ISSN: 2310-2799
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546,196 artículos
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Año:
2012
ISSN:
2215-2628, 0377-628X
Montero Rodríguez, Shirley
Universidad de Costa Rica
Resumen
The present work means to establish the theoretical offer of the paratexts as an important tool in the critical approximation to fiction text. For this, the principal paratexts of the novel Cruz de Olvido of the Costa Rican writer Carlos Cortés are analyzed, this with the intention of establishing the initial proposal of break out, which orientates the entire reading of the literary text.
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Año:
2012
ISSN:
2215-2628, 0377-628X
Rivano Fischer, Emilio
Universidad de Costa Rica
Resumen
Idiomatic expressions produce “popular categories”, key and quite stable concepts that shape everyday understanding. The expressions bring scenes or images that need to be transformed into the popular category or categories at play. Two procedures are described by which this is achieved. Both imply schematic operations of Kantian and cognitive linguistics origin.
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Año:
2012
ISSN:
2215-2628, 0377-628X
Sanabria, Carolina
Universidad de Costa Rica
Resumen
The following article attempts to systematize the main forms or typologies of visual proscription which, throughout history, have been banned from visual imagery to a greater or lesser extent. Thus, this work formalizes four basic types linked to what essentially concerns the display of the human body. Being so, they originate from subjective attitudes (narcissism and voyeurism), as well as from the representations that have to do with explicit sex (the pornographic convention) and the conventional image of death.
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Año:
2012
ISSN:
2215-2628, 0377-628X
Del regionalismo a la vanguardia en la narrativa centroamericana: Flavio Herrera y Yolanda Oreamuno.
Rodríguez Cascante, Francisco
Universidad de Costa Rica
Resumen
This article defends the hypothesis that Central American literature of the first part of the twentieth century established two receptive modalities for the vanguard: one from a regional perspective which constructed procedures of textual hybridization, and therefore, two integrated representational universes. And on the other hand, rejecting regionalism, and from that distancing, it assumed the mechanisms of those of the vanguard and procured the autonomy of the language in as much as the esthetic paradigm. Both writing models constitute the horizon of the two textual formations that are designed what has been called the literary rebirth of the second part of the twentieth century. I exemplify this discussion with a comparative analysis of the texts of Flavio Herrera and Yolanda Oreamuno, the most well known of this first model, whereas that of the author indebted to the second.
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Año:
2012
ISSN:
2215-2628, 0377-628X
Peñate, Marcos; Rodríguez, Alejandro
Universidad de Costa Rica
Resumen
One of the basic conditions required for university students to study a subject, using only books written in a foreign language, is that they have an acceptable level of reading. Nevertheless, we have tried to prove that having such a level is not enough and that students need an extra tool: a glossary of the specific terms used in the study area. This paper begins by giving a brief outline of the research carried out into how foreign language students reach an acceptable level of Reading. Then we present a case study made with students of Physical Oceanography at the University of Las Palmas de Gran Canaria (Spain), in which we try to prove the advantages of using a glossary of specific terms.
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Año:
2012
ISSN:
2215-2628, 0377-628X
González Muñoz, Irene
Universidad de Costa Rica
Resumen
The present article makes a new approach, specifically, on some of the essays written by Yolanda Oreamuno, with the purpose of analyzing some of the main ideas that this writer developed about the idiosyncrasy of costaricans, the role of art, and particularly the role of literature, in the society of her time.
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Año:
2012
ISSN:
2215-2628, 0377-628X
Vargas Vargas, José Ángel
Universidad de Costa Rica
Resumen
This article analyzes the text "The Spirit of My Land" with the intent of determining of what the critical vision consists that Yolanda Oreamuno constructs around farmers. Forms of comparison are studied as presented by the text, and emphasizes the selection of the insect called the cicada as the principle generating nucleus of semiosis. The analysis allows as well to observe the discursive elaboration of a contradictory image of the farmer than what has predominated in the works of other authors in Costa Rican literature in the last three decades of the twentieth century, principally, through a ideological fracture which affects the collective national imagery.
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Año:
2012
ISSN:
2215-2628, 0377-628X
Campos Ocampo, Melvin
Universidad de Costa Rica
Resumen
This article analyzes the ambiguity of the mystical experience suffered by the narrative instance in the short story "Misa de ocho", by Yolanda Oreamuno. This ambiguity is produced because the Christian mystical rapture is tainted by paganism: the rite becomes intimate through physically sensitive elements (light, colour, music), and ends in a dancing outburst that is very close to an erotic rapture. Thus, it is a non Catholic epiphany, rather than one related to pre- Christian religions, linked to the Earth, the feminine, the physical and the erotic.
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Año:
2012
ISSN:
2215-2628, 0377-628X
Caamaño M., Virginia
Universidad de Costa Rica
Resumen
This article establishes a dialogue between Yolanda Oreamuno'short story and three of her essays in order to point out the coherence of costarrican author's ethic and aesthetic vision.
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Año:
2012
ISSN:
2215-2628, 0377-628X
Portilla Chaves, Mario
Universidad de Costa Rica
Resumen
This article provides the proto-conosonant reconstruction of an Afro-Portuguese pidgin spoken in the Americas in the XVII Century according to the principles of the Historical Comparative Method.
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