ISSN: 2310-2799
Aviso:
Los resultados se limitan exclusivamente a documentos publicados en revistas incluidas en el Catálogo 2.0 de Latindex.
Para más información sobre el Descubridor de Artículos escribir al correo: descubridorlatindex@gmail.com.
Leer más
Búsqueda por:
546,196 artículos
|
Año:
2022
ISSN:
2145-0706, 2011-3757
Boyacá-Muñoz , Maribel; Díaz-Medina , Andrea Valentina; González-Rodríguez , Angela Mireya
Universidad Distrital Francisco José de Caldas
Resumen
This manifesto of territorial subjectivities offers three views on territory, which imply a relationship of reciprocity. The first view will be referred to as art-territory. Secondly, we postulate the construction of a category that we define as transit territory. This is a category that is represented both physically and symbolically. Thirdly, in recent times, a dialogue has been developing around the drift from the urban to the rural, and from this conversation has arisen the constant search to understand the symbiosis located within inhabit-becomingidentity. Thus, within this exploration the act of creating and being created emerges. This article claims that this act can be understood as a declaration of a territory that immerses us in the subjective formation of bodies, as forms of malleable matter. Thus, the article argues that the natural habitat was questioned when art became the interpreter of life and territories as a dynamic construction in society were defined.
|
|
Año:
2022
ISSN:
2145-0706, 2011-3757
Ramírez Triana, Camilo Andrés
Universidad Distrital Francisco José de Caldas
Resumen
Can the virtual live theater format developed by the Vargastejada Theater through current technological platforms in times of pandemic lockdown be considered art? The essay by Walter Benjamin, The work of art in the age of its technical reproducibility, serves as a framework for this reflection. The contrast of this perspective with that theatrical experience allowed us not only to leave testimony, but to discover the value of what was done and to think about its future validity. Using easily accessible technology, with the purpose of establishing a creative, intelligent, critical, and permanent dialogue with the audience, theater can be preserved as an instrument for the construction of cultural democracy and social fabric. The theatrical format that we implemented during the period of pandemic lockdown, although it offers a creative possibility for human, non-trivial, and informed exchange in today's society, depends on the uncertain relationship with what is now called ‘face-to-face’.
|
|
Año:
2022
ISSN:
2145-0706, 2011-3757
Harillo Pla, Adrià; San Martin, Gabriel
Universidad Distrital Francisco José de Caldas
Resumen
In this text, we carry out an analysis of the actions of Anglo-Indian artist Anish Kapoor, who acquired the right to be the only artist who can use the darkest material in the world. This had a great impact and generated discussions within the art world. Some artists created the world's greenest color, the world's pinkest color, or the world's brightest color and allowed all individuals except Kapoor and his associates to purchase it. We present an analysis from the perspective of Left-Libertarianism on whether Kapoor's action is moral or not. To this effect, the text is divided in two parts: the first is an analysis of the role of color in art history, and the second addresses the legitimacy of patents and Kapoor's action.
|
|
Año:
2022
ISSN:
2145-0706, 2011-3757
Chen, Mei-Hsin
Universidad Distrital Francisco José de Caldas
Resumen
The dawning of the era of the image in the mid-1950s prompted a reconsideration of the existing methodology of art history. Since then, art critics and scholars have paid increasing attention to the viewer’s role in art, and they have therefore developed theories of art that are focused on the viewer. These changes, which had a considerable impact on the visual aesthetics of the 1960s, were transferred to the field of art history in the 1970s. This article deals with authors such as Clement Greenberg, Michael Baxandall, and Svetlana Alpers, who place the experience of the viewer’s eye and visual culture at the core of their studies, with the purpose of examining the use of these components in the methodologies proposed by the new art history.
|
|
Año:
2022
ISSN:
2145-0706, 2011-3757
Gómez Moreno, Pedro Pablo
Universidad Distrital Francisco José de Caldas
Resumen
In 2007, together with other colleagues, we planned what Calle14 would be, its editorial policy, its scope, its periodicity, its support, among other aspects. We also came across the statistics, which said that in Colombia many magazines are born each year, but two out of three disappear without reaching the third number – and more so when it comes to publications that aspire to be indexed and classified.
|
|
Año:
2022
ISSN:
2145-0706, 2011-3757
Zúñiga Murillo, Enid Sofía
Universidad Distrital Francisco José de Caldas
Resumen
This open and adaptive methodological systematization proposal for interdisciplinary artistic creation experiences implies recovering and analyzing the creative process; reflecting on one’s own interdisciplinary artistic practices in order to appropriate the knowledge produced in one’s artistic creation practices to empower the participants of creative processes in the construction of sociohistorical memory from their own social contexts, always with a critical and questioning view on the diverse subjective and intersubjective dimensions underlying the creative experience. This, with the purpose of communicating, in different formats, the knowledge produced by deep reflection and thus consolidate apprehensive communities in the field of the arts and evidence their impact on current Latin American societies
|
|
Año:
2022
ISSN:
2145-0706, 2011-3757
González Leal, Juan Pablo; López Molina, Dora Inés; León Bohórquez, Diana Lucia; Rodríguez Chaparro, Johan
Universidad Distrital Francisco José de Caldas
Resumen
Building on the results of the research project Pertinence of the curriculum of the Dance-Theater focus of the Curricular Project of Dance Studies, Arts Faculty ASAB - UDFJC- A holistic investigation, this article presents some principles and tools derived from said curriculum in order to highlight the technical and theoretical foundations used by the teachers/researchers in their subjects. Authors such as Rudolf Laban, Constantin Stanivslaski, Jerzy Grotowski, Antonin Artaud, Etienne Decroux and Pina Bausch are the most relevant. From them, each teacher takes up and applies a methodology where transverse axes become evident in their daily practice; these axes have allowed to make progress in the construction of a formal education syllabus in Dance-Theater. In addition, we analyze which focal points cannot be left out from the process, as proving ideal for their implementation and transformation by the students.
|
|
Año:
2022
ISSN:
2145-0706, 2011-3757
Rodríguez Sierra, Ana María
Universidad Distrital Francisco José de Caldas
Resumen
The art system, understood as the concepts, the institutions and the behaviors associated with its contemplation, is a western historical construct. In Europe there were processes that led to the definition of art, to its transformation and to the consolidation of the art system that prevails today. However, in countries like Colombia, entry into the system was mediated by an inverse process, which involved the application of ideas brought from abroad to an unlikely reality, with a view to speeding up processes inspired by nineteenth-century paradigms such as ‘progress’ and ‘civilization’. With the aim of beginning the construction of a history of the concept of art, we analyze here how the idea was understood at the end of the 19th century, and we follow its transformation and use until the beginning of the 20th century.
|
|
Año:
2022
ISSN:
2145-0706, 2011-3757
Silva Ferreira, Rousejanny da
Universidad Distrital Francisco José de Caldas
Resumen
The text in question is a reflection centered on possible triggers for the choreographic translation of the work The dying Swan, first danced by the Russian ballerina Anna Pavlova. I start from the perspective of the survival of forms and the pathosformel, by Aby Warburg, to reflect the passions and meanings that move the appearance of the swan in works by three Brazilian artists whose works are recent. These are a contemporary version composed by an elderly artist named Luis Arrieta in a choreographic adaptation for the context of his home; an urban dance version by John Lennon da Silva and his teacher, Luís Ferron, presented in a reality show; and the last one, made for the film Pacarrete and performed by Marcélia Cartaxo in the context of the city of Russas, in the countryside of Ceará, northeastern Brazil. The conclusion of the text points out the strength of the choreographic gestures of this swan manifested in their survival in the different bodies and ways of dancing.
|
|
Año:
2022
ISSN:
2145-0706, 2011-3757
Bruna, Rodrigo
Universidad Distrital Francisco José de Caldas
Resumen
During the 1950s, kinetic and neo-concrete art brought to life the impact of the avant-garde movements in Latin America. Through this development, artists embarked on a path of exploration around space, sensory phenomena and the active role of the viewer. In this article we seek to reconstruct a genealogy of installation art in the continent, based on the contributions of both these movements. We propose to focus on the critical analysis of written documents and emblematic works of the period, which answer some of the issues raised herein. In light of the results we obtained, we were able to verify that the first antecedents of installation art derived from the questions raised by these movements around the nature of the art object, the exhibition space and the role of the viewer.
|
Hecho en México, Universidad Nacional Autónoma de México (UNAM). Todos los derechos reservados 1997-2022. Esta página puede ser reproducida con fines no lucrativos, siempre y cuando no se mutile y se cite la fuente completa y su dirección electrónica. De otra forma, se requiere permiso previo de la institución por escrito. Mapa del sitio | Créditos
