumps do not affect the linear narrative: the story settles in the present. The time travel distills the conventional use that the classical cinema has made of the flashback: a controlled stop that allows to clear up the story. In contrast, we observed in many post-classical fictions that the temporary jumps do not appear both to explain the story but to confuse. We continue this hypothesis analyzing Lost and The Skin I Live In.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Orellana Gutiérrez de Terán, Juan
Universidad de Sevilla
Resumen
The film by Mexican director Alejandro Gonzalez Inarritu is an example of postmodern fiction that combine the classical models of institutional representation with multiframe fragmentary narrative schemes. In our work we try to explain the narrative models that coexist in Iñárritu's films, from the most realistic faithfully following the principles of André Bazin, to more formal models use abstract mounting, deconstructive style. Above all, we will try to deduce which ones are the narrative criteria that leads the director in each choice pursuing a global comprehension of cinema.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Martínez González, Estefanía
Universidad de Sevilla
Resumen
The aim of this article is to discuss audiovisual hybrid narratives created by amateurs and published online using postulates from the cultural studies’ approach. The analysis will focus on the semiotic and ideological structure of these mash-ups, exploring the actual status of digital remixing as a subversive audiovisual narrative. It will pay attention as well to the cultural patterns linked to this ítems. In this sense, this stydy has a focal point on important issues of mash-ups content structure concerning social identity and cultural values.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Rueda Pinilla, Natalia
Universidad de Sevilla
Resumen
Among the different narratives and aesthetics of documentary films, there is an increasing tendency to record musical worlds. These documentaries films addressing, occasionally, issues beyond the music itself, conforming a complex exercise of representation of societies which are habited and narrated by certain visual and sound aesthetics.
From the analysis of Brazilian documentaries such as Sou feia mas tô na moda and Faço de mim o que quero, this paper analyses the way in which these directors represent universes that are often related with the marginal, the "favela" and the "bad taste " in order to provide contemporary ways to understand this topic.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Esteban Blein, Jorge
Universidad de Sevilla
Resumen
In order to achieve a more credible evilness in the villains, they are provided sometimes with a complex personality, increasing their humanity. This humanization can create some identification from the public and this would concern directly the responsibility of this character of being hated and been afraid, and so of being capable to create dramatic tension on the main conflict. The risk of the humanization of the villain and his repercussion in the main plot will be studied, analyzing the emotional implications of his acts in “Red Dragon" (Brett Ratner, 2002).
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Año:
2022
ISSN:
1989-600X, 1695-6206
Galán Zarzuelo, Marta
Universidad de Sevilla
Resumen
During the sixties and the seventies there was an audiovisual production that supposed a drastic break with the comercial cinema, showing alternativity in all their process. The activist cinema was born. These films were an influence on the new political audiovisual experiences. There were new political actors, the production ways democratization, the increase of film schools and the internet arrival have brought about the videoactivism development: the activist cinema of our days.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Lázaro Altamirano, Saúl
Universidad de Sevilla
Resumen
This article presents the social representation of guadalupanismo (the socioreligious culture surrounding the myth of Our Lady of Guadalupe) contained in the TV show La Rosa de Guadalupe, from the point of view of the narrative structure of the parable and the intertex of the myth of Guadalupe. The narrative syntax of the program shows the objectification of the structure of the social representation that organizes and gives coherence to the meanings.
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Hecho en México, Universidad Nacional Autónoma de México (UNAM). 1997-2025.
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