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546,196 artículos
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Año:
2022
ISSN:
1989-600X, 1695-6206
Pablo Cano Gómez, Ángel; García González, Isabel María; Robles Andreu, María del Carmen
Universidad de Sevilla
Resumen
The cultural migration has turned into an incipient phenomenon. He finds his reflection in the audio-visual fiction. In the latter years, the narrative speeches have increased the reflection of the migration and the mixture between distant worlds between them. The permanent mixture of styles, the overlap of cultures and the different knowledge converge on the representation ficcional. The personage is a way of joining styles, superposed knowledge. The personage shapes a diegetics reality and parallel to the physiognomy of the big contemporary cities. This investigation analyzes, across the narrative elements, the manners of construction of identities and the models of representation in Lost.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Saraiva Orrù, Sílvia Regina
Universidad de Sevilla
Resumen
In society ruled consumption and directed by the digital age, we are called to reflect on new models advertising productions, born of the hybridism possible by advances in information and communication technologies. Based on the advertising campaign “Gourmand em Casa”, created by the agency DM9DDB for the company Brastemp appliance, this study focuses on the hybrid nature of the serial and transmedia narrative construction, which ruled in the potential audience, translates the commercial break in “experience” of “watch commercial”, creating an entertainment universe where, beyond awakening the desire in consuming product advertising, sets out statute of a consumer product itself.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Ramos Rodríguez, Eduardo
Universidad de Sevilla
Resumen
The audiovisual companies in Andalusia are living a difficult time for their survival conditioned by the deep economic crisis in Spain. The widespread decrease of the advertising income in televisions, the reduction of public funds destined to Andalusian Radio-Television, RTVA, the sector´s fragmentation or the lack of a native business sector that requires the service of these companies, some of the keys that define the current state of progress of this sector.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Porto Renó, Denis; Longhi, Raquel; Ruiz, Sandra
Universidad de Sevilla
Resumen
Today the film is increasingly presented from an artistic construction from multiple narratives, transmedia storytelling or narrative called transmedia. But this narrative model is more common in fiction products, especially its commercial property and entertainment. Against this we present the analysis of a product film is the documentary reality and Brazil 33, produced and directed by Kiko Goifman, which has a feature script structure transmedia products from six "texts" and from three different perspectives: narrative cinema, journalism and transmediación. Hopefully, after work, to propose new studies on transmedia journalism, audiovisual genres, narratives of reality and enable increased production of documentary scripts transmedia property.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Martínez Martínez, Isabel; Gallego Reguera, María
Universidad de Sevilla
Resumen
The aim of this paper is to present an overview of the Novo Cinema Galego, a movement which has emerged in Galicia in recent years. Heir to the new film movements of the sixties or the Free Cinema, it brings together a number of creators from outside the industry who have managed to obtain international praise unparalleled in the history of the Galician audiovisual sector. From the analysis of the context in which it has emerged we define its main features and the distinctive traits that the authors who belong to this film movement share in common.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Ojer, Teresa; Capapé, Elena
Universidad de Sevilla
Resumen
In the last two decades the development of technological elements, especially the Internet and mobile devices (tablets, laptops, mobile phones, etc.) have created new audiovisual consumption habits, mainly among the younger audiences. A new demand which has changed the way the films make money and has let the emergence of new business initiatives such as new business models in the distribution of audiovisual content. The principal aim of this paper is to analyze this new business model and to know the characteristics of the pioneer in this market, Netflix.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Lagos Labbé, Paola
Universidad de Sevilla
Resumen
Travelogues or documentary video diaries are recurrent forms that autobiographical film adopts to undertake intimate searches on behalf of authors whose identity has been affected by the experience of displacement. The use of external movement -the physical voyage from the place where the filmmaker lives (the global) towards the town that he has abandoned (the local)- becomes a representation and allegory of the internal movement toward that symbolic site we call home. The article explores the narrative, aesthetic and formal structures deployed to reconstruct personal memory in David Perlov´s film DIARY, which transits among travelogue, personal diary, cinematographic essay and domestic home movies.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Rocha Pessôa Temer, Ana Carolina; Perencin Tondato, Marcia
Universidad de Sevilla
Resumen
Analysis of content of journalistic material spread by the great television networks in Brazil and in the sites connected with these nets, regarding the presence of Bolivians in irregular situation in Brazil and their connections with the textile industry. The starting point of this analysis is the report / denunciation on the employment of illegal Bolivian labor force by the Spanish trademark Zara. We discuss these questions on the basis qualitative analysis of the media material (texts and images), from the point of view of Media Critical Reading Theory, as proposed by the educator Paulo Freire and the adaptations of media reading method carried out by Raquel Paiva.
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Año:
2022
ISSN:
1989-600X, 1695-6206
González Alafita, Ma. Eugenia; Dávalos, Cristina; Gutiérrez, Mariell
Universidad de Sevilla
Resumen
American television is a source of information offered to the Mexican public. But what are the viewers getting from it? Not only they receive an image or sound, but cultural content, as the media are major routes of penetration and consolidation of cultural values in society (García León, 2002). This qualitative research sought to understand the perceptions of 25 college students from Mexico who have seen, or are currently seeing the TV series “Modern Family”. It was found that these programs do not manipulate the identity or Mexican culture, but it is an opportunity to learn and adapt to the family reality presented in the theme of the series.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Díaz, Susana
Universidad de Sevilla
Resumen
In the last twenty-five years, within the audiovisual industry, it has been recurrent the remake, adaptation (or recycling) of some products that have obtained a huge success in other countries for audiences that have little or nothing to do with those addressed originally. The topic has been studied from the sociological and/or economic point of view. Nevertheless, it does not have recieved too much attention in terms of discursive analysis. What is the role of this operations in relation to the Mode of Representation and to the creation of new spectatorial subjetivities is the goal of this article, using tghe double adaptation of a Henning Mankell’s novel, The Fifth Woman : a Swedish-german film and a British Tv movie.
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Hecho en México, Universidad Nacional Autónoma de México (UNAM). 1997-2025.
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