ISSN: 2310-2799
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546,196 artículos
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Año:
2005
ISSN:
0718-2295, 0048-7651
Cordua, Carla
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
The essay focuses on Don Quijote in the perspective of the intense and variegated exercise of the will that characterizes the knight-errant. Cervantes' protagonist has decided for himself to change his life and give himself a new one freely chosen. Without hesitation, he makes ready to emerge in the world as other than he used to be. And, in fact, his voluntary determination is so strong that nothing nor any body can affect his free decision. The sense of his sudden conversión leads him to fight against different evils and their unpunished agents. His decision to overcome the enemies in accordance with the chivalry model, includes also the winning of the everlasting fame that comes to the wandering knights in his favorite novels. The election of this model of existence obliges him to adopt all the rules of living and morality proper to the chivalric code, overcoming thus his own will. Riding haphazard will be his sole protection to prevent the least slipping in the high ideals which he has implosed upon himself.
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Año:
2005
ISSN:
0718-2295, 0048-7651
Césped, Irma
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
Perhaps it is right to ask why Cervantes' Quijote moves us so deeply in our own early XXI Century after riding from a spot in La Mancha on planet Earth, this time four century ago. Among many diverse answers, we could remember that Cervantes' work anticipates the changes in the consciousness of modern man, which should impose a fresh reading of its vital circumstances and its ambience.
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Año:
2005
ISSN:
0718-2295, 0048-7651
Godoy Gallardo, Eduardo
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
The analysis centers on the intervention of Sansón Carrasco in the life of Don Quijote. The ir a key figure that fulfills a double function: to cheer up Don Quijote so that he may go out for the third time and also to induce him to return home. For this, Sansón Carrasco assumes the personalities of "The Knight of the Mirrors" (El caballero de los Espejos) and "The Knight of the White Moon" (El caballero de la Blanca Luna") In this way he becomes a destinct figure from the structural angle of the text as much as in the configuration of the thematic world.
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Año:
2005
ISSN:
0718-2295, 0048-7651
Villanueva, Darío
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
This essay shows how Cervantes' Quijote perfectly fits the requirements of the novelistic model that Mijail Bajtín considered as the most developed, classical and pure. That is, that which, through an internal dialogue, realizes all the literary possibilities of the multilingual, novelistic word. Cervantes made his own the aim of widening as well as deepening the linguistic horizon of the novel through dialogism. Dialogism understood as the interweave of oral, written and printed languages that besides, are inexhaustible sources of verisimilitude, of poetical truth. The multiple forms of enunciation carried out by several agents, turn the fictive discourse in Don Quijote into a "lying fable" that bonds however, with "the understanding of those who would read it".
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Año:
2005
ISSN:
0718-2295, 0048-7651
Morales, José Ricardo
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
This essay views the Quijote as a book that tends to dissolve everything in it of substance, that is, the author, the reader, the characters, the events, the time and the place. Such desubstantiation, considered here as a primary condition of the text, was un insufficient proposal of the critics starting from its secondary aspects, among them, perspectivism, irony, the duplications and mitages the book contains.
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Año:
2005
ISSN:
0718-2295, 0048-7651
Rodríguez Fernández, Mario
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
In this story, Borges, long before Barthes, proclaims the death of the author, The author is dead and the reader takes his place, This is possible through an "irreverent reading" of Don Quijote as practised by Borges, a reading based on "theft" and "betrayal".Menard, when effecting a "total citation" of Cervantes' text, steals word by word, betraying likewise the notion of author and original. What Menard does is "to write his own reading of the Quijote, which, although becoming a literal copy, is radically distinct in meaning, because it is always read from a cultural tradition that is often constructed. The result is that there are as many Quijotes as readers of it.As supplements, the ideas of Pierre Menard as Cervantes' predecessor are explored, and the superiority of the reader over the author. "The most difficult literary career is trhat of the reader", writes Macedonio Fernandez, secret source of all that is affirmed here.
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Año:
2005
ISSN:
0718-2295, 0048-7651
Carrasco M., Iván
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
This work defines and systematizes different aspects of textual interculture, its literary manifestations in Chile to-day -ethnocultural poetry, exile literature, and the immigrants' writing- suggesting its special importance in the alteration of the modernity canon.
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Año:
2005
ISSN:
0718-2295, 0048-7651
Rodríguez González, Ángel
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
Cervantes induces us to re-examine the problem of reality vs. fiction/fantasy. Indeed the Quijote leads into an extraordinary play of novelistic fiction. However, the boundary lines between fantasy and reality have no precise definition, and this is because Cervantes himself wished it so The literary fictions in the Quijote (fiction out of reality-reality out of fiction- fiction out of fiction) is a game played by the author to introduce an apparent lunatic who will not dicriminate between the limits of his reality (reality out of fiction) and the fictional in this own reading (fiction out of fiction). This clinical quixotism is but a cervantine play (ludic quixotism) to lead us to a symbolic quixotism: agony after an ideal and trascendental values, and to a search for a project of heroic humanity, a road to liberty and to an illusion of an individual conscience sustained by mystery and by the miracle of a subjective perception of an imaginary world: in other words, of the eternal and immutable.
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Año:
2005
ISSN:
0718-2295, 0048-7651
Vila, Juan Diego
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
Some time after the second embassy towards el Toboso, where Sandro has "cast a spell" over Dulcinea, Don Quijote refers to a new encounter with his lady in the mythical place, beyond the "Cueva de Montesinos" (The Cave of Montesinos), fictional territory and sequel, which has invited the most opposite views from the most diverse critical perspectives. Truth or lie, dream or true reality, happen to be polarities held up to interpret the adventure, and this oscillation is what makes our readings productive by engaging with both domains- the narrated text and that of the visited beyond, with a third confine usually left unatended by these readings: the femenine body. What is a woman like? What is that which is not represented, whose figuration is always elided? What lies behind the underskirt of Dulcinea?
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Año:
2005
ISSN:
0718-2295, 0048-7651
Riva, Reynaldo
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
This essay proposes a metaphysical reading of "Yzur", one of the stories in "Las fuerzas extrañas" ("The Strange Forces"). Yzur is a monkey whom his master teaches to speak, and who dies, overwhelmed by the humanity that speech has awakened in him. Certain ideas about monkeys which classical antiquity accepted as true are presented, ideas which may have helped L. Lugones in the construction of a (pseudo) scientific framework permitting the final miracle. A passage from the "Lunario sentimental" is also identified in order to show Lugones's special interest in the truncated but recoverable humanity of apes. In the complementary section of the essay, it is proposed to read ‘Yzur' as an antecedent to two stories by Borges, "Funes, el memorioso" and "El inmortal", discussing the theme of lost and/or recovered memory.
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