ISSN: 2310-2799
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636,460 artículos
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Año:
2025
ISSN:
2665-3273, 0123-4412
Reverón Peña, María Isabel; Parra Pérez, Mario Antonio
Universidad de Antioquia
Resumen
The article presents some aesthetic strategies used by Carolina Vivas and the Umbral Teatro group in the performance of the play Donde se descomponen las colas de los burros, to vindicate the memory of a historical fact: extrajudicial executions by the Colombian State. Four elements are approached as support for her (po)ethics of memory: the annotations, the interior time, the role of the mother in the unveiling of the truth and the river as a dramatic character. To this, the proposal of commiseration is articulated as a human act that allows to assume a subjective posture that distances itself from that of violent subjects. The article seeks to make a contribution by analyzing the play in both its textual and scenic dimensions.
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Año:
2025
ISSN:
2665-3273, 0123-4412
Leonardo-Loayza, Richard Angelo
Universidad de Antioquia
Resumen
The article analyzes the relationship between the body, capitalism and reification or objectification in Policarpa, a story that is part of the collection Azares del cuerpo [Variations on the body] (2017) by María Ospina Pizano. It argues that the narrative illustrates a series of mechanisms used by capitalism to instrumentalize individuals within the framework of capital, including reification or objectification, that is, stripping people of their personhood and turning them into objects or things. To this end, capitalism reduces individuals to bodies. In Policarpa, the story narrates the case of a reinserted female guerrilla who is exposed to this process not only by the system, but also by a publisher who wants to publish the testimony of her escape. The story also highlights the protagonist’s resistance against such mechanisms.
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Año:
2025
ISSN:
2665-3273, 0123-4412
Villegas Botero, Adriana; Gil Montoya, Rigoberto
Universidad de Antioquia
Resumen
Between 1883 and 1953, 18 books signed by 10 female writers from Gran Caldas (the Great Caldas Region) were published. This work analyses the paratexts included in the first pages of these works, which show writing forms that reinforce the subordinate role of the female writer with respect to the male. Five books include explanatory notes or warnings written by the authors, where, from a rhetoric of self-deprecation, the creator underestimates her own literary work and asks for indulgence. This confessional gesture is complemented by prologues signed by writers, priests and/or relatives of the author; men of letters who endorse the publication, as a form of absolution.
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Año:
2025
ISSN:
2665-3273, 0123-4412
Vahos Hernández, Yubely Andrea
Universidad de Antioquia
Resumen
This article examines the urban narratives in the radio drama El camino en la sombra, produced by the Radiodifusora Nacional de Colombia and based on the homonymous work by José Antonio Osorio Lizarazo. The analysis draws on theoretical contributions from disciplines such as history, literary studies, and radio production studies. The article argues that the city narrative presented in the radio drama aligns with the state project of creating a national culture grounded in technical modernization and the preservation of cultural traditions valued by the station’s administrators. To this end, a comparative analysis is conducted of the 20 episodes of the radio drama and the novel El camino en la sombra (1965 edition).
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Año:
2025
ISSN:
2665-3273, 0123-4412
Noguera-Henao, Andrea
Universidad de Antioquia
Resumen
This text explores the representation and construction of identity amidst pain and trauma in Diana López Zuleta's Lo que no borró el desierto while seeking justice. It posits that the autobiographical text serves to construct identity and pursue personal goals. This article employs theories on autobiography, grief, and trauma to analyze López Zuleta's narrative representation. It concludes that this autobiographical narrative is a testimony of violence and corruption, intertwined with a personal traumatic story where the narrator focuses on values of truth and justice. It merges personal memory and documentary sources, with subjective truth prevailing. Additionally, it acts to process trauma and grief, facilitating personal reconciliation.
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Año:
2025
ISSN:
2665-3273, 0123-4412
Saavedra Rey, Sneider; Saavedra Rey, Liliana
Universidad de Antioquia
Resumen
Within the framework of cultural analysis, this article analizes the visuality of the novel El día de la mudanza by Pedro Badrán (2001) through concepts such as focalization, framing, figuration, preposterous history, among others proposed by Mieke Bal throughout of her academic and artistic career within the interdisciplinary configuration of visual analysis. Due to the fact that the novel is largely built on the ekphrasis of the photographic album of the lead family, delves into on heterochrony and the image in the construction of the subject in the contemporary society, vindicating the narrative impact of description in the art of the novel.
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Año:
2025
ISSN:
2665-3273, 0123-4412
Álvarez Cifuentes, Jaime Andrés
Universidad de Antioquia
Resumen
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Año:
2025
ISSN:
2665-3273, 0123-4412
Benavides Martínez, Christian
Universidad de Antioquia
Resumen
This paper examines the editorial project of the 1970s that resulted in the publication of The Thoughts of the Indian Educated in the Colombian Forests by Manuel Quintín Lame. The study focuses on the editors Juan Friede and Gonzalo Castillo-Cárdenas, as they were the only ones who had access to the manuscripts. Based on Gisèle Sapiro's sociology of literature approach, it analyzes the editorial decisions that influenced the reception and interpretation of this work, considered key in Colombian cultural and literary history. It also highlights the importance of editorial studies to understand the mediations that make possible the dissemination of indigenous works and the central role of publishers in the preservation of Lame's legacy.
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Año:
2025
ISSN:
2665-3273, 0123-4412
von Werder, Sophie Dorothee
Universidad de Antioquia
Resumen
This article presents a reading of Tierra contrafuturo, the latest science fiction novel by Luis Carlos Barragán. In the fictional world, Colombians are offered the opportunity to be part of a utopian project; we examine, on the one hand, how subsequent developments become a reflection on Colombia's recent history and political context; on the other hand, we analyse the dynamics that the novel generates, among diverse issues, such as the future and the present, the region, the country and the universe; indigenous people and aliens; utopia and dystopia; tragedy and parody. Finally, we attempt to describe the originality of this work, and show that the novel represents an innovation within a genre.
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Hecho en México, Universidad Nacional Autónoma de México (UNAM). 1997-2025.
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