Sistema Regional de Información
en línea para Revistas Científicas de América Latina,
el Caribe, España y Portugal

The establishment of Conservation Units is extremely important to reduce the effects of fragmentation and the consequent loss of biodiversity, however, it is also necessary to know the biological diversity protected by these areas. The objective of this study was to make a diagnosis aiming to contribute to the knowledge of the distribution and diversity of the Oligochaeta species in the Pindorama Biological Reserve, located in the northwest region of the State of São Paulo. The present study was carried out in four sampling sites of two forest fragments, inserted in the Reserve, in October 2020. The sediment samples for identification of the oligofauna were collected in triplicate on the depositional margin of each site, using type “D” net. Ten species were found distributed in three families, with Naididae being the most diverse composed by the species Allonais paraguayensis, Dero digitata, Dero evelinae, Pristina proboscídea, Pristina synclites and Slavina evelinae. Tubificidae, composed by the species Aulodrilus pigueti, Bothrioneorum sp. and Brinkhurstia americana. And Opistocystidae represented by only one species, Opistocysta serrata. These results are of great importance for the conservation of the biodiversity of forest fragments of the Atlantic Forest. In addition, studies involving the registration of species are necessary to increase knowledge of the local biodiversity, the Pindorama Biological Reserve and its region.

Desalination consists of removing salts from brackish water or seawater. Among the various known water desalination methods, the main ones are thermal and membrane, where reverse osmosis is the most common, and by electrodialysis. Water desalination is an alternative to the water supply that intends to meet the demands for drinking water. The aim of this study was to carry out a technological prospecting for patents related to water desalination. The following online patent databases were consulted: National Institute of Industrial Property (INPI), World Intellectual Property Organization (WIPO) and European Patent Office (EPO) using various descriptor terms. With the results obtained, surveys were made chronological period of filing, distribution of patents by countries and classification of patents according to the International Patent Classification (IPC). It was found that the WIPO database had the largest number of filed patents (208,425), followed by EPO (190,906) and INPI (118). According to IPC, most patents had these classifications: 52.91% include section C (Chemistry; Metallurgy), followed by section B (Performing operations; Transporting) with 39.84%. The largest number of patents occurred in 2019, with 3,026 filings, with the United States of America and China holding the largest number of registered patents. Faced with the scenario of world population growth and climate change, the promotion of new technologies that recycle water presents a promising alternative.

Zoonoses are diseases or infections that are transmitted from animals to humans or vice versa, through different etiological agents. As a result of globalization and the evolution of mankind, humans started to have more contact with animals, due to feeding, domestication, work, and transportation, leading to the emergence of countless diseases that can be harmful to public health. Mankind coexists with both domestic and wild animals, and for this reason, some of these animals occupy urban centers and lodge near environments inhabited by humans, thus bringing different etiological agents, responsible for transmitting high-risk diseases such as rabies, leptospirosis, cryptococcosis, toxoplasmosis, hookworm disease, and yellow fever, including COVID-19, that is causing the current pandemic that worries the world population. The present work aims to alert the population and highlight the knowledge about zoonoses, discussing the relationship between them, highlighting those of greatest importance to Public Health, and listing aspects to prevent zoonoses in the world. This is a nonsystematic literature review of narrative type and qualitative nature. Scientific articles from the virtual databases Google Academic, Science Direct and SciELO, with a publication period of forty years, were consulted for the writing of the article. In conclusion, zoonoses present a high risk for Public Health, which requires control and prevention of these diseases.

Hospitals are responsible for health care for patients with acute and/or chronic illnesses, which have the potential for clinical instability and complications of their health condition. In this context, this article aimed to make a theoretical reference on the management of supplies in the hospital pharmacy and, in addition to presenting the conceptual aspects, recommendations were discussed in terms of carrying out these services in facing the current pandemic. To this end, a narrative review was carried out that included the recruitment of information through consultations: in scientific articles from the electronic library, in specific legislation and in specialized books in the area. All stages of drug logistics, selection, programming, acquisition, storage and distribution are fundamental and need to have their roles valued and rediscussed according to the current context. Access to medicines is an essential condition for rational use, as well as for the resolution and efficiency of hospital care, requiring from the administrators of this segment greater investments on pharmaceutical services to face the Coronavirus Disease pandemic-19 (COVID-19).

This article analyzes two productions by Cia Livre, presented in 2019, based on the learning play The Horatians and the Curiatians (1933), by Brecht, and which thematize the struggle for land in Brazil today. This confrontation was synthesized, in Death and Dependence in the Land of Pau-Brasil and The One and the Others, as a dispute between the people of the One (people who consider themselves universal) and the people of the Others (all other peoples, with their human, extra-human, animal, plant and mineral cultures.) The critique of the aesthetic-philosophical model of Euro-Western theater carried out here observes the contradictions created by the presence of indigenous and non-indigenous interpreters, which mirror the dissensions and coalitions between different perspectives of emancipatory struggles. How were their experiences translated into the scene? What kind of sociability was projected there? What theatrical form can emerge from the experience of decentralization of the western subject that the group indicates in these works?

This experience report to reflected on the construction of practices of counter-hegemonic academic production in the context of research experiences in a Public University. Anchored in the body and in the subjectivities of who writes and reads as a prerequisite to a sensitive writing, we analyzed experiences anchored in the concept of performative writing, relating it to the convocation of presence in the body by the artistic language of performance to produce (in)disciplines for a (de)education. By expanding the notion of writing, taking it as an experience articulated to other artistic materialities that may operate in a performative way, the text moved in search of what may become an academic writing.

In September 2021, in Lisbon, took place the International Artist Residency guided by Carlos Simioni (Lume Teatro/Campinas) and Stephane Brodt (Amok Teatro/Rio de Janeiro), Toning the sensitive body. The pedagogues-researchers-artists Tiago Porteiro and Vitor Lemos were part of it. The first carried out the proposed practices and the second observed them. It was from this different positioning that the authors jointly developed a reflection in epistolary format. In the letters, notions of sensitive body and its implications in the processes of formation are discussed, as well as considerations about methodologies of research-creation of the actor-actress. At the end of the conversation the theme of "(un)education" appears through a more direct dialogue, associating it to themes disseminated throughout the letters. 

In 2018, I took part in the creative process of the theater play Nós Outros, developed by Fala Companhia de Teatro, created in relation to an experience of the cast and playwright and theater director Don Correa with indigenous people of the Guarani and Kaingang ethnic groups, in the Tupã Nhe’e Kretã Village, in Morretes, Paraná. In this article, I aimed to integrate Correa’s memories of the creative process with anthropological insights. This way I seek to interpretate scenic and dramaturgical procedures proposed by the director of the play inspired by amerindian perspectivism (Viveiros de Castro, 1996) and by anthropological art (Ingold, 2020). The article present border crossings made by the dramaturg as ethnographer and by the anthropologist as spectator, critic and as guest of the creative process undertaken by the cast. It underlines common features among dramaturgical and anthropological writings, presenting them as creative and authorial modes of relation with alterities.

The performance of artist-teachers and artist-teachers in the scope of basic education has revealed new attitudes towards understanding the aesthetic act in artistic and pedagogical practice, in the dimension of (re)invention of classroom poetics. In this research, concepts such as the artistic act, the teaching act, incompleteness  and non-indifferent thinking were worked on to understand the processes of construction of the aesthetic act, from the perspective of the Dialogical Analysis of Discourse in Bakhtin. Sayings of an artist-teacher and a student were analyzed on the singularization of the subject in the artistic processes in the classroom and its relations with the aesthetic and cultural aspects. The results showed that the organization of artistic actions, arising from aesthetic experiments, which included situations of everyday life, the interrelation between people, objects, their selections and groupings were fundamental to synthesize aspects of artistic creation the or life lived.

In this interview, carried out during the International Seminar on Theatrical Pedagogies and Indigenous Peoples: decolonizing the formation of the artist-teacher-research person, the graduate in Theater from the State University of Southwest Bahia (UESB), Eliana Silva Santos Pataxó and the graduate in Theater from Federal University of Tocantins (UFT), Edmar Srenokra Xerente, alongside the supervisors of their Course Completion Works, Maria Aparecida de Souza (UESB) and Karylleila Andrade (UFT) comment on the experiences in their communities, the difficulties to enter and remain in the university, the relationships with the curricula and subjects of the courses, the artistic and pedagogical interventions carried out during the graduation period and at the end, the return to the community and the continuity of the studies. In May 2021, given the health crisis caused by the new coronavirus (COVID-19), the interview was conducted through a video call.