ISSN: 2310-2799
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546,196 artículos
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Año:
2022
ISSN:
2695-415X, 0211-8483
Carballeira Cendán, Alba
Universidad de Málaga.
Resumen
The contrast between the words execrable and exemplary invites us to consider the way in which some women have transcended in history. In a brief review of the foundations of historiography and the genesis of the notion of artistic agency, we will see how the construction of their image has not only been linked to the extent of their reputation, but also to the lack of understanding about many activities undertaken by them. This article raises the need to further explore the notion of artistic agency in order to understand how some of these women found a framework in which to exert their power in specific artistic fields. The reconsideration of certain figures from a gender perspective is crucial, not only to restitute their image but also to return them to their rightful place in the history of art. The analysis of the case of the Princesse des Ursins is the best example to illustrate this.
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Año:
2022
ISSN:
2695-415X, 0211-8483
Sauret, Teresa
Universidad de Málaga.
Resumen
The incessant aggressions that the present-day city suffers for the sake of military, economic or political criteria, which not only destroy it but also systematically inflict «wounds» that eliminate or substantially modify its signs of identity, make it necessary to rethink the traditional representation of cities, by focussing on projecting the image as a whole. An innovative, methodological proposal would approach it by understanding it as a three-dimensional whole and not merely through the customary linear and horizontal reading. A city must be understood to have multiple meanings which, when abstracted and selected from its constants, define its identity. At this point, the injuries inflicted will be detected and reported and strategies established to eliminate and prevent them.
I propose this strategy and apply it as a case study to the city of Malaga as a field of experimentation and assignment of the proposed methodology which, due to its unprecedented nature, is part of the innovation strategies applied to heritage.
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Año:
2022
ISSN:
2695-415X, 0211-8483
Sánchez-Lafuente Gémar, Rafael
Universidad de Málaga.
Resumen
En el presente artículo se analizan el mobiliario y los objetos de arte que José Francisco Guerrero Chavarino, primer conde de Buenavista, tenía en sus casas de Madrid y Málaga al morir en 1699. Especialmente numerosa era su colección de pintura, formada por algo más de 600 cuadros de temática muy diversa, pero con un alto porcentaje de asunto profano. Su interés por la pintura y el arte le llevó a convertir su casa madrileña en una academia para el estudio del natural y a la que está comprobado asistió en 1699 el pintor Juan Jacinto Meléndez. Sus conexiones familiares con Italia explican la presencia de numerosas obras de arte con esta procedencia.
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