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546,196 artículos
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Año:
2022
ISSN:
1989-600X, 1695-6206
Gosciola, Vicente
Universidad de Sevilla
Resumen
This paper aims to present the project “History and displacement: the audiovisual experience in transmedia storytelling”. This is a post-doctoral research consisted of a study on the principles and structure of the narrative and audiovisual transmidiações transmidiação a study of the unfolding narrative of a book by acclaimed author of fantastic literature in Latin America.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Liberia Vayá, Irene H.
Universidad de Sevilla
Resumen
In this communication, I will try to identify and describe the most characteristic features of the latest documentaries directed by Joaquim Jordà, an unclassifiable filmmaker who has shown in his recent works the newest trends seen in the field of nonfiction over the last years. Jordà’s distinctive trait may be to have developed a form of personal essay within the documentary mode. In his “essay films” he constantly moves between the shores of reality and those of representation and he combines very different elements to create complex narrative structures that question the rules of the documentary genre and also those governing our society.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Carlos Magno, Maria Ignês
Universidad de Sevilla
Resumen
The main objective of this study is to investigate how cinema represents societies and territories that are constructed by the senses and desires of characters who experience continuous nomadism and are challenged to create new communities as they move. Regarding the outback and its panoramas as scenarios that reflect the migrants life toward the big cities, or regarding the characters moving throught the streets in different spaces, their fragmented dialogues, their memories that are not always related to the physical city but to the time and spce of the mind where the city interfers. This study investigates the film "Não por acaso" (Brazil, 2007, Philippe Barcinski) that portrays the life of Enio, a traffic engineer who is in charge of traffic lights. He travels throught the streets and throught images of places in his memory.
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Año:
2022
ISSN:
1989-600X, 1695-6206
González Alafita, Ma. Eugenia; Ramírez Cabrera, Daniel M.; Rodríguez Chávez, José Vicente
Universidad de Sevilla
Resumen
"Mexicanismos" are expressions used daily by Mexicans. What happens when they appear in movies and are translated into another language? Is it possible to contextualize through the dubbing process, linguistic expressions peculiar to a country without losing their original meaning? The purpose of this qualitative study was to analyze the dubbing of Mexican cinema taken abroad, and subtitling in films of American cinema that is shown in Mexico. It was found, among other results, that in the process, the language loses its original meaning but the destination country's cultural references are adapted in translation.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Moraes Cavalcante, Denise
Universidad de Sevilla
Resumen
Lost in translation is a film with transience as a central theme. The film's topography leads to this understanding. Characters, places, spaces are permeated by the attribute of the interim, the ephemeral, the temporary. This paper seeks to analyze the film's narrative spaces - the hotel and the city - from the thought of the philosopher Martin Heidegger, establishing a contrast between the world of personal character and the shared world, consisting in interpersonal relationships and displacements along the city streets.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Fusco Rodrigues, Lívia
Universidad de Sevilla
Resumen
This research aimed to analyze the contemporary Latin American cinema, highlighting social issues common to film productions of the New Latin American Cinema, and found in the contemporary Latin American productions of Brazil and Colombia, using as resources the movies: Los Viajes del Viento (2009), Viajo Porque Preciso e Volto Porque Te Amo (2010). Highlighting in the movies the echoes of the social issues present in the films of the New Latin American Movement: human displacement and its consequences, the representation of the sea and the hinterland, and finding one's own identity of the Latin American living on the road.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Fraile Prieto, Teresa
Universidad de Sevilla
Resumen
Audiovisual advertising brings together the latest creative and social trends flowing in the media. Thus, contemporary spots are a great example of the current dissolution of boundaries between audiovisual formats. Although music is a constant presence in spots thanks to its emotional effectiveness, today we are witnessing its appropriation of the various uses of music in contemporary audiovisual. This paper examines the advertising typologies where music is located at the narrative center, appropriating other visual phenomena articulated around music.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Gosciola, Vicente
Universidad de Sevilla
Resumen
When we think about studying films with dislocography is because we understand that the procedure for registering individual or group social movement implies a kind of production and "narrativization" (or narrative construction) other than what is done with the camera in a single environment (be it in movement or not). This paper presents the concept Dislocography, a term coined to describe a particularly disturbing feature of migration in the films we studied: long stretches in which the audiovisual narrative presents itself displacement of the characters, not only the starting and ending points, but mainly , your route.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Capoano, Edson; Dias, Marcelo
Universidad de Sevilla
Resumen
This essay analyzes “NósOtros” 3 , a TV program made in network, by Latin journalists in four countries of the continent, in 2009. That field experience applied concepts about cultural miscegenation and glocalization, into the production process and the journalistic content.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Raya Bravo , Irene
Universidad de Sevilla
Resumen
The problem of genre has always been a key issue in media discourse. Nowadays, television is in transition and the genre mixing or generic hybridity is the most important characteristic in the TV drama. Joss Whedon is one of the most important showrunners in present US television. We will analyze his television shows, because all his programs are remarkable mixed dramas.
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Hecho en México, Universidad Nacional Autónoma de México (UNAM). 1997-2025.
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