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546,196 artículos
Año:
2022
ISSN:
1989-600X, 1695-6206
Díaz Martín, Marcos
Universidad de Sevilla
Resumen
M.A.S.H. was one of the first films that openly talked about the Vietnam War during the conflict itself. In this paper we propose a vision of the film from the point of view of its ideological and antimilitarist content, emphasizing its parallelism with peace movements in the United States and its relationship with the New Hollywood film movement which his director, Robert Altman, was part of
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Año:
2022
ISSN:
1989-600X, 1695-6206
Martín Juan, Celeste
Universidad de Sevilla
Resumen
Mª Ángeles Martínez García , Antonio Gómez Aguilar
Madrid, Editorial Síntesis,
2015
190 páginas
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Año:
2022
ISSN:
1989-600X, 1695-6206
Durán Manso, Valeriano
Universidad de Sevilla
Resumen
Francisco A. Zurian (coord.)
Madrid, Editorial Síntesis,
2015
177 páginas
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Año:
2022
ISSN:
1989-600X, 1695-6206
Bellido-Pérez, Elena
Universidad de Sevilla
Resumen
Gloria Jiménez Marín
Sevilla, Advook,
2016
200 páginas
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Año:
2022
ISSN:
1989-600X, 1695-6206
Donstrup, Mayte
Universidad de Sevilla
Resumen
Rubén Sánchez Medero (Director)
Madrid, Tecnos,
2016
448 páginas
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Año:
2022
ISSN:
1989-600X, 1695-6206
Jiménez-Varea, Jesus
Universidad de Sevilla
Resumen
In Krazy Kat, George Herriman painted with humorous strokes the endless variations of a sexual pantomime that challenged the boundaries of gender, race, and even species, in a recurrent pattern of sadomasochism and unrequited feelings: Krazy, a cat of indeterminate sex, is madly in love with the mouse Ignatz, whose greatest pleasure in life is throwing bricks at the feline character; such aggressions do nothing but increase Krazy’s passion for the rodent; at the same time, Krazy has a silent admirer of his/her own in Offfisa Pupp, who puts the elusive Ignatz in prison once and again. Such a minimalist tragicomedy develops against the ever-changing background of a dreamlike desert, which accentuates the surrealism of the strip. Strangely enough, this unorthodox piece of comic work appeared for over three decades in papers of the Hearst chain, with the personal support of this press tycoon. The following text traces connections between Krazy Kat and surrealistic sensibilities, and offers an interpretation of this graphic narrative in terms of sex, psychology and race.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Zuberogoitia Espilla, Aitor; Arana Arrieta , Goio; Egaña Osa , Txem
Universidad de Sevilla
Resumen
Many universities are trying to adapt their curricula to the changing media landscape. Innovation and creativity are considered key concepts in this new context, as can be shown by the Innovation Journalism initiative developed at Stanford University and some other that can be used to promote both innovation and creativity in Media Studies (such as Design Thinking and Creation Nets). In addition to reporting on these trends, this paper describes how the official Spanish White Paper on Communication Degreees deals with both innovation and creativity, analyzing the presence of these two concepts in the curricula proposed within it.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Marques Carriço Ferreira , Raquel
Universidad de Sevilla
Resumen
The alliance between the entertainment industries and advertising, more specifically represented by Brazilian soap operas and advertising model "tie-in" or “product placement” has everything to take off, mainly due to the urgency of an escape route the traditional model of type ads 60 seconds in intervals of television programming. This article focuses on the advertising soap operas and points to the most common misconceptions of this technique, especially with support from observation studies that outline the prospects of receiving this material, and revives the postulates to support the efficacy advertising in soap operas, from the literature that draws a microanalysis of the psychological processes of the viewer.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Higueras Flores, Rubén
Universidad de Sevilla
Resumen
The drastic structural changes experienced in the audiovisual sector in recent decades have in the porn industry the most crystalline example of how aspects of the economic dimension of production dramatically affect to the evolution (or involution) of its grammar and narrative construction. The contemporary audiovisual pornography has expanded its presence in the daily life of the population (because of its greater ease of access), increased to the absolute limits its guiding principle of maximum visibility, spectacularized the sex encounters and radicalized the extreme and violent practices.
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Año:
2022
ISSN:
1989-600X, 1695-6206
Torras i Segura, Daniel
Universidad de Sevilla
Resumen
Silence is an audiovisual expressive matter, which is always significant. The essence of silence is contrast, which is needed to perceive it; ambiguity, because silence cannot make reference to one particular object or concept; and communicative context-dependence. Audiovisual silence –silence located in an audiovisual product– has three more features: constant meaning, because it is the will of the filmmaker; multiple interaction, because it is modulated by all audiovisual elements; and, finally, present anchored, because of the impossibility of relating to other film time than the ‘here and now’.
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