ISSN: 2310-2799
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546,196 artículos
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Año:
2022
ISSN:
2530-8432, 1695-761X
Sicilia, Javier
Universidad de La Laguna
Resumen
Participación en exposiciones a lo largo del 2021
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Año:
2022
ISSN:
2530-8432, 1695-761X
Peña Sánchez, Noemí
Universidad de La Laguna
Resumen
Entrevista a Pedro Lasch sobre 20-22 The Ongoing Biennial
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Año:
2022
ISSN:
2530-8432, 1695-761X
Candela Sanjuán, Bernardo Antonio
Universidad de La Laguna
Resumen
Tania Castellano San Jacinto. Bernardo Antonio Candela Sanjuán. Ithaisa Pérez Conesa
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Año:
2022
ISSN:
2530-8432, 1695-761X
Hernández González, Román
Universidad de La Laguna
Resumen
A propósito de las obras de los estudiantes de escultura II del grado de Bellas Artes de la Facultad de Bellas Artes de la Universidad de La Laguna.
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Año:
2022
ISSN:
2530-8432, 1695-761X
Díaz González, Elisa
Universidad de La Laguna
Resumen
Discurso artístico contemporáneo sobre la relación hombre-naturaleza/naturalezahombre.
Andrea Sunder-PlassmannHoumehr Etminani
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Año:
2022
ISSN:
2530-8432, 1695-761X
Doreste, Atilio
Universidad de La Laguna
Resumen
Del 16 septiembre al 15 de octubre de 2021.
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Año:
2022
ISSN:
2530-8432, 1695-761X
Pérez Jiménez, Mauricio
Universidad de La Laguna
Resumen
Del 1 al 29 de mayo de 2021.
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Año:
2022
ISSN:
2530-8432, 1695-761X
Balboa González, Ana E.; de Arriba del Amo, Pablo
Universidad de La Laguna
Resumen
In January 2003, the sculptors Pablo de Arriba del Amo and José de las Casas Gómez, presented the idea of a possible sculptural creation to the Municipal Board of Villaverde Alto, this project was approved, therefore, it had the necessary financing to carry it out. It was later installed in the proposed final location, which was in Plaza Ágata in that same district. In this article, all the steps that were followed in the process of creating this monument, which was especially complex due to its size, will be developed in detail. From the choice of theme, materials and processes to the development and study of the foundation, all of this will be explained to account for a project of maximum interest not only for the sculptors themselves, but also for the general public. The approach to this procedure can make the universe of sculpture much more appreciated. It must be taken into account, that both sculptors invented a sculptural procedure by applying their knowledge in a novel configuration, both in terms of the procedure and the method of applying the materials.
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Año:
2022
ISSN:
2530-8432, 1695-761X
Martín Hoces de la Guardia, Marta
Universidad de La Laguna
Resumen
This research project tries to investigate the creative process of the image of the dead animal. In other words, he looks for new plastic ways of doing things to talk about the animal as a mark in art. In addition, from different artistic strategies, three creative processes are created where the image of the dead animal is formed in three installations, which are made up of different plastic pieces. However, creating from the conceptual and the artistic generates a responsible debate about the moral in art within the limits of the bodies of animals. The methodology used is research as creation, giving rise to three creative processes as we have mentioned. Finally, to build and analyze the image of the dead animal in Contemporary Art is to understand and assume responsibility for ourselves before nature itself from a new sustainable perspective.
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Año:
2022
ISSN:
2530-8432, 1695-761X
Navarro Pantojo, Santiago
Universidad de La Laguna
Resumen
The involvement of emotional processes aimed at understanding the ideas, personal discourses and methods linked to artistic creation and research is a necessity in the university training stages. The existing gap between emotional participation and cognitive processes, as well as their pre-eminence of the latter and the excessive normalization of research systems and personal project elaboration methodologies, provoke impositions of roles unrelated to artistic creation - research, complicating the message and distancing it, on many occasions, from the original thought and interests of the artist. This article tries to reflect on theseaspects observed from outside and from within the academic spheres in their university stage, trying to show the relevance that they must acquire: the previous background; participatory perception; process visualization; experimentality; and fundamentally reflective methods, introception and dialogue in research processes in this genuine field of knowledge.
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