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546,196 artículos
Año:
1994
ISSN:
2530-3562, 1130-5517
Castro Santamaría, Ana
Universidad Autónoma de Madrid
Resumen
Due to an error commited by Llaguno and afterwards repeated by several specialists, it is commonly admitted that in 1529 the Cathedral of Segovia was visited by some architects, in order to explain how the work should be finished. Certainly, some reports written by Juan de Alava, Alonso de Covarrubias, Enrique Egas and Felipe Bigarny can be found in the Archives of the Cathedral of Segovia. In this article, we will try to show that all these documents are relative to the Cathedral of Salamanca, not to Segovia. The reason why they are in Segovia is that Juan Rodríguez, canon of Segovia, ordered a copy of them. We pay attention to Alava's and Covarrubias' reports, in which they defend the continuation of the Cathedral of Salamanca with the naves at the same height, that is to say, a "hallenkirchen". These documents form part of a very intense polemic about the Cathedral of Salamanca, in which we discover the names of Rasines, Vasco de la Zarza, Egas and Riaño. The discussion was finished by the latter two, who defended the traditional idea of naves at different heights.
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Año:
1994
ISSN:
2530-3562, 1130-5517
Merino Peral, Esther
Universidad Autónoma de Madrid
Resumen
A basic feature of the Spanish writers, of the XVIth and XVIIth centuries, on warfare and siegcraft theory was their military extraction. Professionals on different compaignes token on Monarchy, as provisional writers, for explaining their own experiences and the utopy for making their battles purpose: the last victory.
Thanks to thir literaty activitis, to the military treatises contents, under the Court of Madrid, may to speak to "Humanism Militarism" or "Warfare Reinessance" in Spain for this time.
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Año:
1994
ISSN:
2530-3562, 1130-5517
Ávila Padrón, Ana Victoria
Universidad Autónoma de Madrid
Resumen
About the Portuguese painters Pere Nunyes and Enrique Femandes the historic-artistic relationships between Portugal and Spain are analyzed as well as the professional environment of Barcelona in the first half of the sixteenth century in which the repetition of sketches and the engraving taken as a model had a very important play.
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Año:
1994
ISSN:
2530-3562, 1130-5517
Santamaría, Blanca
Universidad Autónoma de Madrid
Resumen
Anuario del Departamento de Historia y Teoría del Arte
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Año:
1994
ISSN:
2530-3562, 1130-5517
Falomir Faus, Miguel; Marías Franco, Fernando
Universidad Autónoma de Madrid
Resumen
In this brief article, with new archival documents, proofs are brought out concerning the Ist Marquis del Zenete's journeys to Italy, pointing out a new and till now unknown voyage, which dated from 1499 to 1500. Some new notices are also added to the biography and character of this aristocratic client, whose role was very important for the development of Renaissance taste in Spain, as it comes through his major project, the Castle of La Calahorra.
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Año:
1994
ISSN:
2530-3562, 1130-5517
Pereda Espeso, Felipe
Universidad Autónoma de Madrid
Resumen
Anuario del Departamento de Historia y Teoría del Arte
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Año:
1994
ISSN:
2530-3562, 1130-5517
Bustamante García, Agustín
Universidad Autónoma de Madrid
Resumen
The building of the altar-piece and the tombs of San Lorenzo el Real del Escorial was one of the major artistic enterprise of the XVIth Century in Europe. Juan de Herrera designed it, and Pompeo Leoni did the sculptures. The best European artists were found in Spain, Italy and Flandes to perform it. The final result was a masterpiece.
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Año:
1994
ISSN:
2530-3562, 1130-5517
Martín Ansón, María Luisa; Abad Castro, Concepción
Universidad Autónoma de Madrid
Resumen
Anuario del Departamento de Historia y Teoría del Arte
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Año:
1994
ISSN:
2530-3562, 1130-5517
Reyero, Carlos
Universidad Autónoma de Madrid
Resumen
Many Spanish painters were initiated in the way of the "Avantgarde" while Europe lived the phenomenon of "le retour àl'ordre". This shock produced interesting results among the scholarship-holders in the Spanish Fine Arts Academy of Rome. The present work, based on a documental research in Rome, shows their art activity during the scholarship period between 1927 y 1936.
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Año:
1994
ISSN:
2530-3562, 1130-5517
López Castán, Ángel
Universidad Autónoma de Madrid
Resumen
The treatise on joinery and cabinetmaking of the French craftsman André-lacob Roubo entitled "L'Art du Menuisier", published in Paris between 1769 and 1775, is considered to be the most complete work of reference of the 18th century on the manufacture of furniture and other woodworks. The aim of this article is to reveal the abstracts which the economist and enlightened politician Pedro Rodríguez de Campomanes published in Spain in 1776 about that treatise.
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