ISSN: 2310-2799
Aviso:
Los resultados se limitan exclusivamente a documentos publicados en revistas incluidas en el Catálogo 2.0 de Latindex.
Para más información sobre el Descubridor de Artículos escribir al correo: descubridorlatindex@gmail.com.
Leer más
Búsqueda por:
546,196 artículos
|
Año:
2023
ISSN:
0718-2295, 0048-7651
Rodríguez Freire, Raúl
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
|
|
Año:
2023
ISSN:
0718-2295, 0048-7651
Castro, Juan Cristóbal
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
The following approach to the work of José Antonio Ramos Sucre proposes to rethink his poetry from the field of image, highlighting his use of anachronism as opposed to the visual consensus of a representational cut that occurred at the end of the 19th century and the beginning of the 20th in Venezuela. For this, it has been decided to explore his migratory use of the image, tracing its logic from different horizons.
|
|
Año:
2023
ISSN:
0718-2295, 0048-7651
Rodal Linares, Selma
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
Based on Irigaray, I propose a methodological articulation to analyze which are the rhetorical configurations capable of constructing the woman as a mirror to masculine desire in El pozo and Juntacadáveres by Onetti. First, I claim that in both novels the spatial configuration and the use of metonymy and synecdoche produce a nullification of feminine singularities that transforms them into a unique object of desire. Then, I explain that the specularization, at the same time, exhibits the failure of masculine characters to fulfill the model of masculinity projected by the Onettian phalocentrism. Finally, in relation to Juntacadáveres, I argue that the parody simulacrum undertaken by Julita and the “Action girls”, in her appropriation of mimesis, turns her body into a space of resistance and constant transformation that deconstructs gender roles partially.
|
|
Año:
2023
ISSN:
0718-2295, 0048-7651
Bronowski, Cezary
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
The cinematographic work of the director Carlos Velo (1966) refers to the text of the same title, Pedro Páramo, of the writer Juan Rulfo (1955). Velo’s film decodes the meaning of the preceding work, where it is very difficult to differentiate between life and death. In order to achieve this, the director incorporates some of the elements that define the conception of the new «fantastic», according to the multidisciplinary current developed in different theoretical approaches. Similarly, special attention is paid to the treatment of the present, continuum temporalis, and the past, non continuum temporalis, as well as to elements related to memory that refer to the past histories of the characters’ lives in Velo’s film.
|
|
Año:
2023
ISSN:
0718-2295, 0048-7651
Durán Mañas, Mónica
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
This paper analyzes the symmetries and asymmetries that contribute to the construction of the characters in the novel Soldados de Salamina to observe if the symmetric or asymmetric constructions reveal the author’s position with respect to the figure of the hero. For that aim, the concept of symmetry in a narrative context is first defined. Then, the symmetries and variations corresponding to two different levels of analysis are studied, referring, on the one hand, to the structure of the work and, on the other, to the characters. The analysis carried out reveals that structural symmetry –or asymmetry– constitutes in this work a subtle, but effective technique for the construction of the hero, which is anchored in the anonymous, in what remains hidden or lost forever.
|
|
Año:
2023
ISSN:
0718-2295, 0048-7651
Rivadeneira, Blas Gabriel
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
I propose to address the representations of women in Mario Levrero’s work. From the analysis of the Trilogía involuntaria –La ciudad (1970), El lugar (1981) and París (1979)– in dialogue with other texts, I emphasize that the female characters are constructed as two-faced monsters: while they promote the reconstructive search for the protagonist of the stories, they are also an obstacle for this fulfillment. I argue that Levrero configures his female characters taking as a model the archetype of the Jungian anima that brings together both the image of the mother and that of the witch. The woman, constituted as an object of desire, is an elusive phantom that when reached assumes the form of its negative and becomes antiorgasmic, which also accounts for his particular conception of writing as a therapeutic device and (im)possible project.
|
|
Año:
2023
ISSN:
0718-2295, 0048-7651
Simon, Francisco Javier
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
This article analyzes Alma chilena (1912) by Carlos Pezoa Véliz and Hacia allá (1905) by Víctor Domingo Silva, aiming to recognize the type of subjectivity they produce to criticize the political order towards 1900. I propose that these texts elaborate an anarcho-modernist subjectivity, given the reiteration of different ideologemes. On the one hand, the voices of both authors identify themselves with people from the mestizo lower class, whose lives are exploited by the oligarchy. At the same time, this makes them question the value of private property, proposing to recreate society from an egalitarian perspective. Thus, both poets share a similar emancipatory imagination, although they differ from one another, since Pezoa Véliz symbolizes anarchism as a humanitarian ethic, while Silva prefers a revolutionary approach by vindicating the epic attitude of popular insurrection.
|
|
Año:
2023
ISSN:
0718-2295, 0048-7651
Susti, Alejandro
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
This article examines the novel Bioy (2012) by Diego Trelles Paz (Lima, 1977), considering its links with the traditional detective story and the American hardboiled novel. It explores the effects of violence in bodies and subjectivities of masculine and female characters employing the three dimensions of violence proposed by Johan Galtung. In addition, the article identifies a break with some of the hardboiled novel´s elements, particularly those related with the system of characters, as well as the use of multiple voices and narrative perspectives, all this considering the ability of a genre whose history has been typified by a principle of obsolescence (a concept proposed by Jacques Dubois) suitable for a narrative that portrays a society in crisis and exposed to violence.
|
|
Año:
2023
ISSN:
0718-2295, 0048-7651
Castro Godoy, Jimena
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
In this article I will show the cases of two nuns who during the seventeenth and eighteenth centuries gave an account of a particular supernatural experience: the journey to distant and non-Christian lands. I speak of Úrsula Suárez, a Chilean nun (1666-1749), and Francisca de los Ángeles, a “beata” from Querétaro (1674-1744). The trips that both experienced take place within the framework of a visionary experience, where it is not the body that moves but the spirit. And since the destination of the trip was unchristianized lands, the purpose of this would be to evangelize through preaching, an activity that was then forbidden for women. They used the space of the vision to carry out the act of preaching. To explain this, I will make a review of the purposes of the monastic and conventual enclosure to show how the spaces of confinement direct and converge in the visionary journey described in colonial conventual writing.
|
|
Año:
2023
ISSN:
0718-2295, 0048-7651
Lopresti, Leonardo Bruno
Universidad de Chile. Facultad de Filosofía y Humanidades
Resumen
The purpose of this article is to analyze the function of testimony in the short stories and journalistic articles of Argentine writer Haroldo Conti (1925-1976), who described his literature as “an obsessive fight against time”. This fight appears in his writings as the rescuing of everything at risk of being forgotten. Thus, the testimony of experience assumes a key function to understand articles published in Revista Crisis. The creation of a textual materiality from the perspective of memory provides a complex space for the interaction of discursive strategies within fiction, journalism and political analysis.
|
Hecho en México, Universidad Nacional Autónoma de México (UNAM). Todos los derechos reservados 1997-2022. Esta página puede ser reproducida con fines no lucrativos, siempre y cuando no se mutile y se cite la fuente completa y su dirección electrónica. De otra forma, se requiere permiso previo de la institución por escrito. Mapa del sitio | Créditos
