ISSN: 2310-2799
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546,196 artículos
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Año:
2022
ISSN:
2358-6958
Lombardi, Lucia Maria Salgado dos Santos
Universidade do Estado de Santa Catarina (UDESC)
Resumen
The article approaches a proposal of studies in corporal practices that has been carried out in the Pedagogy course from combinations of elements of the Laban system, the Klauss Vianna Technique, the Viola Spolin´s theater games and the cultures of play, which generates multifocal approaches and broaden spaces in teachers´ education for the (mis)education of the oppressed body. Specificities of working with the body in this course are discussed and the relevance of multi-referentiality as a fruitful epistemological position in the body formation of professionals from the field of Education. The main conceptual bases that support the practices are presented in the form of a memorial, narrating about researchers, their techniques, didactics and methodologies. The artistic and didactic experiments are described, while their analyzes are designed through the dialogue between practices and theoretical substrates.
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Año:
2022
ISSN:
2358-6958
Pury, Way; Prymeyra, Carolina; Vermelho, Malandro; Castro, Thalita
Universidade do Estado de Santa Catarina (UDESC)
Resumen
Throughout this article, possible approximations between the performing arts, with an emphasis on the theater-performativity, and the performativity of indigenous shamanisms from the lowlands of South America were approached. In this writing we want to evidence/create certain flows between one and the other, as to say, between the actor-performer and the indigenous shaman. Starting from the analysis of practical practices, as well as the cure(ating) in dialogues with indigenous leaders, shamans, researcher etc. Despite not having a theoretical depth in specific concepts, we call to dance with us seeds of thought such as performative actions, the actor's work with an idea of work on himself, and dreams. Among other images and enchantments, let’s open ourselves to the forest of thinking.
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Año:
2022
ISSN:
2358-6958
Brito, Katia
Universidade do Estado de Santa Catarina (UDESC)
Resumen
"Atuado" is the term used in Pajelança Cabocla de Pena and Maracá to refer to the body in pajé performance. This article brought the proposition of an approximation of this practice and some reflections on the possible dialogues of the notion of actuated with the contemporaneity of performing and performing arts. To this end, it was hypothesized that this crossing offers elements with fertility value for a scene that rehearses new ways of thinking and seeing the worlds. The proposition came from the meeting of the author of this article with the memory of her grandmother, a pajé cabocla de pena and maracá, and imbriced fieldwork in the Marajó with questions of the Arts of Scene and thoughts that discuss and unfold the concept of Amerindian perspective.
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Año:
2022
ISSN:
2358-6958
Geammal, Daniele
Universidade do Estado de Santa Catarina (UDESC)
Resumen
This text contains the report and analysis of the process of theatrical creation, belonging to the last stage of their education at an important public drama school of the State of Rio de Janeiro, developed with perspectives of autonomy and aiming at decolonial teaching, which occurred in the pandemic period, with the remote experience as an alternative for the moment.
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Año:
2022
ISSN:
2358-6958
Guilarduci, Cláudio José; Fernandes, Marcos Antônio; Martins, Mateus de Carvalho
Universidade do Estado de Santa Catarina (UDESC)
Resumen
This article analyzes the traditional theatrical spaces at the expense of the introduction of cinematographic exhibitions introduction in São João del-Rei in the first half of the twentieth century. The buildings taken as samples for study are: Teatro Municipal, which started its activities in 1893, and the theater of the Clube Teatral Artur Azevedo, inaugurated in 1951. To carry out this analysis, architectural projects, photographs, newspapers and other documents were used in order to promote an understanding about the material creative processes of the discussed buildings, as well their transformations.
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Año:
2022
ISSN:
2358-6958
Dias, Luciana da Costas
Universidade do Estado de Santa Catarina (UDESC)
Resumen
The nine months of Artaud's travels through Mexico, usually treated as a footnote in his biography, need to be seen as more than that: they were a turning point in the direction of his work/life. For Jay Murphy (2017), there would be an Artaud before and another after his journey to Mexico, because we can observe a profound metamorphosis in his work, even if we set his “madness” aside. A paradigm shift that encompasses the evolution of a Theatre of Cruelty towards the concept of the Body without Organs. Within this context, this text first aims to critically present, in a post-colonial perspective, Artaud's intentions in seeking a primordial theatrical language in the Mexican canyons, its limits and possibilities, and secondly, to interrogate how racial issues were problematized in such a quest and how they reverberate through his work and beyond, radically affecting and changing the field of Theatre and Performance Studies.
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Año:
2022
ISSN:
2358-6958
Valença, Ernesto Gomes; Schinelo, Letícia Pavão
Universidade do Estado de Santa Catarina (UDESC)
Resumen
The article proposes an analysis of the play Mi Vida Después, by the Argentine director Lola Arias, considering how the combination of testimonial elements, representation, and document display establishes temporal overlaps in the play. The time of the Argentine military dictatorship, lived by the actresses and actors when they were still children, is put into perspective with the current adult time, configuring the time of the representation itself. We analyze this interplay of temporalities from the contrast between the notions of "experience" and "lived experience" in Walter Benjamin's work and, especially, from Raymond Williams's concept of "structure of feelings." Taking into account this overlapping of temporalities, we finally consider whether a play from thirteen years ago, created in the cultural and social context of Argentina, would have anything to say to Brazil today.
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Año:
2022
ISSN:
2358-6958
Paiva, Leandro; Montardo, Deise Lucy Oliveira; Justamand, Michel; Oliveira , Gabriel Frechiani de; Almeida, Vitor José Rampaneli de; Rabello , Gabriela
Universidade do Estado de Santa Catarina (UDESC)
Resumen
This work is based on field research out in the southeast of the State of Piauí and, later, in Alto Xingu (Central Brazil). Through a corpus of wrestling in rock records, possible inferences about these paintings were presented. Beyond just the look of researchers, remnants of original peoples, who engaged in ritualized wrestling, presented their own interpretations. In conclusion, if it was not possible to obtain the codes used by the ancestral groups that painted them in Serra da Capivara; to another extent, it was possible to reflect on the phenomenon that allows natives, nowadays, to interpret those records in their own way.
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Año:
2022
ISSN:
2358-6958
Scalari, Rodrigo Cardoso
Universidade do Estado de Santa Catarina (UDESC)
Resumen
Jacques Copeau's pedagogical project for the renewal of the art of the actor and the theatre drew inspiration from different sources. One of the most important was the childhood, true object of observation and experimentation in at least four occasions which are here designated as "childhood laboratories". In this text, the purpose is to highlight the first of these laboratories, the one that refers to the set of plays and games invented by the three children of Copeau and named by them as le tout rond. The importance of Jacques Copeau's family circle in his theatrical enterprise is evident, and a rich feedback dynamic between life and art can be observed in the context portrayed here.
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Año:
2022
ISSN:
2358-6958
Vieira, Marcilio de Souza
Universidade do Estado de Santa Catarina (UDESC)
Resumen
In this interview, improviser from Minas Gerais Dudude Herrman talks about improvisation, about the Decanto de Dança project and improvising for the screen. The interview was done with the artist via WhatsApp, as we are still experiencing the Covid-19 pandemic. It aimed to understand how the artist and researcher Herrmann understands improvisation and how it was used on canvas. The artist gives us valuable clues in this interview to understand her relationship with improvisation.
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