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546,196 artículos
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Año:
2022
ISSN:
1887-505X, 1576-3935
Verano Gamboa, Leonardo
Universidad Autónoma de Madrid
Resumen
We propose to interpret the immanentlogic of works of art, which for both Merleau-Ponty and Adorno constitutes its essentialfeature, as a grammar, in the senseof its own system of signs. We will showthat what is proper to this grammar, as alanguage that resists objectification, conceptualization,consists in the reciprocal–dialectical– intertwining of what hasbeen said, fixed in concepts, and whathas not yet been expressed, what remainsto be said. The text goes as follows: 1.Introduction; 2. Grammar of expressionand 3. Grammar of resistance.
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Año:
2022
ISSN:
1887-505X, 1576-3935
Castro, Sixto J.
Universidad Autónoma de Madrid
Resumen
In this text I briefly outline some ofthe ways in which the relations betweenart and politics have been conceived, payingattention to the operations of iconoclasmand disenfranchisement of artdenounced by some authors. I then offeran attempt at systematization and a proposalfor understanding what I considerto be the true political potential of art.
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Año:
2022
ISSN:
1887-505X, 1576-3935
Enguita, José Emilio Esteban
Universidad Autónoma de Madrid
Resumen
ninguno
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Año:
2022
ISSN:
1887-505X, 1576-3935
Rivera Fernández, María Luz
Universidad Autónoma de Madrid
Resumen
The musical artistic proposals of the20th and 21st centuries have incorporatedall kinds of sounds into artisticactions, changing the perception of thework of art, and fostering a new way oflistening to the environment. The universeof sound has expanded enormouslyand artistic practices have opened up tonew realities, emerging technologies andconceptions of global and open listening.In this article we analyze the sound resourcesof some essential proposals inthe sound journey of the 20th and 21stcenturies. In the first place, the figure ofa Spanish inventor and visionary, JoséAntonio García Castillejo, el Cura Castillejo,as the absolute forerunner of electronicmusic with his electro composerdevice, and his visionary conceptions ofmusic and art. Second, the proposals ofJohn Cage. Third, the ideas of MurrayShafer in Canada and his Soundscape.Fourth, the genius of Llorenç Barber inSpain, to finally end with the conceptionof artistic research by Alex Arteaga.
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Año:
2022
ISSN:
1887-505X, 1576-3935
del Buey Cañas, Ramón
Universidad Autónoma de Madrid
Resumen
Abstract: This article is a commentaryon two theoretical contributions regardingthe aesthetic ideology of the formless,understood as a particular way inwhich the opposition between the contentand the form has been constitutiveof aesthetic modernism. The two theoreticalcontributions are those pointed outin Georges Bataille’s L’Informe (1929)and in T. W. Adorno’s Vers une musiqueinformelle (1961). In order to analyzethe most relevant theses outlined in bothtexts, we will elaborate a critical readingof Martin Jay’s approach to this questionin his essay Modernism and the retreatfrom form (1991).
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Año:
2022
ISSN:
1887-505X, 1576-3935
Lozano Díaz, Vicente; Romero Sánchez-Palencia, Carmen
Universidad Autónoma de Madrid
Resumen
For the French writer Marcel Proust,art in general, and more specifically literature,its main function to help us incorporatethe past into our present experiences,allowing us to associate what we havelived previously to our current sensationsand experiences, and thereby facilitatingour reaching the essential reality, the realitythat goes beyond the simple immediateevents and the unbearable banalityin which the demands and urgencies ofeveryday life tend to submerge us.
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Año:
2022
ISSN:
1887-505X, 1576-3935
González Arribas, Brais
Universidad Autónoma de Madrid
Resumen
In the present article, and from theanalysis of some of the main theoreticalelements that characterize them, thehypothesis of the possible convergencebetween the critical hermeneutics ofGianni Vattimo and the Object-OrientedOntology, substantially representedby Graham Harman, two currents ofconsiderable strength in contemporaryphilosophy, is put forward. In order tosustain such an approach, the basic principlesof their respective ontologies willbe addressed, as well as epistemologicaland practical aspects, concluding thattheir approaches are today essential forthe foundation of an ecological ethics.
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Año:
2022
ISSN:
1887-505X, 1576-3935
Piazza, Anna
Universidad Autónoma de Madrid
Resumen
This article offers an interpretation ofBacons’s paintings focusing on the subjectof the body. It takes advantage ofDeleuze’s analysis, who, appealing particularlyto his reception of Nietzsche andSpinoza, asks the question about the relationshipbetween matter and the forcesthat animate it, what becomes perceptiblein the body. This question aspires toredefine the comprehension of the samerelationship between matter and form,which, according to Deleuze’s interpretationof Bacon, has to be read as limit-tensionor limit-spatialization. In this way,on the basis of Bacon’s work, it will bestressed the meaning of particular stylisticconceptions not only for art historyand for the history of philosophy.
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Año:
2022
ISSN:
1887-505X, 1576-3935
del Castillo, Ramón
Universidad Autónoma de Madrid
Resumen
The aim of this paper is a reconsiderationof John Dewey’s stay in China,an experience abroad that influencedenormously in his intellectual and humandevelopment. Our approach willbe comparative, assessing his model ofcultural dialogue through a contrast betweenhis attitudes and actions in Chinaand Bertrand Russell’s ones. We thinkthat, thanks to this thorough comparativeresearch, we make much clearer theirrespective conceptions of the role that intellectualscould play in international politicalsceneries. One hundred year afterthey arrived to and thought about China,we think that this often-unknownchapter of the history of intellectuals canbe particularly relevant for ensuing surveysof cultural studies and sociology ofknowledge.
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Año:
2022
ISSN:
1887-505X, 1576-3935
Junco, Ethel; Calabrese, Claudio César
Universidad Autónoma de Madrid
Resumen
We propose a reading of the plague inthe tragedy of Sophocles Philoctetes, basedon the interpretive paradigms of PaulRicoeur, which emphasizes the role of themythical model in updating the symbolsof origin and especially the presence ofevil. We go through the notions associatedwith dirt as guilt and wound as expiation.From there we offer lines of reflectionto think about the non-physicalimplications of the current pandemic; ifthe cosmic plane of events connects withan ethical plane, the relationship withpresent evil demands new communityresponses.
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