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ISSN: 2310-2799

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546,196 artículos

Año: 1994
ISSN: 2530-3562, 1130-5517
Gutiérrez Pastor, Ismael
Universidad Autónoma de Madrid
In the following pages, I set out to review the life as well as the painting of Juan Vicente de Ribera (Madrid, c. 1668-1736) in distinction to historical and artistical points of view. The situation of Spanish 17th and 18th painting historiography is compelled of monographic studies about its painters. That kind of studies are essential for an appropriate valuation of the last moments of the reignancy of Charles II and during Philip V, in which baroque painting in a 16th century tradition style got into 18th century until it disappeared with the new aesthetical guidances maintained by the Borbón Dinasty.
Año: 1994
ISSN: 2530-3562, 1130-5517
Urrutia Núñez, Ángel
Universidad Autónoma de Madrid
The death of the Spanish architect Ramón Vázquez Molezún (La Coruña, 1922 - Madrid, 1993) has made it necessary for us to reflect upon his stay in Rome (1949-1952), his constant and prolific collaboration with José Antonio Corrales beginning in 1952, his international success earned with the "Hexagonal Pavilion in the 1958 Brussels Worlds Fair", as well as his important influence in other works which are part of the History of Modern Spanish Architecture.
Año: 1994
ISSN: 2530-3562, 1130-5517
Scholz-Hänsel, Michael
Universidad Autónoma de Madrid
Anuario del Departamento de Historia y Teoría del Arte
Año: 1994
ISSN: 2530-3562, 1130-5517
Herranz, Juan
Universidad Autónoma de Madrid
This brief report intends to give an approach "maestro real" Gaspar de Vega's participation in the constructive process of the convent of San Benito el Real in Valladolid. Through this information we have been able to point out and clarify the authorship of some drawings related to this convent belonging to the Archivo Histórico Nacional.
Año: 1994
ISSN: 2674-919X, 1413-4438
Ogden, Thomas
Sociedade Psicanalítica de Porto Alegre
In this work, the nature of the interaction of subjectivity and intersubjectivity, specific to projective identification, is discussed. In projective identification there is a partial collapse of the dialectical movement of individual subjectivity and intersubjectivity, and the result is the creation of a subjugating analytical third (within which the individual subjectivities of the participants are largely subsumed). A successful analytical process involves the overcoming of the third, and the reappropriation of (transformed) subjectivities by the participants as separate (and yet interdependent) individuals. This is achieved through an act of mutual recognition that is often mediated by the analyst's interpretation of transference and countertransference, and the analysand's use of the analyst's interpretation.
Año: 1993
ISSN: 2255-3495, 0213-201X
Mariño, Francisco Manuel; López Jimeno, Amor
Facultad de Filología. UNED
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