ISSN: 2310-2799
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546,196 artículos
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Año:
2022
ISSN:
2358-6958
Kottwitz, Manolo
Universidade do Estado de Santa Catarina (UDESC)
Resumen
This article proposes a way of looking at performance art through the lens of schizoanalysis. It addresses issues related to the understanding of Time as a continuous flow, based on the concepts of duration and becoming found in the works of Henri Bergson and Gilles Deleuze, taking as an object of analysis the performance Sometimes doing something leads to nothing by the Belgian artist Francis Alÿs. Starting from the notion of subjectivity as movement and creative activity as an affirmation of difference and life, the work discusses possible lines to think about aesthetic relations, also transversalizing them with the philosophies of Nietzsche and Spinoza, as well as other intercessors to weave their own considerations about Time in art and Time of art.
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Año:
2022
ISSN:
2358-6958
Biscaro, Barbara; Matos, Ivan Delmanto Franklin de
Universidade do Estado de Santa Catarina (UDESC)
Resumen
The article presents a creative process, inspired by the text of Bertolt Brecht, The days of the Commune of Paris, held within the framework of the discipline of Staging, in the Degree in Theater of Universidades do Estado de Santa Catarina. Addressing the interruption of this creative path, determined by the COVID-19 pandemic, the article investigates the new strategies undertaken by the group, using videos and zoom's digital platform, to continue the creation, using, in this critical analysis, the concepts of utopia, from Thomas More, and from "cyborg", presented by Donna Haraway.
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Año:
2022
ISSN:
2358-6958
Dourado, Rodrigo Carvalho Marques
Universidade do Estado de Santa Catarina (UDESC)
Resumen
The study approaches the recent production of Brazilian theater, based on the plays of the festival Verão Sem Censura (2020), in order to map traces of Decoloniality that seem to impose themselves in the broader panorama. It proposes, then, as a creative gesture regarding this scene that has been challenging and confronting basic principles of theater, the emergence of the word/concept Teatre, giving a history of its socio-cultural antecedents and observing its poetic-political modes of action.
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Año:
2022
ISSN:
2358-6958
Afro-Amerindian poetics in higher education in Dance: Insurgent bodies in (re)existence performances
Silva, Renata de Lima; Laranjeira, Carolina; Santinho, Gabriela Di Donato Salvador
Universidade do Estado de Santa Catarina (UDESC)
Resumen
This article discusses university dance education through artistic-pedagogical approaches according to notions of ancestry and spirituality from Afro-Amerindian cultures, based on three teaching experiences in higher education. The combination of curricular structure, pedagogical and artistic projects, in line with the students' life stories, collaborates with the opening of fissures in the monoculture of knowledge established at the university. The recognition and production of Afro-Amerindian poetics is materialized through creative and pedagogical processes in experiences with traditional cultural practices, which reflect (re)existence performances based on insurgent corporeality and narratives.
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Año:
2022
ISSN:
2358-6958
Lordelo, Lia da Rocha
Universidade do Estado de Santa Catarina (UDESC)
Resumen
This article aimed to make visible a part of the recent history of Bahia´s (mainly Salvador) performing arts, by approaching Dimenti (1998-2012), a group in which I participated – this participation makes me a privileged witness of its aesthetic purposes, rehearsal practices and staging – of its history. By chronologically describing its plays, it is possible to notice a group with an intense production, interested in a profound dialogue with other languages. From the description of this small part of Bahia´s theater, we conclude that, within Nordeste’s theater, there are many theaters – from more traditional to more experimental ways of staging; artistic purposes and diverse topics – which inject complexity and dissent in the ways Brazilian theater became modern.
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Año:
2022
ISSN:
2358-6958
Riscado, Caio
Universidade do Estado de Santa Catarina (UDESC)
Resumen
This article focuses on the analysis of poems from the book A proclamação da vulgaridade ou quantos furos uma calcinha pode ter?, written by poet, screenwriter and playwriter Mila Teixeira, and published by Urutau in 2021. From the notion of cruelty in Artaud, the text seeks an approximation with the announcement of vulgarity, proclaimed by the writer. By highlighting verses that suggest the confluence between life and work of art, poetry is analyzed from the perspective of work in art as a practice of investigating the body and recreating relationships. The stories and images shared by the author are interpreted as scenic situations that reveal the manifestation of a poetic-theatrical state in her production. Finally, autofictional writing is approached as a proposition for the expansion of spaces for listening and sharing incarnated experiences.
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Año:
2022
ISSN:
2358-6958
Amanajás, Igor de Almeida
Universidade do Estado de Santa Catarina (UDESC)
Resumen
Interview with Balinese legong dancer Ni Luh Putu Sutarini born in the village of Peliatan in Gianyar regency in Bali. Putu has performed in several countries including Morocco, Japan and Singapore. She is considered one of the best legong dancers today. A disciple of the great dancer Sang Ayu Muklen from Pejeng village, Putu (45 years old), in addition to transmitting the dance tradition trough classes to young balinese and foreigners is also producer and administrative director of the Tri Pusaka Sakti Ensemble group – one of the most traditional and renowned in Bali, in Batuan Village.
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Año:
2022
ISSN:
2358-6958
Brasil, Giselly
Universidade do Estado de Santa Catarina (UDESC)
Resumen
This article brings considerations about the scene as an expanded field from the notion of environment present in proposals and projects by Richard Schechner and Hélio Oiticica and from the perspectives of the Viewpoints practice. It is proposed heir a look at the opening of the scene, taking into account initiatives that articulate body, space and time in the creation processes. Schechner and Oiticica create environmental proposals that expand the possibilities for thinking on the phenomenon of art as a space of relationship in time and space. The Viewpoints, in its turn, encourages the investigation of this environmental field from the point of view of the scene's practice and experience. It is intended, therefore, to approach perspectives of an enlarged scene taking into account the notion of environment, as well as the environmental experiences proposed by Viewpoints.
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Año:
2022
ISSN:
2358-6958
Fortes, Tiago
Universidade do Estado de Santa Catarina (UDESC)
Resumen
When we write about the actor’s work, we tend to focus on what he does or how he does what he does. I’d like here to put the focus on where the actor does what he does. By this I am affirming that the perception of where I am constitutes what I do and how I do. This where can be the physical space of the stage, the light, the architecture, as much as the conception of mise-en-scene, the conventions, the poetic universe where I enter to find the way and the tone of the work. Thinking on the where blurs the limits between the actors and the directors work, because it impels the actor to assume the choices of what is around him, choices that historically are made exclusively by the director.
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Año:
2022
ISSN:
2358-6958
Lazzareti, Angelene
Universidade do Estado de Santa Catarina (UDESC)
Resumen
This article reflects the notion of in-between as the poetics of the theatrical event. From the performing arts and philosophy, the in-between is understood in this work as a web of bodies and the artistic event, acting as a relational force. The in-between is presented as conflict and contagion, but also as an extensive bridge and place both for the bodies (of actors and spectators) and for the theatrical event.
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