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636,460 artículos
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Año:
2025
ISSN:
0719-5176, 0716-6346
Duboué Iuvaro, Juan Pablo
Universidad de Playa Ancha
Resumen
This article conducts a comparative analysis of the nightingale’s symbolism in Shakespeare’s Romeo and Juliet and Keats’ “Ode to a Nightingale.” Despite differences in genre and historical contexts, both works depict the nightingale as a powerful symbol, exploring its connections to themes such as time, the urgency of love, escapism, and the tension between human suffering and transcendence. Employing the symbolic frameworks of Chevalier and Cirlot, alongside insights from Comparative Literature and Animal Studies, the paper illustrates how the nightingale bridges cultural and literary divides, reaffirming its timeless significance in literature.
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Año:
2025
ISSN:
0719-5176, 0716-6346
Coltters Illescas, Cathereen Jennifer
Universidad de Playa Ancha
Resumen
In this research we propose a reflection from a wide concept of Philology –“philological knowledges” (Mondragón, 2015)– with the aim of showing from which epistemological places and methods it has been read the “Latin American” colonial text. In addition, we are interested in examining the political and cultural function of those philological tasks during the colonial centuries as its current (un)appropriateness and revalorization. According to that purpose, we will review two reading experiences: some colonial authors and some of the 20th and 21th centuries researchers and critics, who have examined those. In the other hand, we are interested in showing the ethic commitment that some colonial authors and voices accept in their productions, as well as recognizing them as the first philological expressions in which lettered practice, knowledge and ethos are bound together.
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Año:
2025
ISSN:
0719-5176, 0716-6346
del Ángel, Diana; Ballester Pardo, Ignacio
Universidad de Playa Ancha
Resumen
Mexican identity construction during the mid-20th century was also carried out by three scarcely studied women poets: Aurora Reyes (1908-1985), Alaíde Foppa (1914-1980) and Margarita Paz Paredes (1922-1980). Although these poets are not generally considered part of the Mid-Century Generation, their work contains elements that allow us to study them within that period. These women authors, among others, defend urban and rural habitability, using the bestiary as a symbol of human values. Over time, their activism and illnesses were used to defend both environmental rights and an indigenous identity through symbols such as the flower in pre-Hispanic traditions or the female body as οἰκο.
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Año:
2025
ISSN:
0719-5176, 0716-6346
Ibarra Cordero, Andrés
Universidad de Playa Ancha
Resumen
This article analyses the trope of decadence in Luis G. Martín’s novel La Muerte de Tadzio (2000), a follow-up of Thomas Mann’s acclaimed Der Tod in Venedig (1912). This work proposes a cultural encounter between the notion of decadence, as a transgression of social normativity and ideas of progress, and the antisocial strand of queer theory, specifically Lee Edelman’s criticism against reproductive futurity (2004). The analysis also draws on Leo Bersani’s conception of sexuality’s self-shattering impulse to discuss how this novel articulates notions of disease and death (1987). This essay evaluates how the novel depicts homosexual desire as the death drive, recapturing a negative cultural memory that re-emerges in contemporary fiction.
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Año:
2025
ISSN:
0719-5176, 0716-6346
Llaque, Paúl
Universidad de Playa Ancha
Resumen
In this article, the purpose is twofold. I propose a model for poetic analysis with categories traditionally associated with narrative hermeneutics. In addition, I illustrate the application of the model to the book of poems La silla en el mar, by Peruvian author Rossella Di Paolo. I use central theoretical categories from the works of Bakhtin, Booth, general linguistics and the theory of Latin American literary systems. The results indicate that the book analyzed is inserted in the cultured system written in Spanish with a proposal of novelization of the lyrical procedures. It is concluded that the proposed exegetical model clarifies several aspects of the books of poems that could be obviated in other poetic analyses.
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Año:
2025
ISSN:
0718-2813, 0718-2805
Universidad Católica de la Santísma Concepción
Resumen
Pedro Hidalgo obtuvo el título de Ingeniero Civil en la Pontificia Universidad Católica de Chile UC en 1962. Realizó un doctorado en Ingeniería Estructural en la Universidad de California en Berkeley, EEUU, el cual finalizó en 1975. Fue académico y uno de los profesores fundadores del Departamento de Ingeniería Estructural y Geotécnica en la UC en 1963. Por 41 años dictó a miles de ingenieros UC los cursos de Análisis Estructural, Mecánica Racional, Mecánica de Sólidos, y Diseño Sismorresistente.
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Año:
2025
ISSN:
0719-5176, 0716-6346
Pérez Durán, Marco Antonio
Universidad de Playa Ancha
Resumen
This study is framed within the field of comparative lexical-statistical research. Its objective is to identify the ten most frequent words from academic and disciplinary vocabulary founded in the introduction and conclusion sections of 135 undergraduate theses from five academic programs within the Faculty of Social Sciences and Humanities at the Universidad Autónoma de San Luis Potosí (UASLP), Mexico, produced between 2007 and 2014. A lexical-descriptive and contrastive methodology is used, with a mixed, exploratory, asynchronous, and cross-sectional approach. The results show that the ten most frequent lexical units are characterized by the presence of verbs, which are typical of academic vocabulary, and nouns, which are representative of specialized vocabulary.
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Año:
2025
ISSN:
0719-5176, 0716-6346
Fuentes Leal, Mariela
Universidad de Playa Ancha
Resumen
The novels Carne de perro and La segunda mano by Germán Marín propose a critical rereading of Chilean history by questioning the dichotomous model that opposes left-wing and right-wing groups in the context of the 1973 military coup. This article examines the representations of the shattered dreams of young (counter)revolutionary figures, whose voices, situated on the margins of radical and antagonistic ideological movements –the VOP and Patria y Libertad– offer an alternative perspective on the events in which the dreamed utopia crumbles. Through an articulation between textuality and historical reference, the analysis explores how these texts strip such figures of their criminalized characterization to humanize them and reveal the fractures in the political fabric, the instrumentalization of violence, and the traces of political defeat during the 1970s in Chile. This approach allows for an exploration of the tensions between power dynamics and subjectivity in a period marked by sharp political and social conflicts.
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Año:
2025
ISSN:
0719-5176, 0716-6346
Ruiz Gutiérrez, Adriana María
Universidad de Playa Ancha
Resumen
The need for knowledge and experimentation to introduce new beginnings in life, and, in turn, the confusion due to distorted representations about ourselves, calls for the help of myths and their heroes, who have already traveled the path, and returned to the world to teach us about the experience. Hence the enormous vitality of mythological images and archetypes in our time, especially in prison and penitentiary spaces, where men and women deprived of liberty seek to tell their story to transform it. This article, which deals with myth as a formative experience for one's own life, adopting Joseph Campbell ideas, presents the findings of a biographical laboratory in the prison, built and developed from the myth of the Daedalus labyrinth and its symbols. Among the findings and conclusions is the importance of the literature of the spirit to understand and regenerate life, especially within prison spaces.
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Año:
2025
ISSN:
0719-5176, 0716-6346
Cañadas Rodríguez, Emilio
Universidad de Playa Ancha
Resumen
This article studies the writing process and the relevance of the written paper in the short stories of the Spanish writer Cristina Fernández Cubas, winner of the National Prize for Spanish Literature 2023. Through the textual analysis of two of her stories, “Lúnula y Violeta” and “En el hemisferio sur”, we will study her two female characters, literary authors, focusing on the various stages of creation. We will present an innovative approach to the stories prioritizing the relevance of the written paper that will outlive the characters with whom they coexist to later interpretations. In addition, we will present a new “reading level” based on the “poetic knowledge” of Dámaso Alonso (1993). To this end, the present study provides literary references, not studied to date, which provide solidity to the creative work of Fernández Cubas's characters to conclude that creative writing in its different formats organizes and defines the stories.
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