Sistema Regional de Información
en línea para Revistas Científicas de América Latina,
el Caribe, España y Portugal

This article analizes the poetic rewriting about the Silabario Hispanoamericano of the teacher Adrián Dufflocq, through three chilean poets: Rodrigo Ortega, Marcela Parra and Malú Urriola, who analize the ideological construction that holds on the hegemonic culture of chilean Republic and the relation between pedagogy and poetry, like an space of historic and political construction, modifying historic paradigms of the Chilean childhood that have been stablished, especially, by school and state institution of the country.

This essay aims to contribute to the discussions about knowledge and power in the New World through the study of one of the most famous works in colonial chilean historiography: Alonso de Ovalle´s Histórica relación del Reino de Chile (1646). I argue that knowledge about Chile is produced within two principles: the text´s locus of enunciation and the use of sources of information or of authority. This issue leads into questioning the author´s problematic status as he speaks about his homeland from Europe and for Europeans, presenting his familiar background as if unknown.

In this paper we analyze the different ways of insertion of Chilean plastic artists in Parisian modernity at the beginning of the 20th century; then, we stop in the case of Sara Malvar, an artist who is linked to the central actors of the vanguard in France and who redefines her position within her marriage. Finally, we analyze the activity of Malvar in Paris and his contribution in two painted poems by Huidobro.

La pose autobiográfica. Ensayos sobre narrativa chilena (2018) de Lorena Amaro es un recorrido de desenmascaramiento sobre el "modo en que toman cuerpo en la escritura las innumerables máscaras del yo" (13), como planteo Leonor Arfuch en su presentación. Problematizando (y, por ende, también tensionando a partir de la teorí­a) categorí­as como la de autobiografí­a, la autoficción y la escritura del yo, entre otras, la autora se aproxima a un corpus ambicioso en cronologí­a, contextos y propuestas estéticas de obras chilenas, con lo cual levanta un mapa que permitirá al lector, sobre todo al lector académico, hacerse una idea de las disí­miles gestualidades discursivas de las que se valen alguno(a)s escritore(a)s nacionales para ponerse sobre escena a partir de sus propias dubitaciones y miradas, lo que ella denomina "poses" autobiográficas, "los gestos e incluso las fabulaciones que emergen de la conciencia de sí­ y del recuerdo sostenido de lo que se ha sido" (Amaro 31).

El libro que se presenta es un compendio de doce artí­culos publicados en revistas especializadas por Ricardo Ferrada y ahora reunidos como estudios crí­ticos que dan cuenta de "la producción de escritores latinoamericanos y chilenos" (7), tal como señala su autor en la introducción. Agrega que se trata del "análisis de obras y autores [que] se despliega en épocas y procesos variados, cuya reflexión [...] se sitúa en distintas estéticas y problemas" (7). En esta dirección, estas "huellas" y "trazos" se desarrollan en tres grandes núcleos problemáticos, cada uno con cuatro trabajos. El primero tiene que ver con los procesos crí­ticos y literarios; el segundo, con reflexiones poéticas aterrizadas en autores latinoamericanos y chilenos; y el tercero da cuenta de narrativas especí­ficas acotadas prioritariamente a la novela latinoamericana y chilena contemporánea con su montaje crí­tico. Cada sección contiene cuatro trabajos en que establecen un cierto equilibrio entre crí­ticas, poéticas y narrativas y entre los artí­culos que se desarrollan desde el siglo XIX al siglo XXI. En la parte medular de esta breve presentación, revisamos un artí­culo por cada una de estos tres núcleos. Queremos señalar como preámbulo que el estilo de Ricardo Ferrada no siempre es fácil, ya que se caracteriza por una cierta densidad escritural que se focaliza en las ideas y en la reflexión intelectual, más que en la ejemplificación monográfica y anecdótica.

This research is about the adquisition of the liquid codas /l/ and /ɾ/ in medial position within a sample of 161 participants, who are speakers of Chilean Spanish. Those were divided in four age groups from 2,0 up to 3,11 years old. The coda production was analysed as correct, substituted and ommitted. It has been observed that the output improves in higher ages, as well as dimishes the omission at the same time. The substitution is maintained relatively stable in all the age groups we have analysed, while at the same time we observe substitution patterns related to the place articulation and the sonority hierarchy.

In recent years some legal changes that seek a new deal towards LGBTI have occurred . However, the discussion on gay or same-sex marriage is stagnated in both the legislative debate and public opinion. From the perspective of the Appraisal theory (Martin and White, 2005), the aim is to identify the ideological stances of those in favor and those against this law through the analysis of two letters to the editor. Some of the main results include a) the notorious contrast of monoglossic and heteroglossic resources used in the letters: one referring to received truths and the other resorting to historical evidence; b) the recurrence of empowering and disempowering strategies to define institutional conflicts; and c) strategies that legitimize their own stances.

We analyzed reports in which it was recommended to reject the publication of manuscripts sent to a Chilean humanities journal. We sought to establish whether these reports varied according to two attributes of the referees: the number of publications and the type of participation in the journal. The results show that, regardless of their status, when rejecting an article of scientific research, the referees make evaluations centered on the article as a unit. Descriptions, descriptions of errors, and descriptions of what is missing are the most frequent communicative purposes in this genre.

In this paper the processes of appropriation and production that are articulated in Gabriela Misttral´s travel chronicles, which were written in her multiple stays in Italy, are analyzed.. The discursive and thematic mechanisms that contribute to appropriation are studied, which rework and assign new meanings to the spaces visited. These. Thus the trip will be understood not as a physical displacement, but rather as the internalization of the experience through the creative formulation of language. The analysis of the spatial appropriation will show the problem of the communicability of the experience, which will lead to the conclusion that in travel chronicles a mystical poetic of travel is configured.

The present paper explores three topics that are complementary to the study of demonyms we have carried out in two previous essays (Kordic Riquelme and Chávez Fajardo: 2017; and Chávez Fajardo and Kordic Riquelme (in press). First, we introduce a brief historiography of demonyms. Second, we make reference to the moniker, a separate lexical component that is absolutely independent from the ethnic and post-toponymical demonym. Finally, we point out the relevance of demonyms within the standardizing processes, an aspect which in fact has been poorly addressed, but it essential during the first stages of linguistic regulation.